Looking up at Henry Hornbostel’s tallest work, an Art Deco skyscraper that sits right next to the same architect’s Beaux Arts City-County Building.
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Grant Building from the Boulevard of the Allies
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Allegheny County Airport
The Art Deco terminal was built in 1931 to a design by Stanley Roush, with additions in 1936 by Henry Hornbostel. At that time this was the largest airport in the world.
Because a new airport opened in the western suburbs right after the Second World War, this is one of the few nearly unchanged prewar airport terminals in the world, and it has played in period-piece movies.
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Reliefs on the City-County Building
On the left, the arms of Allegheny County; on the right, the arms of the City of Pittsburgh.
Allegheny County.
Pittsburgh.
Addendum: The sculptures are by Charles Keck, who also worked with architect Henry Hornbostel on numerous other buildings, including Soldiers and Sailors Hall.
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Spire of the Smithfield United Church of Christ
The first structural use of aluminum was this ornate tracery spire on the Smithfield Congregational Church by Henry Hornbostel. Unfortunately the decorative stamped concrete that covers the rest of the church is crumbling, and it will cost millions to repair. The church has been shrouded in mesh for years now, but the spire still proudly catches the early-morning sun.
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Webster Hall
Webster Hall was designed by Henry Hornbostel, Pittsburgh’s favorite architect in the early twentieth century. It was built as a luxury hotel [Update: in fact it was originally bachelor apartments, but that venture soon failed, and it was converted to a hotel] in 1926, and we can see Hornbostel moving from his flamboyant classical style (as exemplified in the City-County Building) to a sort of restrained Art Deco.
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Design for the City-County Building
This rendering was published in 1916, before the building opened in 1917; but this is how the City-County Building still looks today. “Diamond Street” is now part of Forbes Avenue, except for the remnant of the outer end that veers off Forbes for one scraggly diagonal block to meet Fifth Avenue.
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Rodef Shalom Temple
Although it’s technically in Shadyside, Rodef Shalom stands at the east end of the Oakland monumental district, the long row of dazzling architecture along Fifth Avenue. Much of the dazzle was contributed by Henry Hornbostel, and few of his buildings are more dazzling than this. It was built in 1907, and it is far and away the finest synagogue building in Pittsburgh.
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Grant Building
KONICA MINOLTA DIGITAL CAMERA Henry Hornbostel’s only real skyscraper was briefly the tallest thing in Pittsburgh when it opened in 1929, before being surpassed two years later by the Gulf Building. It’s famous for the air beacon on top—red until recently, but now green to match the logo of the Huntington Bank—that flashes “Pittsburgh” all night in Morse Code. Behind and to the left, the building with three enormous arches is Hornbostel’s City-County Building.
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Caricature of Henry Hornbostel
Pittsburgh’s favorite architect as he appeared at the height of his creative power, from Sketches, Serious and Otherwise: Men of Pittsburgh and Vicinity, by W. S. Washburn. Alert readers will note that Father Pitt himself makes a few guest appearances in this book. The Tech banner reminds us that Hornbostel established the School of Architecture at Carnegie Tech and was for many years the head of the Department of Fine Arts there.
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Inside the Arches
The porch of the City-County Building is a massive, welcoming space. Something has to be done inside those gargantuan arches, and this is it: an abstract pattern of interlocking arcs that makes the ceiling look something like the vault of heaven, with the sun at its zenith, surrounded by cheerful cumulus clouds.
The City-County Building is two blocks south on Grant Street from the Steel Plaza subway station.
