A fine example of Tudor Gothic applied to a small church. This is one of the decreasing number of churches in Homestead still inhabited by their original congregations. It is also one of the few churches dedicated to St. Mark the Evangelist that give us his full name.
Note the tidy little Tudor parsonage in the rear.
According to a city architectural inventory (PDF), Hampton Hall was built in 1928, and the architect was H. G. Hodgkins, who seems to have been based in Chicago, to judge by listings in Chicago trade magazines that show up in a Google Books search.
The interior includes quite a bit of Nemadji tile, and old Pa Pitt had never heard of Nemadji tile until he found this page on Hampton Hall from a site of Historic U. S. Tile Installations. The exterior is fairy-tale Tudor, designed to make apartment dwellers feel as though they were great lords of Queen Elizabeth’s time.
The entrance is flanked by bears holding shields, as bears are wont to do.
There has been an A. M. E. church on this site for a long time: a frame church appears on an 1891 map of Homestead. This modest but rich little Tudor Gothic building, with its matching parsonage, dates from 1920, and faces a pleasant park on a pleasant street. It fits well with its neighbors, not overwhelming them but still announcing itself as a church.
A Tudor Gothic building that fits well with Old Main and the chapel across the street. The cornerstone was laid in 1922 by Archbishop Canevin himself (Pittsburgh was not an archdiocese, but Canevin was titular Archbishop of Pelusium).
Like many Pittsburgh buildings, Canevin Hall has more than one ground floor.
This modest Tudor Gothic church, probably built in the 1890s, is another one to add to our collection of churches with the sanctuary upstairs. It is now the Bethesda Temple.
The parsonage is in an extraordinarily rich and accurate Tudor style for such a small house. Compare the details to this medieval house in Canterbury.
Addendum: It appears from the Inland Architect and News Record for July, 1900, that the architect of the house was the extraordinary John T. Comès, working for Beezer Brothers. The design was featured in the Pittsburgh Architectural Club’s exhibition that year:
Mr. John T. Comes renders an admirable Pastor’s Residence for “First Brethren Church,” by Beezer Brothers, which leans hard to an old church and breaks away from the sidewalk in a most happy manner, winding up the stone stairs to a reserved and “strong door.” The drawing itself is a happy one. The pots on the chimney are swelling beyond redemption.
In the magazine Architecture we find the sketch our critic was describing:
The chimney pots (were they really beyond redemption?) are gone, and the porch is a later replacement. But Comès’ design is still striking.
One of several mansions that have become part of Chatham University, this tasteful Tudor house is comparatively modest against its neighbors the Mellons and the Reas.
Addendum: We find from the June 1911 issue of The Builder that this was built as the President’s Home for the Pennsylvania College for Women. The architect was Thomas Hannah. Here are two pictures from the magazine:
Two varieties of Tudor house. They have very similar center-hall plans, but the one above emphasizes extravagant and almost cartoonish woodwork, whereas the one below is much more restrained. Old Pa Pitt would have guessed that the second one was later, but the Pittsburgh Historic Maps site tells us that both were built at about the same time, not long before 1910 (between the “1903–1906” layer and the “1910” layer). It would be interesting to know the name of the somewhat eccentric architect who designed the one above.
A big house or small mansion in a particularly lush Tudor style. The woodwork is decorated with unusual care.
The imposing Tudor or Jacobean Gothic front of this church is its most impressive feature, with twin towers that make the church seem bigger than it is. The large stained-glass window in the center seems a little undersized for the building, leaving an awkward blank space above it; but that is a minor quibble, and this is a fine building kept in good shape by its congregation.
Father Pitt promised more Tudor-style houses in Schenley Farms, and here they are. We are certainly not finished with the Tudor houses in the neighborhood, but we have made a good beginning.
