Tag: Romanesque Architecture

  • Pittsburgh Terminal Warehouse & Transfer Company, South Side

    Terminal Way

    Now called “The Highline,” the Pittsburgh Terminal Warehouse and Transfer Company was one of the largest commercial buildings in the world when it was finished in 1906. The architect was the prolific Charles Bickel, who gave us a very respectable version of Romanesque-classical commercial architecture on a huge scale.

    The building was planned in 1898, but it took several years of wrangling and special legislation to clear three city blocks and rearrange the streets to accommodate the enormous structure. Its most distinctive feature is a street, Terminal Way, that runs right down the middle of the building at the third-floor level: as you can see above, it has now been remade into a pleasant outdoor pedestrian space. You can’t tell from the picture above, but there is more building underneath the street.

    Pittsburgh Terminal Warehouse & Transfer Company from the river side

    The bridge coming out across the railroad tracks is the continuation of Terminal Way, which comes right to the edge of the Monongahela, where the power plant for the complex was built.

    The reason for the complex is more obvious from this angle. Railroad cars came right into the building on the lowest level to unload.

    Track No. 5

    It also had access to the river, and road access to Carson Street at the other end. Every form of transportation came together here for exchange and distribution.

    McKean Street

    McKean Street separates the main part of the complex from the Carson Street side; Terminal Way passes over it on a bridge.

    Fourth Street

    The Fourth Street side shows us the full height of the building. Fourth Street itself is still Belgian block.

    Terminal Way

    A view over the McKean Street bridge and down Terminal Way from the Carson Street end.

    Narrow outbuilding

    This absurdly narrow building is on the Carson Street side of the complex; it has usually housed a small restaurant of some sort. One suspects that this was the result of some kind of political wrangling that ended in a ridiculously small space on this side of Terminal Way between Carson and McKean Streets.

    Power plant

    The power plant for the complex, seen above from the Terminal Way bridge across the railroad. It could use some taking care of right now.

    Power plant
    Pittsburgh Terminal Warehouse & Transfer Company

    This view of the complex from the hill above Carson Street was published in 1911 as an advertisement for cork from the Armstrong Cork Company.

  • Decorations by Achille Giammartini on the German National Bank

    Romanesqu apital with face

    The German National Bank—now the Granite Building—is one of the most ornately Romanesque constructions ever put up in a city that was wild for Romanesque. The architect was Charles Bickel, but much of the effect of the building comes from the lavish and infinitely varied stonecarving of Achille Giammartini, Pittsburgh’s favorite decorator of Romanesque buildings.

    We have sixteen more pictures in this article, and this is only a beginning. Old Pa Pitt will have to return several more times with his long lens to document Giammartini’s work on this building.

    (more…)
  • California Avenue Methodist Episcopal Church, Brighton Heights

    California Avenue Methodist Episcopal Church

    We’ll have to wait for winter to get a good view of the whole front of this interesting church, which is obscured by a lush growth of mimosa trees. But we can appreciate some of the details now.

    The architect was James N. Campbell. Old Pa Pitt knows of only two churches by Campbell still standing in Pittsburgh: this one and the old Seventh Presbyterian Church on Herron Avenue, Hill District. (There are probably others as yet unidentified.1) Both churches have similar styles, and both have similar histories. They both became African Methodist Episcopal churches: this one was Avery Memorial A. M. E. Zion Church for quite a while. They both were abandoned. This one may still have some hope: it looks as though someone has been trying to refurbish it, perhaps as a private home. But it also looks as though the renovations have stalled.

    Since Father Pitt considers this an endangered building, he has collected some pictures of the more interesting details to preserve them for posterity in case the worst should come to pass.

    Tower
    Entrance
    Bay
    Windows
    Stone ornament
    Tower again
    1. Update: Father Pitt has since identified two other churches by Campbell still standing and in good shape: Carnegie United Methodist Church and the First Presbyterian Church of Ingram, now the Ingram Masonic Hall. They both show strong similarities in style to this one. ↩︎
  • Western Penitentiary

    The Wall
    The Pen used to be known to frequent guests as “The Wall.”

    Closed since 2017, the Western Penitentiary (or, more recently, State Correctional Institution—Pittsburgh) will have a hard time finding a buyer. It would perhaps make a fine mansion for an eccentric supervillain, but most real-world supervillains are dreadfully prosaic in their tastes.

    Nevertheless, it is a masterpiece of prison architecture—aesthetically, at least. The architect was Edward M. Butz, and it was built between 1876 and 1882, with various later additions. It looks more like a prison than the Bastille did, and so we present it on Bastille Day, with the cheerful news that no inmates are imprisoned here, but the sad news that it may eventually have to be pulled down by a demolition contractor rather than a revolutionary mob.

    End wall
    Guardhouse
    With a guard tower
    Through the fence
    Through the trees
  • St. Mary Magdalene Church, Homestead

    St. Mary Magdalene Church, Homestead

    This glorious Romanesque church was closed in 2009, but it was taken over by a community education organization called Dragon’s Den, which has kept it up beautifully, and in the well-preserved interior has added “a state-of-the-art two-level challenge course, climbing wall, and a 160-foot zip line that connects the choir loft to the former altar.” Now you know what to do with a big vacant church.

    Addendum: The architect was Frederick Sauer, who gave us a number of fine churches and the whimsical Sauer Buildings in Aspinwall.

    Entrance
    Arch
    Cornerstone
    Rectory

    The rectory is overshadowed by the magnificent church, but it is certainly a striking design in its own right.

  • Temple B’nai Israel, McKeesport

    Temple B’nai Israel

    This gorgeous synagogue in the style old Pa Pitt calls Jewish Romanesque is fortunately owned by a church that obviously appreciates the building and has not altered its Jewish ornamentation. Father Pitt’s apologies for the lighting; the sun was from the wrong direction, but our cameras did their best.

    Menorah mosaic
    Decalogue
    Corner view of the Temple
    Cornerstone

    The cornerstone gives us a date of 1922 (or 5683) for the building and 1912 for the foundation of the congregation. Temple B’nai Israel was the first Reform congregation in McKeesport, and the congregation still exists, though in 2000 it moved to White Oak. The Temple’s Web site has a timeline of the congregation’s history. (Update: The congregation has decided to wind down operations and close in 2025.)

    The Heinz History Center owns a commemorative plate from 1962 for the “Golden Anniversary” of the congregation; it has a picture of the building, and a misprinted foundation date—“1902” instead of 1912, though the words “GOLDEN ANNIVERSARY” are right above it.

  • Old Main, Duquesne University, Today and in 1888

    Old Main today
    Old Main in 1888

    A comparison shows that Old Main has gradually been un-Victorianized over the years, losing chimneys and a cupola. The building is still an elegant and commanding presence on campus, though inside there is nothing left on the main floor to indicate that it was built before the twenty-first century. It has been old Pa Pitt’s observation that Catholic universities tend to treat old buildings as embarrassments rather than assets.

  • Achille Giammartini

    Purely by accident, old Pa Pitt stumbled on this portrait of the great architectural sculptor Achille Giammartini, whose work adorns churches, houses, and commercial buildings all over the city. There is almost no trace of Giammartini on the Web: in fact, search engines usually come up with no more than half a dozen results, and the first two are usually from Father Pitt. So this seems like as good a time as any to announce Father Pitt’s new project.

    Bit by bit, Father Pitt is building a Pittsburgh Encyclopedia, where he will keep detailed information about architects, sculptors, neighborhoods, and such things, so that he can refer to those articles rather than repeating himself every time he publishes a new picture. Something similar has worked well with Flora Pittsburghensis and the Flora Pittsburghensis reference site.

    At present the Pittsburgh Encyclopedia is just beginning: it has nine articles in total. But we have just added an article on Achille Giammartini that gathers more information about him than exists in any other single place on the Web.

  • The Back of Bellefield Presbyterian Church on a Rainy Day

    Rear of Bellefield Presbyterian Church

    Pedestrians and drivers often see the front of this magnificent Romanesque church, but few ever notice the back. It is plainer but still interesting in its masses, with the half-round auditorium characteristic of many Methodist and Presbyterian churches in the late 1800s.

    The front (seen below in a picture from last year) is also given a round bulge, so that the whole building seems to orbit around that polygonal central tower.

    Front of the church

    Old Pa Pitt will repeat what he said the last time he published pictures of Bellefield Presbyterian Church:

    The church was built in 1896 as the First United Presbyterian Church; the architect was William Boyd, who gave the congregation the most fashionably Richardsonian interpretation of Romanesque he could manage. It was more or less in competition with the original Bellefield Presbyterian, of which only the tower now remains. But in 1967 the two congregations merged. They kept this building, renamed it Bellefield Presbyterian, and abandoned the old Bellefield Presbyterian up the street, which was later demolished for an office block.

  • Penn Avenue Gatehouse, Allegheny Cemtery

    Shortened tower

    If you are not a frequent visitor to Allegheny Cemetery, you might pass the Penn Avenue gatehouse and wonder whether your memory is playing tricks on you. Isn’t there something…different about it?

    Your memory is not playing tricks on you. Here is a picture from 2021:

    Penn Avenue Gatehouse in 2021

    What old Pa Pitt was told was that engineers had determined that the tower was dangerously unstable. The stones were carefully taken apart and labeled, and maybe someday the tower will be restored.