Longuevue Drive is one of the streets in Beverly Heights, one of the plans from the 1920s that make the Mount Lebanon Historic District a museum of interwar domestic architecture. The variety of styles is delightful. One gets the impression that all the rules have been repealed, and you can have whatever house your most childish fantasy specifies, from a French château to a fairy-tale witch’s cottage.
We have dozens of pictures if you choose to see them, but because there are so many, we put them behind a “more” link.
One of the most remarkable things about the houses in the Mount Lebanon Historic District is how little they change. Many of them are preserved almost exactly as they were built—like this one, built in 1934 from a design by Hannah & Sterling. Hannah is Thomas Hannah, an architect at the end of a long and prosperous career when this house was built; Sterling was the younger P. Howard Sterling, who would continue designing houses in Mount Lebanon after his older partner died. The picture above shows the house as it appears today, and the fuzzy microfilm picture (it’s the lower of these two pictures) from the Pittsburgh Press right after the house was built matches it almost exactly.
St. Clair Terrace is another housing plan laid out in the 1920s, with many of the houses built then or in the next decade. It’s included in the Mt. Lebanon Historic District. Here we have some houses on St. Clair Place.
Now a few of the houses on Roycroft Avenue, including some imaginative ones.
Navahoe Drive is just outside the Mount Lebanon Historic District, but it is lined with architecturally significant houses, mostly from the 1930s. It is a curious thing that there was something of a boom in homebuilding in the Depression years. Labor rates were low, so the conventional wisdom was that, if you could afford a home, you would get more for your money by building a new one than by buying an older one. Thus there were many empty houses owned by banks that had foreclosed on them and could not dispose of them, but also many new houses going up, sometimes in the same neighborhoods.
We have quite a few more houses beyond the “more” link.
In the 1930s there was a new interest in the architectural past of America. In Pittsburgh, in particular, two related projects made local architects consider the vernacular architecture of the past in a new light. The Buhl Foundation sponsored the Western Pennsylvania Architectural Survey, which gave some of our better architects, thrown out of work by the Depression, the job of surveying and preparing architectural drawings of significant old buildings. A little later on, the federal Historic American Buildings Survey took on similar work, with many of the same architects. This work not only documented our old buildings: it also thoroughly familiarized some of our prominent architects with the old houses of southwestern Pennsylvania. “Their quiet lines and excellent mass are wholly satisfying,” wrote architect Charles Stotz in The Early Architecture of Western Pennsylvania, a sumptuous folio volume that resulted from the Buhl Foundation’s project. “It seems that in the essential qualities of architectural design their builders, curiously enough, were capable of doing no wrong.”
Their rediscovery of local vernacular architecture inspired some of these architects to imitation. This gorgeous house in Virginia Manor, a tony plan in Mt. Lebanon laid out in the 1920s, is one of the best growths from that fertilization. The architect (old Pa Pitt has not found a name yet) very successfully imitated the materials and proportions of a typical southwestern-Pennsylvania stone house, adapting it with seemingly effortless grace to the modern 1930s life of an automobile suburb.
Hoodridge Drive in Mount Lebanon is another one of those streets where every house is a distinguished work of architecture. The variety of styles is not quite as broad as in Mission Hills or Beverly Heights, but the houses at the western end are on a magnificent scale that qualifies them for the term “mansion.”
The eastern half of Hoodridge Drive is more modest, but there are some interesting and distinctive designs among those smaller houses as well. We’ll be returning to this extraordinary street soon.
Domestic architecture veered strongly toward the fantastic in the 1920s and 1930s, as we can see in some of the houses in Seminole Hills, one of several 1920s suburban plans inspired by the success of Mission Hills in Mt. Lebanon. The house above is a perfect example of what old Pa Pitt classifies as the fairy-tale style in architecture.
Once again, though, property owners hired their own architects, so a wonderful variety of styles is represented in the neighborhood.
Beverly Heights is one of several housing plans from the 1920s that make up the Mt. Lebanon Historic District, one of the best-preserved examples of the 1920s automobile suburb in the country. Mission Hills set the pattern: picturesquely curving streets with plenty of open spaces, and matching setbacks for the houses, but otherwise homeowners hired their own architects and exercised their own taste. The result is a pleasing diversity of styles that makes every street an adventure.
Old Pa Pitt is going to be returning to Mount Lebanon a few more times to document the Historic District, so expect more in the coming weeks.
Last week we saw Mission Hills in the snow. The next plan down the way, Lebanon Hills, was laid out shortly after Mission Hills, and we see it here in the weather nature granted us when we happened to be there. The parts closer to Washington Road have, like Mission Hills, an extraordinarily broad assortment of housing styles; the parts farther east are mostly postwar construction. Here is a large album of some of the more interesting houses.
In order to avoid weighing down the front page, we’ll put the rest of these pictures below the fold, to use a metaphor derived from “newspapers,” an extinct form of communication some of Father Pitt’s older readers may remember.
Mission Hills in Mount Lebanon, laid out in 1921, is a neighborhood where houses in all different styles coexist happily. Most of those styles are historical or romantic; this ultramodern house is a definite outlier, and an unexpected treasure in a neighborhood full of treasures. Father Pitt does not know the architect, but because of the striking similarities between this house and one in Swan Acres attributed to Joseph Hoover, we shall tentatively assign this one to Hoover as well. (And old Pa Pitt promises to get to Swan Acres soon and bring back some pictures of that remarkable neighborhood.)
Could the house number be more perfectly styled to match the house?
And is that a genuine Kool Vent awning over the side door?
