A simple Gothic design that leaves huge openings for stained glass. The parsonage is a typical Pittsburgh foursquare house, but attached directly to the left side of the church.
Note the usual Pittsburgh adaptations to steep slopes.
The congregation these days has a taste for delightfully direct and confrontational signs like PREPARE TO MEET THY GOD or BE SURE YOUR SIN WILL FIND YOU OUT. Old Pa Pitt approves. Those signs make religion sound lively and exciting, the way it should be.
We have seen this view more than once before, but it is one of the best views of the building, and it is worth seeing in different lights. Here the patterns of light and shade from the drifting clouds made an especially pleasing picture.
This church in the Soho section of Uptown was built in the 1880s. It began as the Central Presbyterian Church; in 1897 it merged with First Presbyterian downtown and became the Central Chapel of the First Presbyterian Church. The style is typical Pittsburgh small-church Gothic. More recently this was the Corinthian Baptist Church, and although it is now boarded up, someone at least maintains the grounds.
This Kodak bridge camera has a very long Schneider lens, and in pictures at the far end we notice some vignetting if the background is plain enough. It could be corrected in the GIMP, but in this picture the vignetting adds to the artistic effect. How is that for an excuse for laziness?
We continue our study of churches with the sanctuary upstairs. Like the First German Evangelical Church we saw recently, this one sits on a steep hillside lot, and therefore requires a considerable climb even before you get to the downstairs entrance.
The building has been converted to apartments, but the front of it has been maintained without serious alterations.
Here is another church with the sanctuary upstairs, but that is only part of the story. You had to be in good shape to go to services here, because the downstairs entrance is already a full flight of steps up from the street.
Note the direct entrance to the basement or sub-basement from the street level.
It was not as challenging as it looks to be a member of this church, though. This is the Southern Avenue front; the back extends to Greenbush Street, with an entrance level with the sanctuary. It’s a typical Pittsburgh lot with a two-storey drop from back to front.
This stained-glass inscription over the entrance is in abbreviated German. Father Pitt reads it as “Evangelical German United Protestant Church,” but anyone who knows German abbreviations is invited to make a correction in the comments. This was a very German part of the neighborhood a hundred years ago: diagonally across the street was a Männerchor hall, now replaced by an incongruous 1960s suburban-style split-level house.
The parsonage was built at about the same time as the church (between 1910 and 1923, according to our old maps). The style is a lightly modern arts-and-crafts interpretation of the usual Pittsburgh foursquare house.
Addendum: It appears that the church and parsonage were built in about 1914 or shortly after, and the architect of both was John A. Long. From the Construction Record for May 16, 1914: “John A. Long, Machesney building, has been selected architect to prepare the plans for the erection of a brick church and parsonage in Mt. Washington, for the German Evangelical Protestant Congregation.” But just a week before, on May 9, 1914: “Architect H. Gilchrist, Frick building, has been selected to prepare plans for a church and parsonage, to be built on Mt. Washington, for the German Evangelical Protestant Congregation. No definite location for the building has been selected.” Since Long also appears a few months later as architect of the parsonage in particular, we are inclined to say that Long was the final choice. September 19, 1914: “Martsolf Brothers, House building, have secured the contract to build a two-story brick veneer parsonage, on Southern avenue, Mt. Washington, at a cost of $6,000, for the First German United Evangelical Protestant Congregation. Architect John A. Long, Benedum Trees building, prepared the plans.” (In the time between the listings, the Machesney Building had changed its name to the Benedum Trees Building; Long had not moved his office.)
Meanwhile, old Pa Pitt leaves his speculation about E. V. Denick below, so that you can see how wrong he was, unless he was right.
The former speculation: We have not yet found evidence of the architect of the church, but without a shred of documentation we are going to attribute it to E. V. Denick or Dennick (we find his name spelled both ways). His Bethlehem Evangelical Lutheran Church in Allentown is smaller, but has the same topographic problem to solve—being set into a steep hill—and solves it in a very similar way. The two churches share so many quirks of style that old Pa Pitt is inclined to say that they are the responses of the same architect to the same problem with two very different budgets. That they were both built for German congregations, and very near each other, is social evidence to add to the stylistic evidence.
Known as the South Side Baths when it was built, this was donated by steel baron and real-estate magnate Henry W. Oliver, who in 1903 gave the city land and money for a neighborhood bathhouse to be free to the people forever. In those days, many poor families—including the ones who worked for Oliver—lived in tenements where they had no access to bathing. (Even the Bedford School across the street from this bathhouse had outside privies until 1912.) Oliver might not raise his workmen’s salaries, but he was willing to make the men smell better.
To design the bathhouse, Oliver chose the most prestigious architect in the country: Daniel Burnham. Then, in 1904, Oliver died, and his gift spent almost a decade in limbo. The project was finally revived in 1913, by which time Burnham had died as well. The plans were taken over by MacClure & Spahr, an excellent Pittsburgh firm responsible for the Diamond Building and the Union National Building. No one seems to know how much they relied on Burnham’s drawings, but the Tudor Gothic style of the building (it was finished in 1915) is certainly in line with other MacClure & Spahr projects, like the chapel for the Homewood Cemetery. Even MacClure & Spahr’s early sketches show a quite different building, so it is probably safest to assume that little of Burnham remains here.
There was a fad for building public baths in Pittsburgh in the early twentieth century, and on Saturday nights workers and their families would line up around the block to get into the bathhouses and wash off the grime of the week. Gradually, indoor plumbing became a feature of even the most notorious slum tenements, and all but one of the bathhouses closed. The Oliver Bathhouse, given to the people in perpetuity, remains. It has been saved by its indoor swimming pool, the only city pool open during the winter.
Nothing says “water” like a classical dolphin.
Unlike its neighbor, the Knoxville Presbyterian Church, this little Gothic church has no one to cut down the weeds and the Pittsburgh palms. It is already half-swallowed by jungle, and it may soon be nothing more than a roughly cube-shaped lump of vegetation. Wouldn’t it make a fine studio for some ambitious artist?
Addendum: The architect was E. V. Denick, who also designed the Hill-Top YMCA nearby; the church was built in 1904. Source: Pittsburg Press, May 26, 1904, p. 2. “Foundations have been started on the buff brick stone and terra cotta church being built on Charles and Knox avenues, Knoxville, for the Knoxville Christian congregation from plans drawn by Architect E. V. Denick.”
Someone left one of those temporary storage modules in front of the building, which mars our otherwise architecturally perfect picture of the Fifth Avenue façade. There is only so much old Pa Pitt can do.
This Flemish Gothic palace, built in 1894, was designed by Edward Stotz, who would later give us Schenley High School. His son Charles Morse Stotz was more or less the founder of the preservation movement in Pittsburgh: he wrote the huge folio The Early Architecture of Western Pennsylvania, still an invaluable reference as well as a gorgeous book. It is fitting, therefore, that the father’s great landmarks have been among our preservation success stories.
The school was closed in 1976, and after that it sat vacant for more than three decades. A generation knew it only as that looming hulk Uptown. It is a tribute to the architect that it survived in fairly good shape. In 2009 it was finally brought back to life with a years-long restoration project that turned it into loft apartments, which sold well and suggested that there might be some potential in the Uptown neighborhood. (It certainly helped that the new arena—currently named for PPG Paints—opened at about the same time.)
Since he ran across that article marveling at a church with the sanctuary upstairs, old Pa Pitt has been inspired to make a special study of these churches. Don’t be surprised to see more of them as Father Pitt accumulates the pictures.
St. Paul’s German Evangelical Lutheran Church was built in 1872. Since Uptown was a dense rowhouse neighborhood, the church had a tiny lot, and resorted to the common expedient of putting the sanctuary on the second floor. Today it is home to the Shepherd’s Heart Fellowship, and we caught it in the middle of some spiffing up.
We might point out that this church is marked on an 1882 map as “Dutch Lutheran Church.” When misinformed pedants insist on calling East Allegheny “Deutschtown” (a pedantry that is flat-out wrong and makes old Pa Pitt’s skin crawl every time he hears it), you can point out that “Dutch” was the usual word for “German,” and English-speakers in Pittsburgh commonly referred to the Germans as “Dutch” even as late as the 1880s.
Here is a large institutional building whose story of abandonment and decay has a happy ending.
South Hills High School was Pittsburgh’s second great palace of high-school education, right after Schenley High School. For this one, the city hired Alden & Harlow, arguably the most prestigious institutional architects money could buy. They were responsible for the Carnegie Institute and all the branch libraries, in addition to multiple millionaires’ mansions and skyscrapers downtown.
The site of the school is improbably vertical. In those days, “South Hills” meant the back slopes of Mount Washington, and a walk along the side of this school is a steep climb. But the architects met the challenge with a Tudor Gothic palace that seems to have grown on the site. It takes up a whole city block.
The Ruth Street side of the school opened in 1917; the rest of the school—planned from the beginning—opened in 1925. For many years the school took in students from the South Hills and beyond—“beyond” meaning Banksville, Beechview, and Brookline. In 1976, a monstrously modernist new school—Brashear—opened in Beechview, which took in all the students from the southern neighborhoods. With population declining and the building getting old, the city decided to close South Hills altogether in 1986.
And then it sat and rotted for 23 years.
But, as we said, the story has a happy ending. As you see from these pictures, the building is well taken care of now. In 2010 it reopened as apartments for senior citizens, so that once again it is an ornament to its neighborhood.
The wonderfully thorough Brookline Connection site has a long article about South Hills High School, including the architects’ plans.
