Carpenter & Crocker designed this rich-looking building for a real-estate man named S. H. Lloyd. It was built in 1905 or 1906, and a photograph published in 1907 shows it looking little different from the way it looks today.
Once the building was finished, the architects moved their own office into it,1 thus making a favorable impression on potential clients even before they walked in the door.
Kodak EasyShare Max Z990; Canon PowerShot SX20 IS.
Up-Town: Greater Pittsburg’s Classic Section, p. 34 (unpaginated), 1907. “Much that is best in this line of work is that which has been executed by the architectural firm of Carpenter and Crocker whose offices are 410 in the Lloyd Building, which was erected by that firm last fall.” ↩︎
Designed in 1902 by the Beezer Brothers, this was Wilkinsburg’s contribution to the early skyscraper age. It was put up for Leopold Vilsack, a real-estate investor who was also one of the founders of the Iron City brewery. He named it for his son Carl; later it became known as the Shields Building.
When it was announced, the building was to have eight floors. One floor fell away between initial design and construction.
The building is now apartments. The base has been refurbished with a simpler and more abstract design that hardly registers as different from the original until we look at it closely.
The cap is festooned with elaborate Baroque terra-cotta ornaments.
Father Pitt began this article by writing, “This house, built in 1884…”
And then he stopped.
The common wisdom says that this house, now the Music Building of the University of Pittsburgh, was designed by Longfellow, Alden & Harlow and built in 1884. That is the information in the Wikipedia article and in the city architectural survey and the National Register form for Schenley Farms and in the University of Pittsburgh Civic Center Conservation Plan.
But the date is obviously wrong: the firm of Longfellow, Alden & Harlow was founded when H. H. Richardson died in 1886, and an 1890 plat map shows the lot still vacant. (It is possible, therefore, that the universally accepted date “1884” originated as a misprint for “1894.”) As for the architects, the building does not appear on Margaret Henderson Floyd’s catalogue of their works in Architecture After Richardson, though we know that Floyd’s vast research missed a few buildings that have since been identified.
So here we have an example of a perfectly good and universally accepted fact that completely unravels when old Pa Pitt pulls at a loose thread. He has nothing yet to offer in its place except the pictures of the whimsical decorations that he originally intended to show you.
This much we know: the house was built for William J. Holland, pastor of the Bellefield Presbyterian Church across the street (designed by Frederick Osterling in a similar Romanesque style), and chancellor of the Western University of Pennsylvania (later the University of Pittsburgh), and then Director of the Carnegie Institute. He was also perhaps the world’s leading lepidopterist, a teacher of ancient languages, an accomplished paleontologist, and a speaker of Japanese, in case he needed any more accomplishments to impress you.
When the house was built and who designed it will have to remain open questions for the moment.
The house is decorated with Romanesque carvings that have eroded into a medieval softness in Pittsburgh’s harsh atmosphere.
Half-emerged from a hole in the rocks along the Homewood Trail in Frick Park. If you see a snake like this in your yard, it is your friend. It is harmless to humans (unless you really mistreat it, in which case it may bite and leave you with a scratch that you probably deserved), and it eats small rodents and other things that you would otherwise be calling an exterminator to take care of.
Alden & Harlow were the architects of this classically symmetrical school, which was built in 1926. Alden had died in 1908, and Harlow had only another year to live (he died in 1927); it seems that by this time much of the design work in the firm was done by Howard K. Jones. The school now is kept in good shape as the home of various community services.
The 1920s were in the middle of the golden age of terra-cotta ornament.
The architects had a typically Pittsburghish lot to deal with, so the school has four floors above ground on the Wallace Avenue front and two in the rear on North Avenue.
We last saw Meado’cots, the unique terrace designed by Frederick Scheibler and built in 1914, about a year and a half ago. Here it is again, with no other excuse than that we happened to be in the neighborhood when the sun was shining on the front.
From Sarah H. Killikelly: The History of Pittsburgh: Its Rise and Progress. Pittsburgh: B. C. & Gordon Montgomery Co., 1906, plate facing page 106.
In the early 1800s, the Diamond was the location of the courthouse (moved to Grant Street in 1857), which put the courts at the bustling heart of the city. The market itself was a semicircle, and that unusual design has been revived for the newly reconfigured Diamond.
The north end of the Sixteenth Street or David McCullough Bridge, as seen from a vacant lot in Schweitzerloch. Below, one of the armillary sculptures by Leo Lentelli.
A church crammed into a tiny lot, so that it is as tall as it is long. This is one of the many city churches with the main worship space upstairs, the ground floor being devoted to Sunday-school rooms and offices.
The architect was Edward M. Butz, most famous today for the colossal Western Penitentiary.1 The construction was begun in 1894, but the church was built in two stages: at first only the ground floor was put up, with a temporary roof.
This was designed as a large open space that, when the main sanctuary was built above it, could be converted to Sunday-school rooms divided by folding doors.
The congregation grew rapidly, and less than five years later the church was completed.2
A Pittsburg Press article published when the church was dedicated in February of 1899 describes the building:
The new church is one of the handsomest church buildings in that section of Allegheny. Its dimensions are 60×75, and it is built of red brick with stone trimmings. The style is purely Gothic, and it has beautiful large glass painted windows. The building contains two stories, the lower floor being used for Sunday school purposes. It is divided in seven separate class rooms, which are connected by sliding doors. On this floor also is the pastor’s study. About 450 children are enrolled at present as Sunday school pupils.
The auditorium is situated in the second story. It has a seating capacity of 500, the seats being arranged in amphitheater style. A bell, which is said to have a more beautiful tone than any other church bell in Allegheny, has been given by William Eberhardt, of the Eberhardt & Ober Brewing company, and it is hoped that Andrew Carnegie will provide a pipe organ for the church. The members recently applied to the generous iron king and hope that their petition will receive favorable consideration.
“Grace Lutheran Church,” Commercial Gazette, July 27, 1894, p. 2. “The Grace Lutheran church of Allegheny took out a permit yesterday for the erection of a new church. It is to be located on Tinsbury street, Troy hill and will be a brick structure one story high 45×70 feet. E. M. Butts [sic] is the architect and M. Lemon the contractor. It is estimated to cost about $7,000.” ↩︎
