Cedarhurst Manor is a plan where many of the houses date from the Depression era—a time, as Father Pitt has pointed out before, when there was a good bit of home construction going on, because conventional wisdom held that, if you had the money for a house, it was more economical to take advantage of low labor and materials costs and build a new one than to buy an older house. The plan is not included in the Mount Lebanon Historic District (at least not yet), but many of the houses are distinguished architecturally and well preserved.
Arlington Avenue is the business spine of the Arlington neighborhood, although not much business is left. Still, things are picking up, and there are more businesses now than there were a couple of years ago. The buildings on the street share certain similarities in style, but the thing a visitor will notice first is that very few of them are rectangles. Most of them are parallelograms or trapezoids. In these pictures, when you see buildings where the walls do not seem to meet at right angles, that is not because of distorted perspective from a wide-angle or telephoto lens. It is because the walls do not meet at right angles, as we see in this building, with an acute angle on the corner. Note also the cheaper red brick on the side wall, with the expensive Kittanning brick used only on the front.
Arlington Avenue is also a gourmet feast for lovers of utility cables.
The building above is the only one of the storefronts for which old Pa Pitt has an architect’s name: Edward Goldbach, who lived just down the hill from the building. It is quite possible that we will eventually find Mr. Goldbach’s name attached to several other buildings on the street: many of them share similar design principles and a similar taste for yellow Kittanning brick.
The little frame store at left is yet another skewed parallelogram.
These buildings are all skewed.
This Second Empire building was actually rectangular, but the modern storefront addition filled out the lot and made an acute angle.
These cellular masts probably make a large contribution to the economy of the Arlington Avenue business district. And here is our most artistic arrangement of utility cables yet.
This Second Empire building, on the other hand, took full advantage of the whole lot, leaving it with an obtuse angle at the corner.
These buildings are skewed in different ways, just to make sure the streetscape is never boring.
Back in 1968, the streetcar fan David Wilson from Oak Park, Illinois, USA, took this picture of a PCC car in front of the freight office for the Pittsburgh & Lake Erie Railroad. Except for looking cleaner, the building hasn’t changed much. Streetcars no longer pass in front of it, but they stop diagonally across the street at the Station Square station.
The Pittsburgh & Lake Erie could not quite get a foothold downtown, but it had the next best thing: a station right on the Smithfield Street Bridge, so that it was only a short walk from downtown to the P&LE trains—or a short trolley ride, since the streetcars ran on the bridge.
Dowler & Dowler, father-and-son architects, designed this building for the Bell System’s western headquarters in Pennsylvania. We have seen the building from this angle before, but we have not seen it with a bus coming toward you, which is always an improvement.
The Stanwix Street front has a Miesian colonnaded porch, with a cheerful abstract mosaic ceiling.
Those cheerful square polka dots also show up in other parts of the building.
The cornerstone, with its late-Art-Deco lettering and date.
Like many other streets that appear on the maps of hilly neighborhoods, Milo Street is entirely stairs. Whenever you see a street sign that seems to be pointing off the edge of a cliff, a stairway like this is usually the explanation.
Baywood Street is a typical street of upper-middle-class foursquares in East Liberty, mostly well preserved. Several have been turned into duplexes, but without much damage to the outlines of the house, as in the example below—where you should pay particular attention to the exceptionally fine round oriel on the second floor (and ignore the slightly mutilated dormer). The houses on the northeast side of the 5500 block are all the same dimensions and the same basic design, but with the fronts varied enough to make a pleasing diversity; they seem to have been built all at once at some time between 1903 and 1910, all designed with the same pencil.
Thornburg is a small borough in the Chartiers valley where we can find what is probably the best group of Shingle-style houses in the Pittsburgh area. There is some good evidence that most of them were designed by Edward M. Butz, an architect whose most famous work is the Western Penitentiary. The Shingle style is rare in Pittsburgh, and though the houses are in a wide variety of forms, they share certain quirks—the second floor overhanging the first, the use of masonry for the first floor and shingles above, the exaggerated eaves—that suggest the hand of one architect in the different designs.
