We last saw Meado’cots, the unique terrace designed by Frederick Scheibler and built in 1914, about a year and a half ago. Here it is again, with no other excuse than that we happened to be in the neighborhood when the sun was shining on the front.
In the early 1800s, the Diamond was the location of the courthouse (moved to Grant Street in 1857), which put the courts at the bustling heart of the city. The market itself was a semicircle, and that unusual design has been revived for the newly reconfigured Diamond.
The north end of the Sixteenth Street or David McCullough Bridge, as seen from a vacant lot in Schweitzerloch. Below, one of the armillary sculptures by Leo Lentelli.
A church crammed into a tiny lot, so that it is as tall as it is long. This is one of the many city churches with the main worship space upstairs, the ground floor being devoted to Sunday-school rooms and offices.
The architect was Edward M. Butz, most famous today for the colossal Western Penitentiary.1 The construction was begun in 1894, but the church was built in two stages: at first only the ground floor was put up, with a temporary roof.
This was designed as a large open space that, when the main sanctuary was built above it, could be converted to Sunday-school rooms divided by folding doors.
The congregation grew rapidly, and less than five years later the church was completed.2
A Pittsburg Press article published when the church was dedicated in February of 1899 describes the building:
The new church is one of the handsomest church buildings in that section of Allegheny. Its dimensions are 60×75, and it is built of red brick with stone trimmings. The style is purely Gothic, and it has beautiful large glass painted windows. The building contains two stories, the lower floor being used for Sunday school purposes. It is divided in seven separate class rooms, which are connected by sliding doors. On this floor also is the pastor’s study. About 450 children are enrolled at present as Sunday school pupils.
The auditorium is situated in the second story. It has a seating capacity of 500, the seats being arranged in amphitheater style. A bell, which is said to have a more beautiful tone than any other church bell in Allegheny, has been given by William Eberhardt, of the Eberhardt & Ober Brewing company, and it is hoped that Andrew Carnegie will provide a pipe organ for the church. The members recently applied to the generous iron king and hope that their petition will receive favorable consideration.
A double house that presents the appearance of a single Second Empire mansion. French architects of the Second Empire might have turned up their Gallic snoots at the crust of lavish details, but those details are carefully balanced and create a pleasing composition, even if they are gaudy in a cheerfully Victorian way.
This splendid building dates from 1883; it is one of the most substantial remaining works of Joseph Stillburg, who was a big deal in Pittsburgh in the 1800s. Eberhardt & Ober was later absorbed into Pittsburgh Brewing, but the E&O brand was kept for many years, along with the memorable slogan “Early & Often.”
The building is well kept as the home of the Penn Brewery, which arguably founded the craft-beer movement and probably makes better beer than Eberhardt & Ober ever made.
This office building, also designed by Stillburg, was built in 1897.
The tall building with few windows was the stock house. Old Pa Pitt is not sure what the handsome little building attached to it was; perhaps a neighborhood historian can enlighten us.
Ordinary materials are given a touch of postmodern whimsy to make a station that is entertaining to look at if, for example, you happen to be stuck on the platform for an hour waiting for a construction shuttle on the Red Line.
This is almost unique in Pittsburgh: an apartment building that curves into a crescent shape to follow the curve in the street. It is deliberately given a Georgian look to remind us of the crescents in London. Old Pa Pitt has not been able to determine an architect yet; the complex was built for James A. Wilson in 1903. In 2011 it was restored under the supervision of Landmarks Design Associates.
The big building included storefronts as well as apartments.
A “flatiron” building is a wedge-shaped building, like an old-fashioned clothes iron. There are many in Pittsburgh: our irregular streets leave odd-shaped parcels that naturally fill up with whatever buildings will fit. This one made the most of its corner location by putting a storefront there, now filled in for an apartment. The ornamental brickwork is attractive, and a few carved-stone decorations give the building properly Romanesque credentials.
In 1915 the city of Pittsburgh was on a school-building binge and could hardly find architects to keep up with the demand. Thus there are schools from that era in widely different styles. Here we have a fine example of Collegiate Gothic with just a touch of Art Nouveau. The architects were Vrydaugh & Wolfe, otherwise best known for churches and millionaires’ mansions.
In 1916, when the school was a year old, the architects showed their design and this photograph at the Pittsburgh Architectural Club’s annual exhibition, so we can see that very little has changed about the exterior of the school. The most obvious change is to the windows, which have been replaced with modern windows, the same size as the originals but without the multiple small panes. (The very dark shade of the brick is the result of the film stock of the era, which was not very sensitive to red light.)
