Father Pitt

Tag: Tudor Architecture

  • Presbyterian Church, West End

    Tudor front of the church

    It seems to old Pa Pitt that the whole history of the West End is epitomized in this building.

    There was a Presbyterian church on this spot more than 150 years ago, marked “Un. Presb. Ch.” on an 1872 map. It was just around the corner from another kind of Presbyterian church (which is now a garage); even today Wikipedia lists more than 45 kinds of Presbyterians in the United States, and that is after a number of mergers and consolidations. In 1890 this is marked “A. F. Pres. Ch.,” and again in about 1903; but on a 1905 map it is marked “United Presbyterian Church,” and that is as much as Father Pitt can do to sort out the history of the congregation.

    At about the time of the First World War, the church had a little burst of prosperity and added this fashionable Tudor front.

    Oblique view of the church

    Later, the congregation fizzled out, and the building was heavily altered and taken over by Ceramiche Tile. Now Ceramiche is moving to the western suburbs, and this building is up for sale.

    The result is a building that—like much of the rest of the West End—is hard to sort out from both an architectural and a historical point of view. But the stone-and-half-timber front is an attractive ornament to Main Street, and we hope the building will find a sympathetic new owner.

  • Flamboyant Tudor in Schenley Farms

    This was one of the original houses put up on spec in 1906 by the developers. The architect was Henry Gilchrist.1

    1. Our source is this map that matches the houses in Schenley Farms with their architects. Because Google Maps does not credit user-generated maps, old Pa Pitt cannot personally congratulate the compiler of this one, but he can at least express his gratitude anonymously. ↩︎

  • Neeld House, Beechview

    Neeld House from the front

    Here is a slightly bedraggled house with an interesting history. Long before there was a Beechview, the Neelds owned considerable property on that hill—68⅔ acres in 1890, according to an old map. Neelds were here at least as early as 1862. They built a house here in the late 1800s, possibly as early as the 1870s. By 1915, the Neelds had sold off much of the property to the Beechwood Improvement Company (which had planned on calling the neighborhood Beechwood, but things happen), but they still kept the whole block bounded by Broadway, Neeld Avenue, Candace Street, and Shiras Avenue. In that year, C. W. Neeld commissioned William Snaman, a prolific architect of houses for the wealthy merchant classes, to remodel his house, and Snaman Tudorized it so effectively that we would hardly guess it had been older than 1915.

    Neeld house

    The orientation of that chimney on the left is a clue to the history of the house: it suggests that Snaman reoriented it, and the front was originally on the left side. We note that the address was given as “Candace avenue” in 1915, before Snaman got to work, whereas the front of the house now faces Neeld Avenue.

    Neeld House from uphill

    Neeld Avenue, by the way, is a good example of how confusing Beechview street names can be. It was Neeld Avenue in 1910. By 1923, it had become Narragansett Street. Today it is Neeld Avenue, though Father Pitt does not know exactly when the name reverted.

    Ranch house and Neeld House

    After the Second World War, the Neelds sold off most of the land in the block, retaining only enough for the house and garage. Ranch houses went up on Candace Street, and modernist apartment buildings went up on Broadway.

  • Eclectic Styles on the North Side of Hobart Street, Squirrel Hill

    North side of Hobart Street

    Earlier we looked at the buildings on the south side of Hobart Street in this block and discovered that Spanish Mission and Tudor were the same thing, barring a few tweaks of the ornamentation. The buildings on the north side of the same block are at about the same scale, but they are a more eclectic bunch. Sometimes the individual building is about as eclectic as it can be.

    German Jacobethan Spanish Mission

    Above, for example, you see one in a style old Pa Pitt calls German Jacobethan Spanish Mission.

    Spanish Mission

    This one, on the other hand, is so thoroughly Spanish Mission that residents ought to be required to wear Franciscan tunics.

    Entrance to Hobart Commons
    Spanish Mission apartments
    Eclectic

    The one above is quite eclectic, but it harmonizes its influences seamlessly.

    Tudor

    This modernized Tudor conveys its architectural message with textured and patterned brickwork as well as the usual half-timbering.

  • Tudor or Spanish Mission? In Squirrel Hill, You Can Have Both

    Row of apartment buildings

    Who knew? It turns out that Tudor can be Spanish Mission and vice-versa, as long as you add the right decorative touches, and of course the right names. This row of five apartment buildings on Hobart Street, Squirrel Hill, alternates Tudor and Spanish Mission, as you could guess even without seeing them just by the names of the buildings: Cambridge, Granada, Windsor, Armada, and Wemberley. Yet they are all more or less the same building. Only the decorative details change. Tudor buildings have peaked rooflines; Spanish Mission buildings have curvy rooflines and little tiled awnings. Knowing how to make the same building Tudor or Spanish Mission is a great time-saver for an architect.

    Here are the buildings, left to right:

    Cambridge
    Cambridge
    Granada
    Granada
    Windsor
    Windsor
    Armada
    Armada
    Wemberley
    Wemberley

  • Dover Gables, Shadyside

    Entrance to Dover Gables

    Shadyside is full of little townhouse communities that close themselves off from the rest of the world, either by facing an impossibly narrow dead-end private street, or, as here, by having no street at all and devoting the space between the rows to garden. There are a few other such plans here and there in the city, but only in Shadyside did they become a typical form of development. This one is meant to look as much like an English country village as a townhouse plan can look when you cram it into a narrow space one city block long. Old Pa Pitt was not able to determine the architects, and neither were other researchers he stumbled across. But Father Pitt is not the only one to point out how much this plan resembles a miniature Chatham Villlage.

    Dover Gables, the central garden
    Dover Gables
    End townhouse at Dover Gables

  • We Identify a Forgotten Work by John T. Comès

    Looking for something else entirely, old Pa Pitt accidentally solved a mystery that had struck him back in May, when he photographed the First Church of the Brethren in Garfield. At that time, he had thought that the attached parsonage was “in an extraordinarily rich and accurate Tudor style for such a small house.”

    First Church of the Brethren and parsonage

    It turns out that the little house was by a big architect: John T. Comès, probably our most prolific architect of Catholic churches, and one—not surprisingly—known for his love of accurate historical detail. He was working for Beezer Brothers at the time, and he exhibited this drawing at the Pittsburgh Architectural Club’s 1900 exhibition:

    Pastor’s Residence for First Brethren Church, by John T. Comès

    Here is how one critic described the drawing:

    Mr. John T. Comes renders an admirable Pastor’s Residence for “First Brethren Church,” by Beezer Brothers, which leans hard to an old church and breaks away from the sidewalk in a most happy manner, winding up the stone stairs to a reserved and “strong door.” The drawing itself is a happy one. The pots on the chimney are swelling beyond redemption.

    The front has been replaced by a later porch, but otherwise Comès’ happy little house survives much as he drew it. And Father Pitt is delighted to add one more to the known works of a remarkable artist.

    Pastors residence, First Brethren Church

  • Emmanuel Baptist Church, Brighton Heights

    Built in 1914, this little church (now Emmanuel Christian Church) is a fine example of the simple Arts-and-Crafts interpretation of Tudor Gothic that was fashionable for small churches in the early 1900s. The only specifically Gothic detail is the large front window; the tower has a bit of decorative half-timbering, but the rest is unadorned and built with cheap but attractive materials.

    Addendum: According to the Construction Report for August 23, 1913, the architect was Pierre Liesch. “Architect Pierre Lessch, 18 East Fourth street, Aspinwall, is taking bids on erecting a one-story brick veneer church on Davis avenue near Brighton road, Northside, for the Emanuel Baptist congregation. Cost $15,000.” It should be noted that this magazine is poorly edited and frequently misspells names.

  • St. John Mark Evangelical Lutheran Church, Homestead

    A fine example of Tudor Gothic applied to a small church. This is one of the decreasing number of churches in Homestead still inhabited by their original congregations. It is also one of the few churches dedicated to St. Mark the Evangelist that give us his full name.

    Note the tidy little Tudor parsonage in the rear.

    Addendum: The architect was Andrew Lisle; the church and parsonage were designed together in 1916 (and therefore probably finished in 1917). Source: “Gets Contract for Church in Pitcairn,” Pittsburg Press, August 6, 1916. “Bids have been received and are now under consideration by architects and owners as follows:… for a church and parsonage for the St. John’s Lutheran congregation at Homestead, Andrew Lisle, Architect…”

  • Hampton Hall, Oakland

    Hampton Hall from the front

    According to a city architectural inventory (PDF), Hampton Hall was built in 1928, and the architect was H. G. Hodgkins, who seems to have been based in Chicago, to judge by listings in Chicago trade magazines that show up in a Google Books search.

    The interior includes quite a bit of Nemadji tile, and old Pa Pitt had never heard of Nemadji tile until he found this page on Hampton Hall from a site of Historic U. S. Tile Installations. The exterior is fairy-tale Tudor, designed to make apartment dwellers feel as though they were great lords of Queen Elizabeth’s time.

    A bear

    The entrance is flanked by bears holding shields, as bears are wont to do.

    An equal and opposite bear
    Inscription
    Ornament
    Ornament
    Ornament
    Ornament and tile
    Oblique view