More details of Heinz Chapel, including the arms of various American colleges and universities. We have another collection of details of Heinz Chapel here, or you can see our whole collection of Heinz Chapel pictures spanning nearly nineteen years.
Still serving its original congregation, now as the Mifflin Avenue United Methodist Church. This church in the Wilkinsburg quarter of Regent Square, a single neighborhood divided among four municipalities, was built in 1923. The architect was Victor A. Rigaumont, who would later become nationally famous as a reliable designer of Art Deco movie palaces. Perhaps we can see a little Hollywood sensibility already in this church: the design is more flamboyant than the usual corner-tower Gothic church, and the huge Gothic arch that includes both the three front entrance doors and the windows above them is more like a set designer’s fantasy Gothic than a pedantically correct interpretation of medieval forms.
Note the signature above this tiny basement door: “V. A. Rigaumont R. A. Architect.”
The education wing was built thirteen years earlier, in 1910; the architects were Wilkinsburg’s own Milligan & Miller. The older building was used as the worship space until the main church was built.
This charming little church was built in 1912; and, having said that, old Pa Pitt has exhausted his knowledge on the subject. It now belongs to the Christ Missionary Baptist Church, which has kept it in beautiful and nearly original condition, as we can see from this photograph taken just before the dedication in December of 1912.
This little church was designed by the Hunting-Davis Company, a firm usually associated with warehouses and industrial buildings, for an Italian mission of the United Presbyterian Church.1 It is kept standing as a community center.
Like a great European cathedral, East Liberty Presbyterian Church, which Ralph Adams Cram considered his masterpiece, is too huge and complex to take in all at once. We can only appreciate some of the details, and then come back later for more. Here are some views from various spots in East Liberty.
Heinz Chapel, built over five years from 1933 to 1938, is one of the complex of three great Charles Z. Klauder buildings at the center of the University of Pittsburgh, along with the Cathedral of Learning and the Stephen Foster Memorial. A while ago old Pa Pitt picked out some of the details with a long lens.
The decorations include the arms of various colleges and universities.
A church crammed into a tiny lot, so that it is as tall as it is long. This is one of the many city churches with the main worship space upstairs, the ground floor being devoted to Sunday-school rooms and offices.
The architect was Edward M. Butz, most famous today for the colossal Western Penitentiary.1 The construction was begun in 1894, but the church was built in two stages: at first only the ground floor was put up, with a temporary roof.
This was designed as a large open space that, when the main sanctuary was built above it, could be converted to Sunday-school rooms divided by folding doors.
The congregation grew rapidly, and less than five years later the church was completed.2
A Pittsburg Press article published when the church was dedicated in February of 1899 describes the building:
The new church is one of the handsomest church buildings in that section of Allegheny. Its dimensions are 60×75, and it is built of red brick with stone trimmings. The style is purely Gothic, and it has beautiful large glass painted windows. The building contains two stories, the lower floor being used for Sunday school purposes. It is divided in seven separate class rooms, which are connected by sliding doors. On this floor also is the pastor’s study. About 450 children are enrolled at present as Sunday school pupils.
The auditorium is situated in the second story. It has a seating capacity of 500, the seats being arranged in amphitheater style. A bell, which is said to have a more beautiful tone than any other church bell in Allegheny, has been given by William Eberhardt, of the Eberhardt & Ober Brewing company, and it is hoped that Andrew Carnegie will provide a pipe organ for the church. The members recently applied to the generous iron king and hope that their petition will receive favorable consideration.
In 1915 the city of Pittsburgh was on a school-building binge and could hardly find architects to keep up with the demand. Thus there are schools from that era in widely different styles. Here we have a fine example of Collegiate Gothic with just a touch of Art Nouveau. The architects were Vrydaugh & Wolfe, otherwise best known for churches and millionaires’ mansions.
In 1916, when the school was a year old, the architects showed their design and this photograph at the Pittsburgh Architectural Club’s annual exhibition, so we can see that very little has changed about the exterior of the school. The most obvious change is to the windows, which have been replaced with modern windows, the same size as the originals but without the multiple small panes. (The very dark shade of the brick is the result of the film stock of the era, which was not very sensitive to red light.)
George Nattress & Sons of Philadelphia were the architects of this church, one of the dwindling number of black stone churches in Pittsburgh. The Nattresses were favorites among Episcopalians. Old Pa Pitt can think of any number of Pittsburgh architects of the era who could have done just as well or better from at least an external point of view, but perhaps the Philadelphians had an innate sense of the rhythm of Episcopalian worship.
Impressive wooden doors form the main entrance.
The inscription “My house shall be called the house of prayer for all people” is from Isaiah 56:7, which was later quoted by Jesus on the one occasion in his earthly career when he got really angry: the Cleansing of the Temple.
The rough-cut black stones of the front arcade. Old Pa Pitt still thinks the sooty blackness adds dignity to many an otherwise prosaic church, and he encourages congregations that still possess black stone churches to keep their historical soot.
The parish house is built of matching stone (or at least the stones matched after a few years of exposure to Pittsburgh’s blackening atmosphere), but the neat frames for the windows and doors give it a more urbane and less rustic appearance.
This charming little Gothic library was designed by Andrew Isles and built in about 1916. Back in February, old Pa Pitt caught it in the middle of a thorough restoration and renovation—and then for some reason forgot about the pictures until now. As he was taking pictures, Swissvale residents walking by stopped to point out how beautiful the library was going to be when the restoration was finished: it was obvious that they love their library, and a borough that loves libraries deserves one like this.
