Father Pitt

Tag: Tudor Architecture

  • Eclectic Styles on the North Side of Hobart Street, Squirrel Hill

    North side of Hobart Street

    Earlier we looked at the buildings on the south side of Hobart Street in this block and discovered that Spanish Mission and Tudor were the same thing, barring a few tweaks of the ornamentation. The buildings on the north side of the same block are at about the same scale, but they are a more eclectic bunch. Sometimes the individual building is about as eclectic as it can be.

    German Jacobethan Spanish Mission

    Above, for example, you see one in a style old Pa Pitt calls German Jacobethan Spanish Mission.

    Spanish Mission

    This one, on the other hand, is so thoroughly Spanish Mission that residents ought to be required to wear Franciscan tunics.

    Entrance to Hobart Commons
    Spanish Mission apartments
    Eclectic

    The one above is quite eclectic, but it harmonizes its influences seamlessly.

    Tudor

    This modernized Tudor conveys its architectural message with textured and patterned brickwork as well as the usual half-timbering.

  • Tudor or Spanish Mission? In Squirrel Hill, You Can Have Both

    Row of apartment buildings

    Who knew? It turns out that Tudor can be Spanish Mission and vice-versa, as long as you add the right decorative touches, and of course the right names. This row of five apartment buildings on Hobart Street, Squirrel Hill, alternates Tudor and Spanish Mission, as you could guess even without seeing them just by the names of the buildings: Cambridge, Granada, Windsor, Armada, and Wemberley. Yet they are all more or less the same building. Only the decorative details change. Tudor buildings have peaked rooflines; Spanish Mission buildings have curvy rooflines and little tiled awnings. Knowing how to make the same building Tudor or Spanish Mission is a great time-saver for an architect.

    Here are the buildings, left to right:

    Cambridge
    Cambridge
    Granada
    Granada
    Windsor
    Windsor
    Armada
    Armada
    Wemberley
    Wemberley

  • Dover Gables, Shadyside

    Entrance to Dover Gables

    Shadyside is full of little townhouse communities that close themselves off from the rest of the world, either by facing an impossibly narrow dead-end private street, or, as here, by having no street at all and devoting the space between the rows to garden. There are a few other such plans here and there in the city, but only in Shadyside did they become a typical form of development. This one is meant to look as much like an English country village as a townhouse plan can look when you cram it into a narrow space one city block long. Old Pa Pitt was not able to determine the architects, and neither were other researchers he stumbled across. But Father Pitt is not the only one to point out how much this plan resembles a miniature Chatham Villlage.

    Dover Gables, the central garden
    Dover Gables
    End townhouse at Dover Gables

  • We Identify a Forgotten Work by John T. Comès

    Looking for something else entirely, old Pa Pitt accidentally solved a mystery that had struck him back in May, when he photographed the First Church of the Brethren in Garfield. At that time, he had thought that the attached parsonage was “in an extraordinarily rich and accurate Tudor style for such a small house.”

    First Church of the Brethren and parsonage

    It turns out that the little house was by a big architect: John T. Comès, probably our most prolific architect of Catholic churches, and one—not surprisingly—known for his love of accurate historical detail. He was working for Beezer Brothers at the time, and he exhibited this drawing at the Pittsburgh Architectural Club’s 1900 exhibition:

    Pastor’s Residence for First Brethren Church, by John T. Comès

    Here is how one critic described the drawing:

    Mr. John T. Comes renders an admirable Pastor’s Residence for “First Brethren Church,” by Beezer Brothers, which leans hard to an old church and breaks away from the sidewalk in a most happy manner, winding up the stone stairs to a reserved and “strong door.” The drawing itself is a happy one. The pots on the chimney are swelling beyond redemption.

    The front has been replaced by a later porch, but otherwise Comès’ happy little house survives much as he drew it. And Father Pitt is delighted to add one more to the known works of a remarkable artist.

    Pastors residence, First Brethren Church

  • Emmanuel Baptist Church, Brighton Heights

    Built in 1914, this little church (now Emmanuel Christian Church) is a fine example of the simple Arts-and-Crafts interpretation of Tudor Gothic that was fashionable for small churches in the early 1900s. The only specifically Gothic detail is the large front window; the tower has a bit of decorative half-timbering, but the rest is unadorned and built with cheap but attractive materials.

    Addendum: According to the Construction Report for August 23, 1913, the architect was Pierre Liesch. “Architect Pierre Lessch, 18 East Fourth street, Aspinwall, is taking bids on erecting a one-story brick veneer church on Davis avenue near Brighton road, Northside, for the Emanuel Baptist congregation. Cost $15,000.” It should be noted that this magazine is poorly edited and frequently misspells names.

  • St. John Mark Evangelical Lutheran Church, Homestead

    A fine example of Tudor Gothic applied to a small church. This is one of the decreasing number of churches in Homestead still inhabited by their original congregations. It is also one of the few churches dedicated to St. Mark the Evangelist that give us his full name.

    Note the tidy little Tudor parsonage in the rear.

    Addendum: The architect was Andrew Lisle; the church and parsonage were designed together in 1916 (and therefore probably finished in 1917). Source: “Gets Contract for Church in Pitcairn,” Pittsburg Press, August 6, 1916. “Bids have been received and are now under consideration by architects and owners as follows:… for a church and parsonage for the St. John’s Lutheran congregation at Homestead, Andrew Lisle, Architect…”

  • Hampton Hall, Oakland

    Hampton Hall from the front

    According to a city architectural inventory (PDF), Hampton Hall was built in 1928, and the architect was H. G. Hodgkins, who seems to have been based in Chicago, to judge by listings in Chicago trade magazines that show up in a Google Books search.

    The interior includes quite a bit of Nemadji tile, and old Pa Pitt had never heard of Nemadji tile until he found this page on Hampton Hall from a site of Historic U. S. Tile Installations. The exterior is fairy-tale Tudor, designed to make apartment dwellers feel as though they were great lords of Queen Elizabeth’s time.

    A bear

    The entrance is flanked by bears holding shields, as bears are wont to do.

    An equal and opposite bear
    Inscription
    Ornament
    Ornament
    Ornament
    Ornament and tile
    Oblique view

  • Park Place A. M. E. Church, Homestead

    Park Place A. M. E. Church

    There has been an A. M. E. church on this site for a long time: a frame church appears on an 1891 map of Homestead. This modest but rich little Tudor Gothic building, with its matching parsonage, dates from 1920, and faces a pleasant park on a pleasant street. It fits well with its neighbors, not overwhelming them but still announcing itself as a church.

    Front of the church

  • Canevin Hall, Duquesne University

    Canevin Hall

    A Tudor Gothic building that fits well with Old Main and the chapel across the street. The cornerstone was laid in 1922 by Archbishop Canevin himself (Pittsburgh was not an archdiocese, but Canevin was titular Archbishop of Pelusium).

    Side entrance

    Like many Pittsburgh buildings, Canevin Hall has more than one ground floor.

    Side entrance closer up
    Corner view

  • First Church of the Brethren, Garfield

    First Brethren Church

    This modest Tudor Gothic church, probably built in the 1890s, is another one to add to our collection of churches with the sanctuary upstairs. It is now the Bethesda Temple.

    Parsonage

    The parsonage is in an extraordinarily rich and accurate Tudor style for such a small house. Compare the details to this medieval house in Canterbury.

    Addendum: It appears from the Inland Architect and News Record for July, 1900, that the architect of the house was the extraordinary John T. Comès, working for Beezer Brothers. The design was featured in the Pittsburgh Architectural Club’s exhibition that year:

    Mr. John T. Comes renders an admirable Pastor’s Residence for “First Brethren Church,” by Beezer Brothers, which leans hard to an old church and breaks away from the sidewalk in a most happy manner, winding up the stone stairs to a reserved and “strong door.” The drawing itself is a happy one. The pots on the chimney are swelling beyond redemption.

    In the magazine Architecture we find the sketch our critic was describing:

    Pastor’s Residence for First Brethren Church

    The chimney pots (were they really beyond redemption?) are gone, and the porch is a later replacement. But Comès’ design is still striking.

    From the east
    Bethesda Temple