Some of the statues that adorn the 15th Street front of St. Adalbert’s, beginning, of course, with St. Adalbert himself. The church and its art are in need of restoration, which is to say in need of money.
It was very kind of the sculptor to give these figures a book to read while they stood there for all eternity.
Doors and doorframes often have elaborate carvings on the South Side, but not many stoops have elaborate decorations like these, either carved or stamped into the concrete.
On the left, the arms of Allegheny County; on the right, the arms of the City of Pittsburgh.
Allegheny County.
Pittsburgh.
Addendum: The sculptures are by Charles Keck, who also worked with architect Henry Hornbostel on numerous other buildings, including Soldiers and Sailors Hall.
Frederick Osterling designed the small but splendid Marine Bank Building on Smithfield Street at Third Avenue. This gargoyle on the corner is old Pa Pitt’s favorite gargoyle in Pittsburgh.
The Art Deco architecture of the Mount Lebanon Municipal Building demanded Art Deco ornamentation. Old Pa Pitt is not quite sure what the standing heads along the cornice are meant to be. He suspects either crusaders or golems.
This terra-cotta head of a helmeted allegorical figure (the flowing hair suggests femininity, but the armor suggests “don’t mess with me”) is really a first-rate piece of work, which makes it all the more surprising to find it built into the gable of a rowhouse on the South Side. It is the sort of ornament you add to tell your neighbors, “I am slightly more prosperous than you, because I can afford to have this built into my gable.”
—Old Pa Pitt suspects that this is meant to be a head of Minerva, a Roman goddess you don’t mess with.
The other decorative details on this house are also fine, though more in a vernacular Victorian Romanesque style. This ornament is in the arch above the middle second-floor window.
Your money is safe, because these lions, though they are invariably friendly to customers, will not tolerate thieves at all. The originals were sculpted by Max Kohler in 1871; they have been moved inside the lobby for preservation and replaced with these painstakingly accurate duplicates.
This small piece of the old façade sticks up over the undistinguished tiles that cover the rest of this Fifth Avenue building. It must have been quite a façade when we could see the rest of it.
If you stand in just the right place, the sculpture outside the Carnegie Museum of Art seems to be almost an exact inversion of the Cathedral of Learning.
We’ve seen this building elsewhere, from an angle, but here is old Pa Pitt’s best attempt (so far) at seeing it head-on from the front, the way the architects (Dowler & Dowler) might have drawn it back in 1957. The picture is a composite, and there are stitching errors if you examine it closely; but it still gives a better impression of the design of the building than any other picture of it that Father Pitt has seen.
One of the building’s most attractive features is the Pennsylvania relief with rotating globe, illustrating the slogan “Anywhere Any Time by Telephone.” The relief shows outsized Pittsburgh as “Gateway to the West,” and the clearly less important Philadelphia as home of the Liberty Bell and City Hall. The globe used to rotate to show the part of the earth currently illuminated by sunlight; but both the globe and the clock above it have stopped, and the plastic window over the globe is sadly fogged. Now that the building has become luxury apartments, perhaps an enlightened ownership will put a little money into restoring what used to be one of downtown’s unique attractions.