
This little church—now converted to a private home—presents a bricky front to the world in a typically Pittsburgh Romanesque style.

But the front is only a few feet deep; it is attached to a modest frame building.







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This little church—now converted to a private home—presents a bricky front to the world in a typically Pittsburgh Romanesque style.

But the front is only a few feet deep; it is attached to a modest frame building.








Father Suitbert Mollinger was the founding pastor of of Most Holy Name of Jesus parish on Troy Hill. He was also rich: he had inherited a good bit of money, and he used it in travels through Europe to buy up saints’ relics that were otherwise being tossed out in the waves of revolutions that were washing across the continent in the middle 1800s. He built this chapel to house the collection, which is probably the largest accumulation of relics in one building in the world. He dedicated it to his patron St. Anthony of Padua.

Here is St. Anthony of Padua himself, shown as he often is in art with a book on which the Christ child is sitting, referring to the story that Anthony was once meditating on Scripture when the child Jesus himself appeared to him.

Building in honor of St. Anthony of Padua…

…erected 1882, enlarged 1890.





Later known as the Mulberry Presbyterian Church. O. M. Topp and Charles W. Hutchison, “țhe well-known Pittsburg architect,” were the architects of this church, built in 1911.1
In spite of his self-declared notability, Charles W. Hutchison has not left much of a visible architectural legacy: after some searching, old Pa Pitt found only two projects definitely attributable to him, of which this is one. It was probably his own church: he lived in Wilkinsburg. His moment of greatest fame came the year after this church was built, when his honeymoon trip was interrupted by the wreck of the Titanic: he and his bride were passengers on the Carpathia, the ship that picked up Titanic survivors. He sold his story, with a well-made diagram of the scene of the rescue, to the Press, which put him on the front page as “the well-known Pittsburg architect.”

Olaf M. Topp, on the other hand, was a very successful architect with a long career ahead of him and much experience behind him. Half the prewar Lutheran churches in the Pittsburgh area were designed by Topp, in addition to a few for other denominations; and in secular buildings his greatest work was the still-lamented Jenkins Arcade.

A while ago this church was taken over by an organization with ambitious plans to turn it into a Center for Civic Arts. The plans seem to have run hard up against economic reality, however, and when old Pa Pitt visited recently the building was up for sale again.






These are far from the first pictures of this cathedral that old Pa Pitt has published, and they certainly will not be the last. A cathedral is too big a deal to take in all at once.

The west front (liturgically speaking1) is a towering Gothic fantasy whose scale is hard to convey in a photograph. Here the human figures on the steps give us some context.


The main doors turn on the mightiest hinges in Pittsburgh.


This would be a magnificent main front for any church; here it is just the façade of the south transept.

The south-transept entrance.
We have many more pictures of St. Paul’s from many years of passing by with a camera.

Wilkinsburg’s own Milligan & Miller were the architects of this church, built in 1907.1


Old Pa Pitt’s favorite features of this church are the arcaded porches, like medieval cloisters, on both sides of the building.

The wheelchair ramp on this side was added with good taste (and a high budget).

Cornerstones from the previous churches are set in the wall under the roof of the right-hand porch.


We also have some monochrome pictures of the South Avenue Methodist Episcopal Church.

More details of Heinz Chapel, including the arms of various American colleges and universities. We have another collection of details of Heinz Chapel here, or you can see our whole collection of Heinz Chapel pictures spanning nearly nineteen years.









Still serving its original congregation, now as the Mifflin Avenue United Methodist Church. This church in the Wilkinsburg quarter of Regent Square, a single neighborhood divided among four municipalities, was built in 1923. The architect was Victor A. Rigaumont, who would later become nationally famous as a reliable designer of Art Deco movie palaces. Perhaps we can see a little Hollywood sensibility already in this church: the design is more flamboyant than the usual corner-tower Gothic church, and the huge Gothic arch that includes both the three front entrance doors and the windows above them is more like a set designer’s fantasy Gothic than a pedantically correct interpretation of medieval forms.





Note the signature above this tiny basement door: “V. A. Rigaumont R. A. Architect.”


The education wing was built thirteen years earlier, in 1910; the architects were Wilkinsburg’s own Milligan & Miller. The older building was used as the worship space until the main church was built.


This charming little church was built in 1912; and, having said that, old Pa Pitt has exhausted his knowledge on the subject. It now belongs to the Christ Missionary Baptist Church, which has kept it in beautiful and nearly original condition, as we can see from this photograph taken just before the dedication in December of 1912.






Like a great European cathedral, East Liberty Presbyterian Church, which Ralph Adams Cram considered his masterpiece, is too huge and complex to take in all at once. We can only appreciate some of the details, and then come back later for more. Here are some views from various spots in East Liberty.















Three buildings of St. Ambrose parish (now part of Holy Wisdom parish) are lined up along Haslage Avenue on tiny lots. We begin with the church, built in 1894, when the parish was going by the Latin version of the name. (If the atmosphere in these pictures seems a bit murky, that is because they were taken on one of the recent days of Canadian smoke in the air.)

The church has been crusted over with so many additions and alterations that it is hard to imagine what it looked like when it was built. It seems, however, to have been a typical small Romanesque church of the late 1800s, with the usual decorative brickwork and an outsized tower in front. Father Pitt did not succeed in finding the name of an architect.


These chimneys and the cross-bearing crest were obviously meant to be seen, but they are now almost completely invisible behind later construction.

The next building to be put up was the convent, in 1911. It was designed by Edmund B. Lang,1 who (along with his brother Herman) designed many buildings for German Catholics.


Finally, in 1928, the school was built. The architect was William P. Hutchins,2 who matched his design to the round arches and crenelated brick ornamentation of the church.





