From the beginning, the campus of Carnegie Tech was designed by Palmer and Hornbostel as a warren of interconnected buildings surrounding pleasant green spaces. The older buildings, like Baker Hall, celebrate the engineering and architecture they were designed to teach. Old Pa Pitt particularly loves this stairwell window, which expresses the idea of stairs with a clarity that modernist architects of a later generation would not have been able to match.
Hamerschlag Hall, the centerpiece and symbol of Carnegie Mellon University, was named for the first president of the Carnegie Technical Schools, Arthur Hamerschlag. This was one of the original Carnegie Tech buildings designed by Palmer and Hornbostel, whose campus design has been followed surprisingly faithfully by succeeding generations of architects. It is perfectly positioned for a view down the Mall that captures the Cathedral of Learning, centerpiece and symbol of Pitt, looming in the background.
No one knows exactly what the Mausoleum at Halicarnassus looked like when it was intact. It was one of the Seven Wonders of the World, but today all that is left is a bit of rubble. The rough outlines are generally known, however, and the speculative reconstructions of it have been productive of more monumental architecture in Pittsburgh than perhaps any other classical building. At least half a dozen buildings in Pittsburgh were inspired by it: Soldiers & Sailors Hall, the Hall of Architecture at the Carnegie, Presbyterian Hospital, Allegheny General Hospital, the Gulf Building, and the Wilkins mausoleum in the Homewood Cemetery. Above is James Fergusson’s version of how it must have looked, and Fergusson’s was one of the most influential reconstructions. See if you can spot the resemblance with the Soldiers and Sailors Memorial by Henry Hornbostel:
Henry Hornbostel designed two prominent synagogues in Pittsburgh. The still-prospering Rodef Shalom is familiar to everyone, partly because it sits at the eastern end of the Fifth Avenue monument row in Oakland and Shadyside. This one, built in 1923, is perhaps a more adventurous design. Hornbostel used old and new materials and design elements from different traditions to create a building that immediately looked as if it had been there for a millennium or more. After a few years as a school, it is now in the midst of being repurposed as apartments.
Technically, according to the neighborhood border that goes up the middle of Negley Avenue on the city planning map, this building is in Garfield. Socially, it is more associated with East Liberty.
Night views of the Soldiers and Sailors Memorial in Oakland.
Father Pitt picked up a Fujifilm HS10 camera very cheaply, and here is a demonstration of its long range. The picture above and the picture below were taken standing in the same spot: the steps of the Mellon Institute across Fifth Avenue. The picture above is not a composite: the lens is wide enough for the whole building. (Of course the perspective has been adjusted, because old Pa Pitt wouldn’t let a picture go without doing that.)
A scallop-shell ornament over one of the windows in the upper floors. The long lens makes it easy to pick out interesting details, and the details on Webster Hall, designed by Henry Hornbostel, are worth picking out. It’s a kind of Art Deco Renaissance palace, built as luxury apartments, but soon changed into a hotel, and then back to luxury apartments again.
We saw the front as it looked 22 years ago (and as it looks today, because nothing has changed except the plantings). This is the Bigelow Boulevard side the way it looked the day before yesterday, as seen from Lytton Avenue a block away. Supposedly this was the side that architect Henry Hornbostel had been forced to agree to make the front, but then he built the thing his way anyway, with a long vista down to Fifth Avenue.
Old-timers will remember the parking lot in the foreground as Syria Mosque.
In 2000, a planting of deep burgundy celosia gave old Pa Pitt the opportunity to take this picture with his beloved Kodak Retinette.
When Henry Hornbostel’s Grant Building first went up in 1929, it was festooned with Art Deco pinnacles that were removed decades ago. If you enlarge this picture of the south side of the building, you can just make out the shadows left by those vanished ornaments.
An oblique view of Webster Hall. And is that a bus coming toward us? Yes, it is.
