



Thanks to a kind correspondent, old Pa Pitt has an opportunity to prove himself right about one thing and wrong about something else. Being wrong is almost as good as being right, because it means learning something new.
Our correspondent sent two pictures that appeared in an advertisement that ran in the Post-Gazette in 1929. The ad was for Frigidaire refrigerating systems, as used in prominent buildings in the city.
First, the Cathedral Mansions apartments on Ellsworth Avenue.
Here Father Pitt was right. A little while ago, we ran this picture of Cathedral Mansions as it looks today:
At that time we mentioned that we suspected it had lost a cornice. Father Pitt was right about that, as you can see from the 1929 picture.
Now, here’s the one we were wrong about:
This building is now an apartment building called Hampshire Hall. As “Haddon Hall” it was a hotel with apartments. Here is what it looks like today:
The obvious change is that modernist growth on the front. When he published these pictures, Father Pitt wrote, “It appears to be a glass enclosure for what was once an elegant verandah.” That is wrong. It seems to have been a replacement for the original dining room or lounge of the hotel. It was probably put there in about 1961: a newspaper ad from December 22, 1961, promotes the Walt Harper Quintet’s appearance at the “newly remodeled Haddon Hall Lounge.”
Many thanks to our correspondent for the pictures, which give us new information about these two notable buildings. If anyone knows the architect of either one, but especially Haddon Hall/Hampshire Hall (which is in a distinctive modernist-Renaissance style), Father Pitt would be grateful for the information.
Designed by Rutan & Russell, this was our first skyscraper hotel, and the most luxurious hotel in the city when it went up in 1898—at a time when it was actually at the edge of the urbanized area. It remained the Pittsburgh base of the rich and famous for half a century, but it declined after the Second World War, and in 1956 was sold to Pitt. It is now the William Pitt Union, with many of the exterior and interior details scrupulously preserved.
Addendum: See a picture of the Hotel Schenley in 1898, the year it was built.
Now part of the Conroy Early Childhood Center, this old school hovers between classical and Romanesque styles, which means that perhaps the best term for it is Rundbogenstil, the word old Pa Pitt most likes to pronounce in public.
Since it has been made an annex of a larger building, it no longer requires its main entrance, which leads to this architectural dissonance:
Addendum: The particularly fine inscription and relief work were done by Achille Giammartini, who lived a few doors down on Page Street.
Since we mentioned the smaller King Edward Annex a couple of days ago when we looked at the old King Edward Apartments, here it is. The city’s architectural inventory (PDF) dates it at about 1925 (Update: This is a little too early; see below), which seems plausible. It looks a bit worn, and the top of the building is definitely not the way the architect imagined it. But it still has a restrained dignity, especially if we ignore the missing cornice. Old Pa Pitt has a suspicion that average Americans simply don’t see the tops of buildings, so when they are mutilated no one but Father Pitt notices.
Addendum: The King Edward Annex was built in about 1927; the architects were Hannah and Sterling. Source: The Charette, Vol. 7, No. 2 (February 1927): “209. Architect: Hannah & Sterling, 209-9th Street, Pittsburgh, Pa. Owner Arthur McSorley. Title: Apartment House. Owner now taking bids. Location: Melwood Street, Pittsburgh. Approximate size: 28 apartments; four stories, fireproof. Cubage: 300.000 ft.”
The back entrance to the City-County Building would seem spectacular if we didn’t know what the front looked like. Below, the building seen from Ross Street.
A modernized form of classicism, or a classicized modernism, makes an attractive apartment block on Ellsworth Avenue at the western edge of Shadyside. It is mostly a group of rectangular boxes, but a few classical details—like the Vitruvian-scroll molding above the third floor—give it some character. Father Pitt suspects that it has lost a cornice; it might have been late enough to do without a cornice, but that Vitruvian scroll looks as though it ought to be echoing something at the top of the building, and slight signs of damage up there suggest that something was peeled off at some point.
Addendum: Thanks to the research of a kind correspondent, we now have a picture of Cathedral Mansions in 1929, and it does indeed have a proper cornice.
Another addendum: Another correspondent provides the information that the architect was John M. Donn, the Washington (D. C.) architect who also designed the Investment Building downtown. The information comes from an Iron City Sand and Gravel advertisement in the Pittsburg Press, Monday, November 22, 1926 (page 30).
Built to be an inspiring showcase of the world’s best traditions in art, the College of Fine Arts building was positioned at the top of the Mall, as if the arts might be of some importance even in a technical school.
Niches along the front of the building pay tribute to various architectural and sculptural traditions.
From the beginning, the campus of Carnegie Tech was designed by Palmer and Hornbostel as a warren of interconnected buildings surrounding pleasant green spaces. The older buildings, like Baker Hall, celebrate the engineering and architecture they were designed to teach. Old Pa Pitt particularly loves this stairwell window, which expresses the idea of stairs with a clarity that modernist architects of a later generation would not have been able to match.
Hamerschlag Hall, the centerpiece and symbol of Carnegie Mellon University, was named for the first president of the Carnegie Technical Schools, Arthur Hamerschlag. This was one of the original Carnegie Tech buildings designed by Palmer and Hornbostel, whose campus design has been followed surprisingly faithfully by succeeding generations of architects. It is perfectly positioned for a view down the Mall that captures the Cathedral of Learning, centerpiece and symbol of Pitt, looming in the background.