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  • Atherstone

    Gateway to Atherstone

    This is a strangely elaborate gateway for a postwar modernist apartment building. But anyone who knows the history of Fifth Avenue can guess that the gateway indicates where a grand mansion once stood on the Shadyside Millionaires’ Row. (Although city planning maps make Fifth Avenue the boundary between Shadyside and Squirrel Hill, traditionally both sides of the street were counted as “Shadyside.”)

    Inscription reading “Atherstone”

    Atherstone was the mansion, or “castle” as locals would have said, of hardware and steel magnate John Bindley.

    From the Bulletin Index, December 8, 1939.

    It was built in 1890, greatly expanded during the First World War (when these pillars were built), abandoned in 1929, and torn down in 1938.

    Pillar in the Gothic manner

    When the demolition began, the Bulletin Index, Pittsburgh’s high-toned society magazine, ran an article about the house that we reproduce below. The magazine had been infected by Timestyle with its horror of conjunctions and its quirky capitalization, but we trust our readers to interpret it without too much difficulty. The article gives us a picture of Depression-era Fifth Avenue at its lowest point, before the postwar housing boom filled many of the vacant estates with modern apartment buildings.

    Gateway to Atherstone

    Atherstone

    Forty years ago young Theodore Dreiser used to spend his evenings reading Balzac in the Allegheny Public Library, his Sunday afternoons walking out Fifth Avenue and back again. It was then one of the wealthiest, swankiest, most famous streets in the world. Dreiser gaped at the great mansions, marvelled years later in his autobiography that “even the lamp posts were better than in other parts of the city.” One of the most magnificent of the castles he gaped at was “Atherstone” (see cut).

    Atherstone was a work of art, a baronial symbol of the great-spending paleo-industrial age of which William Randolph Hearst is the sole remaining big figure. Pittsburgher John Bindley, having grown rich with his Grant Street hardware store, richer as co-founder of the Pittsburgh Steel Co., built his four-story gargoyled castle (in 1890) in the grand manner, with crenellated turrets and 80 windows with leaded panes, named it after his ancestral home place in England. A widower with only two of his six children living, he travelled through Europe every year with his niece Elmina, brought back paintings, furniture, hand-carved panelling, marble mantel-pieces in the fashion of one who feels it a class privilege and duty to patronize the arts. Fixtures he had made to order in Manhattan to match the furniture he bought, for the Chippendale dining room, the Japanese room that was his favorite. During the prosperous war years Steelman Bindley spent $200,000 to remodel, add a wing to his castle. In an enlarged residence of 24 rooms, six baths, he installed an electric elevator, new copper drains, plumbing and kitchen equipment, added cupboard space that virtually equalled the room volume of an ordinary house, put two carved stone pillars at the driveway entrance, two huge solid oak doors at the entrance of the hand-carved oak panelled hall.

    Four years later, at the age of 75, Steelman Bindley died. Atherstone and contents were left to Son Edward Houston Bindley, who died in 1929, to Daughter Adelaide Bindley Davidson, who closed up the castle, put most of the furniture (including the Japanese room) into one end of the Hoeveler warehouse, moved to California. Installed above the spacious six-room coachhouse in the rear was Niece Elmina McMillin, her four servants.

    Many a great mansion Theodore Dreiser looked upon forty years ago now stands boarded up and weed-choked, many another has been torn down to leave great toothless gaps in swank Fifth Avenue. Fortnight ago came word that John Bindley’s Atherstone, scene of many and lavish entertainments, was to be given into the hands of home-wrecking Austin Givens, Inc. (who eleven years ago tore down John Bindley’s hardware store to make way for the Gulf Building). Last week the curious and buying public poked and peered through the cold bare rooms of Atherstone, being auctioned bit by bit. This week Wrecker Givens began to tear down, cart away.

    —The Bulletin Index, December 8, 1938, p. 33.

    Pillar
    Sony Alpha 3000; Nikon COOLPIX P100.

    Comments
    August 25, 2025
  • Third Presbyterian Church, Shadyside

    Third Presbyterian Church

    “Mrs. Thaw’s chocolate church” was what the neighbors called it, since the brownstone church was largely built with Thaw money. The architect was Theophilus P. Chandler, Jr., a name that sounds as though its bearer was summoned into being to have his suspenders cut by the Marx Brothers.

    Lantern
    Side entrance
    Transept
    Rear of the church
    Rear
    Fujifilm FinePix HS10; Sony Alpha 3000.

    More pictures of Third Presbyterian.


    Comments
    August 24, 2025
  • Waverly Presbyterian Church, Park Place

    Waverly Presbyterian Church

    A magnificent building that takes full advantage of a magnificent site, right at the busy corner of Forbes and Braddock Avenues. It was dedicated in 1930; the architects were Ingham & Boyd, who abstracted the Gothic style into a cool and elegant modernism that does not look dated at all almost a century later.

    Entrance

    When the cornerstone was laid on November 17, 1928, the Press described the planned facilities:

    The new church will be of early English gothic style of architecture. The contract for the erection of the church has been awarded to Edward A. Wehr, noted builder of a number of famous churches in Pittsburgh and other cities. The seating capacity of the new edifice will be slightly in excess of 600. The exterior walls will be of Indiana limestone. The roof will be an “open timber” roof, with wood trusses exposed. In the vestibule, oak paneling will be used to the top of the doors, with plaster above and an oak beam ceiling. The floor of the vestibule will be tile. Paneled and carved woodwork will be used at the front of the auditorium, the pulpit, reading desk, choir gallery and organ screen being designed as a unit to create a focal point in the design at this location. Temporary windows will be of leaded glass of good quality, in the hope that from time to time these temporary windows may be replaced with memorial windows of stained glass, of high quality in design and workmanship.

    That the assembly room on the ground floor may be used as a social room as well as for Sunday school purposes, a temporary kitchen has been arranged for, adjoining. At the opposite end of the assembly room, shower baths and locker rooms have been provided in accordance with the original intention of using this room for recreational purposes also.

    —“Sunday Service to Mark Start on New Church,” Pittsburgh Press, November 17, 1928, p. 5.

    West front
    Pittsburgh Press, May 18, 1930, p. 23.
    Waverly Presbyterian Church
    Olympus E-20N; Fujifilm FinePix HS10.

    Comments
    August 24, 2025
  • Congregation Ahavath Achim, Carnegie

    Congregation Ahavath Achim

    Ahavath Achim (“Brotherly Love”) is an independent Jewish congregation that describes itself as “traditional, but egalitarian,” meaning that women and men participate equally in traditional Hebrew services. The synagogue was founded in 1903, and the modest and tidy little building blends two styles so successfully that drivers on busy Chestnut Street probably don’t notice the blending. When you stop and look, though, you can see that the foyer is a modernist addition on an early-twentieth-century synagogue. The bricks are matched, however, and the sharply drawn lines of the addition seem to fit well with the early-modern rectangularity of the main building.

    Inscription: “Ahavath Achim Congregation”
    Front with foyer
    Foyer
    Congregation Ahavath Achim
    Star of David
    Congregation Ahavath Achim
    Olympus E-20N; Fujifilm FinePix HS10.

    Comments
    August 23, 2025
  • A Few Houses in Oakdale

    115 Hastings Avenue

    Oakdale was a prosperous little town, as we can see by these houses in a variety of styles, all on the same street. It is still a fairly prosperous town today, and most of these houses have been kept up and altered in various ways that suited their inhabitants over the years. We present them without further comment, except to say that, if you come away with the impression that the back streets of Oakdale are very pleasant, your impression is correct.

    24 Hastings Avenue
    38
    39
    54
    54
    54
    61
    61
    69
    69
    Olympus E-20N; Fujifilm FinePix HS10.

    Comments
    August 22, 2025
  • Minnetonka Building, Shadyside

    Minnetonka Building

    Built in 1908, the Minnetonka Building was designed by Frederick Scheibler, and it would be hard to imagine the impression it would have made in Edwardian Shadyside. It looks like a building thirty or forty years ahead of its time, with its simple forms and streamlined curves that look forward to the Moderne architecture of the 1930s and 1940s. But it also has details that remind us of the most up-to-the-minute ideas from those Viennese and German art magazines that we know Scheibler got his hands on.

    Doorway, Minnetonka Building

    This doorway with its Art Nouveau window and Egyptian-style tapering would have been right at home in a magazine like Deutsche Kunst und Dekoration.

    Art glass with roses
    Storefront entrance
    Perspective view of doorways
    Minnetonka Building
    Olympus E-20N.

    More pictures of the Minnetonka Building.


    Comments
    August 21, 2025
  • Engine House No. 16, North Point Breeze

    Engine House No. 16

    No longer a firehouse, but the building has been adapted to other uses with care to preserve as much of its original stocky Romanesque look as possible.

    Engine House No. 16
    Sony Alpha 3000.

    Comments
    August 20, 2025
  • Two Old Houses in Noblestown

    7317 Noblestown Road

    This old house was probably built in the middle 1800s, but the simple vernacular style of it makes it hard to date with any precision. It was obviously put up at a time when the main street of Noblestown was more a path than a road; now anyone stepping out the front door has to be careful of traffic. (The church in the background is the Noblestown Methodist Episcopal Church.)

    House next to Noblestown Road
    House by Noblestown Road
    7314 Noblestown Road
    Olympus E-20N.

    This somewhat larger house is almost identical in layout; it probably just has larger rooms in the main part of the house. The porch is a later addition—probably from the first quarter of the twentieth century, to judge by the Craftsman-style tapered pillars and rusticated concrete blocks.


    Comments
    August 19, 2025
  • Nora McMullen Mellon House, Shadyside

    Nora McMullen Mellon house

    Something interesting must lurk behind this wall along Howe Street.

    Gateway

    As we step closer we notice the Pittsburgh History and Landmarks Foundation plaque, and we begin to get a view of the cottage beyond the wall.

    Nora McMullen Mellon house
    Fujifilm FinePix HS10.

    The sheltering wall seems to be there less to conceal the house than to delight us with the revelation. This is the Nora McMullen Mellon house, built in 1911 from a design by Thomas Scott. The unusual (for Pittsburgh) choice of stucco with brick trim makes this English cottage stand out on the street, and the current owners keep it as pretty as an architect’s rendering.


    Comments
    August 18, 2025
  • Pittsburgh New Church, Point Breeze

    Church of the New Jerusalem, or the New Church

    This picturesque church, built for the Swedenborgian Church of the New Jerusalem in 1930, still serves its original congregation, now under the name “The New Church.” The architect was Harold Thorpe Carswell, who had been an apprentice of Ralph Adams Cram; to judge by the few references to him on line, this is one of his best-known works. Few Pittsburghers ever see it, however, because it sits at the end of a one-block dead-end residential street in Point Breeze.

    Belfry of the Church of the New Jerusalem, or the New Church
    Entrance
    Inscription

    The inscription, in florid medievalistic lettering, reads, “Nunc licet intrare in arcana fidei”—an abridged quotation from Swedenborg, which we may translate as “Now we are permitted to enter into the hidden things of the faith.”

    Belfry of the Church of the New Jerusalem, or the New Church
    Church of the New Jerusalem, or the New Church
    The New Church School

    The attached school is in a complementary Tudor style.

    Church of the New Jerusalem, or the New Church
    Olympus E-20N.

    Comments
    August 17, 2025
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