This splendid church was designed by Bellevue’s own Leo A. McMullen, an architect and organist who is almost forgotten today, but whose works were highly regarded in his time. The American Institute of Architects counted him as one of “six architects who shaped Pittsburgh,” according to his obituary in 1963.
The four evangelists—Mark, Matthew, John, and Luke, in that order—are lined up on the façade, each holding open a book that displays the first words of his Gospel.
The Shields Chapel was built in 1868 as a Presbyterian church donated by Eliza Leet Shields, extremely rich person, on the grounds of her estate. After sitting vacant for a long time, it is now occupied by the second congregation of Grace Anglican Church.
Camera: Samsung Digimax V4.
Next to the church is what appears to be another church, immemorially ancient; but it is actually the Shields family mausoleum, built in 1893. Apparently no mere cemetery was classy enough for the Shields family. This is an enormous mausoleum, as big as a church, and in fact Grace Anglican’s congregation met in it before the Shields Chapel became available. There is space for thirty-six permanent residents here, of which number eighteen have already moved in.
This splendid building was put up in about 1906 (Update: It was in the planning stages at the end of 1906; see the end of this article.) It has not been used as a church for about a quarter-century, but it is still kept scrupulously beautiful by the current owners. Compare Father Pitt’s photograph above with the old postcard below, printed when the church was very new (to judge by the utter lack of bushes or other landscaping).
The style is interesting: old Pa Pitt might almost call it Richardsonian Gothic. It has the heaviness of the Romanesque style that Richardson was famous for, but with pointed arches—only just barely pointed, however, as if they are a little embarrassed about being caught in their Gothicness.
Addendum: The architects were Allison & Allison. Source: The American Architect and Building News, December 1, 1906: “Avalon, Pa.—Architects Allison & Allison, Westinghouse Building, Pittsburg, have prepared plans for a stone church for the U. P. congregation, Avalon. Address the architects.” Now a private home, but beautifully kept.
Still an active church, now as a Lutheran congregation, which would have annoyed George Rapp to no end, since he escaped from Lutheran persecution in Germany. This church was probably designed by George Rapp himself; it was built with bricks made by the Harmonists on site, and it was finished in 1831. The clock tower is delightful and distinctive, but the clock has stopped.
This church dates from the late 1920s, but it looks timeless—it has a sort of Hollywood medieval look that would be at home in a Hollywood medieval movie. The congregation, after dwindling in the 1980s, is now vigorous, with an offshoot congregation in Edgeworth.
Father Pitt is especially fond of Old St. Luke’s, partly for its history (its congregation was at the center of the Whiskey Rebellion), but mostly for its situation in a picturesque country churchyard.
This church is not all that old, having been built in 1896; but it sits on a site where there has been a church since 1834, and a burying-ground since 1796. The Cross Roads Presbyterian Church has moved to a much larger building some distance away, but still maintains the cemetery. The borough owns this building, and the Monroeville Historical Society uses it.
The bell tower was added in 1976; it is dedicated to George Westinghouse and Nikola Tesla. Father Pitt has not researched the subject thoroughly, but he suspects that this is the only bell tower in the world dedicated to Nikola Tesla.
This Slovak church is no longer used, but the building is still kept in good condition.
The Romanesque façade, with its colorful inlays, is something extraordinary even in a region of extraordinary churches.
The relief of Ss. Cyril and Methodius, apostles to the Slavs, shows more than a little Art Deco influence.
Until a few years ago, the tower held up a fine statue of St. Joseph the Worker, one of the last major works of the great Frank Vittor. It has been moved to St. Maximilian Kolbe parish, where you can see it at eye level.
Update: Some of the information about the architect was wrong in the original version of this article. Back in those days, the Society of Architectural Historians article on this church said, “Little is known about Budapest-born Titus de Bobula.” But Old Pa Pitt has fixed that. Now you can read his article about Titus de Bobula and know way too much.
The cathedral moved farther out into the suburbs (though still in Munhall borough), and this is now the National Carpatho-Rusyn Cultural and Educational Center—an institution that keeps no regular hours and obviously can barely afford to keep the building standing. But the church is loved, and we may hope that whatever love can accomplish will be done for it. The architect was Titus de Bobula, a Hungarian who designed several churches around here. He is a fascinating character: he went back to Hungary in the 1920s and was imprisoned for plotting to overthrow the government; then he came back here and became an arms dealer, while simultaneously working on the designs for the structural aspects of Nikola Tesla’s fantastic, and possibly delusional, electronic superweapons, which of course were never built. It is not often that we find such a direct line from a Carpatho-Rusyn cathedral to the world of science fiction.
Connoisseurs of elegant lettering should not miss the plaque identifying the architect, contractor, and building date. Father Pitt suspects that de Bobula himself designed it: there is nothing else quite like it in Pittsburgh, and the style seems very much like the Art Nouveau of Budapest. (Update: The style is identical to the lettering De Bobula used to sign some of his drawings, so we may be confident that it is his.)
This colonial-era congregation in what is now Scott Township found itself at the center of the Whiskey Rebellion, which began when General John Neville, a church member and an old pal of President Washington’s, was appointed tax collector. The current stone building was put up in 1852, but the congregation was founded in 1765.
