
A modest Renaissance palace designed by Sydney F. Heckert and built in 1925. It is now apartments.

When the building was converted from school to residence, someone thought this treatment of the front entrances was a good idea. Someone was mistaken.


A Daniel Burnham design built for the McCreery & Company department store, this building opened in 1904. It originally had a classical base with a pair of arched entrances on Wood Street, but beginning in 1939 it had various alterations, so that nothing remains of the original Burnham design below the fourth floor. This was one of Burnham’s more minimalistic designs; in it we see how thin the wall can be between classicism and modernism.
Below, an abstract composition with elements of this building reflected in Two PNC Plaza across the street.


No one knows exactly what the Mausoleum at Halicarnassus looked like when it was intact. It was one of the Seven Wonders of the World, but today all that is left is a bit of rubble. The rough outlines are generally known, however, and the speculative reconstructions of it have been productive of more monumental architecture in Pittsburgh than perhaps any other classical building. At least half a dozen buildings in Pittsburgh were inspired by it: Soldiers & Sailors Hall, the Hall of Architecture at the Carnegie, Presbyterian Hospital, Allegheny General Hospital, the Gulf Building, and the Wilkins mausoleum in the Homewood Cemetery. Above is James Fergusson’s version of how it must have looked, and Fergusson’s was one of the most influential reconstructions. See if you can spot the resemblance with the Soldiers and Sailors Memorial by Henry Hornbostel:


This fine Renaissance palace, built in 1897, was designed by Samuel T. McClaren. It sits on 40th Street at Liberty Avenue, where it is technically—according to city planning maps—in Bloomfield. Most Pittsburghers, however, would probably call this section of Bloomfield “Lawrenceville,” since it sticks like a thumb into lower Lawrenceville, and the Lawrenceville line runs along two edges of the school’s lot.
For some reason the style of this building is listed as “Romanesque revival” wherever we find it mentioned on line. Old Pa Pitt will leave it up to his readers: is this building, with its egg-and-dart decorations, false balconies, and Trajanesque inscriptions, anything other than a Victorian interpretation of a Renaissance interpretation of classical architecture? Now, if you had said “Rundbogenstil,” Father Pitt might have accepted it, because he likes to say the word “Rundbogenstil.”




Update: Father Pitt regrets to say that this building has been demolished to make way for a much larger facility.
An elegant little classical firehouse, still in use as a medic station, on Lafayette Avenue at the corner of Federal Street. It dates from before 1910 and after 1903, according to the Pittsburgh Historic Maps site.


In the early twentieth century, the Hill was Pittsburgh’s most diverse neighborhood, and in particular it was the main center of Jewish culture. A number of buildings survive from the Jewish community there, though they have all been turned to other uses. This one, for example, is now a “community engagement center” run by the University of Pittsburgh. But it was the original home of the Hebrew Institute, which moved to Squirrel Hill in 1944. It was a school that taught Hebrew language, literature, and culture to Jewish children. The style of the building is typical Pittsburgh School Classical, but the broken pediment above the entrance frames a Torah scroll.




Addendum: The architect, according to a 1914 issue of the Construction Record, was Walter S. Cohen, who had a thriving practice serving mostly Jewish clients. “Architect Walter S. Cohen, Oliver building, has plans nearly completed for a two-story brick and stone institute building for the Hebrew Institute of Pittsburgh, Wylie avenue and Green street, to be built at a cost of $30,000.”