Tag: Romanesque Architecture

  • Tabernacle Cosmopolitan Baptist Church, Mexican War Streets

    Tabernacle Cosmopolitan Baptist Church
    Composite of three photographs.

    Evening sun paints the front of one of our most interesting churches—interesting both architecturally and historically. Father Pitt will admit that he is ignorant of most of the history, but perhaps a member of the congregation can fill in the rest.

    The building originally belonged to a Presbyterian church; it was probably constructed in the 1890s. The Presbyterian congregation, however, did not last much more than twenty-five years; by 1923, the building is marked as “Tabernacle Cosmopolitan Baptist Ch. (Colored),” and it has remained in the hands of that congregation for more than a century. The congregation appears to have moved to this building from a smaller church in the East Street Valley.

    When we look at this building, the thing that immediately strikes us is that there ought to be more church on top of it. Here is where Father Pitt does not know the whole story.

    On the one hand, congregations would often build a foundation and roof it over just enough to make it serviceable until the money could be raised to complete the superstructure. We have seen that in the church-turned-firehouse in Beechview, for example, and it could have happened here.

    But, on the other hand, a 1943 cornerstone tells us that there was a disastrous fire just before Christmas in 1936.

    Cornerstone: “Tabernacle Baptist Church, Organized April 29, 1874; destroyed by fire Dec. 22, 1936; rebuilt by its members in 1943; dedicated Dec. 19, 1943; Rev. L. G. McLeod, Pastor”

    It’s clear that the front of the church dates from the 1890s; this Romanesque detail would have been not just out of fashion but impossible in 1943. It could be that a higher roofline was destroyed by the fire, and the resourceful congregation made use of what was still standing and finished it off into the church that stands today.

    The building as it stands is a very good neighbor on its street. It is similar in height to the rowhouses that line the rest of the street, and it sits against the sidewalk at the same setback.

    Tabernacle Cosmopolitan Baptist Church
    Ornament

    Some of the carved stone ornament has decayed, though we can still make out the lacey foliage it was intended to be.

    Ornament
    Pinnacles
    Door
    Sony Alpha 3000 with a 7Artisans 35mm f/1.4 lens.
  • A Stony Row on Liverpool Street, Manchester

    Row at Liverpool and Fulton Streets
    Kodak EasyShare Z1285.

    This row of stone-fronted houses is a good example of late-Victorian eclecticism. The heavy rustic stone and elaborate foliage decorations say “Romanesque,” but the porch columns have “modern Ionic” capitals typical of the Renaissance. And it all works together just fine, though it might give an architectural pedant hives.

    Modern Ionic capital
    Nikon COOLPIX P100.
    Foliage

    The stonecarving was probably done by Achille Giammartini, who lived a few blocks away on Page Street.

    Achille Giammartini advertising his services

    Hiding in the shadows is a whimsical grotesque face that may remind us of somebody we know.

    Grotesque foliage face
    Row of stone houses
    Front door

    Note the old address, 185, carved in stone beside the door to what is now 1305 Liverpool Street. The addresses in Manchester changed at about the time Allegheny was taken into Pittsburgh.

    1301–1309 Liverpool Street, Manchester
  • Ziegler Block, Mexican War Streets

    Ziegler Block
    Composite of six photographs.

    This substantial building in the narrow Mexican War Streets was probably put up in the 1890s; it belonged to I. Ziegler from the beginning of the twentieth century at least through 1923, and it was built on land marked as belonging to F. Ziegler in 1890. It is a whole little civilization unto itself, with a three substantial rowhouses, two storefronts, and apartments.

    1300–1306 Buena Vista Street
    Nikon COOLPIX P100.
    Doorways
    Sony Alpha 3000 with 7Artisans 35mm f/1.4 lens.
    Lanterns
    Door to No. 1304
    Perspective view
  • Clarence and Mary Pettit House, Manchester

    Pettit House

    This house has a more detailed history at the Manchester Historic Society’s site (PDF), so old Pa Pitt will only mention the highlights. It was built for Clarence and Mary Dravo Pettit in 1891 from a design by Thomas Scott, whose public buildings would mostly be done in a Beaux Arts classical style; here, however, he has jumped on the Richardsonian Romanesque bandwagon, since the style became practically a mania in Pittsburgh after the county courthouse was built in the 1880s.

    Arch
    Capital

    It is likely that the decorative stonecarving was done by Achille Giammartini, whose own house was a short stroll from this one.

    Dormer
    Turret

    If your turret has a decorative foliage frieze, you might as well gild it. And don’t forget the finial at the peak.

    Perspective view of the house
  • Daub Building

    Daub Building

    Thanks to the research of an architect correspondent, we can say with fair confidence that this neglected building on Smithfield Street was designed by Frederick Osterling, one of the titans of Pittsburgh architecture. It was built in about 1898 for John Daub, whose name in big letters stares down at us from above the fifth floor.1

    Inscription: “DAUB”

    This building has suffered the usual loss of cornice, and the first floor was entirely remodeled at some point by someone who thought weird pebbledash stucco would look just right on a Romanesque building from the 1890s. But between those extremities most of the decorative details are preserved.

    Column

    The Daub Building is vacant right now and therefore in danger; we hope that its attribution to Osterling will encourage preservation and restoration.

    1. Philadelphia Real Estate Record and Builders’ Guide, September 15, 1897: “F. J. Osterling, Telephone Building, will prepare the plans for the John Daub Building, to be erected on Smithfield street, near Seventh avenue.” Thanks to David Schwing. ↩︎
  • 421 Seventh Avenue

    This building—a remnant of the pre-skyscraper age on Seventh Avenue—has been many things in its life. These days it is known only by its address. For a long while it was the Federated Investors Building. In 1923 it belonged to the Stevens & Foster Co., which Father Pitt believes was a maker of steel pens. In 1910 it was marked Geo. A. Kelly Co. Wholesale Drugs. Before that, it belonged to J. N. McCullough. It was built in the 1890s on the site of the First United Presbyterian Church, whose congregation had moved to the East End.

    This is another one of those pictures where old Pa Pitt has created an impossible perspective by distorting different sections of the picture differently. Sometimes the best way to tell the truth about a building is with a little bit of fakery.

    Addendum: The architect appears to have been George Orth & Brothers. Source: Philadelphia Real Estate Record and Builders’ Guide, May 19, 1897: “On the site of the First U. P. Church on Seventh avenue, a ten-story brick building will be erected by Mr. Harry Darlington. The plans will be made by Architects Geo. Orth & Bros., Stevenson building.” The building as it stands is four floors shorter, but buildings often shrank between initial announcement and final construction.

  • Eichbaum Building

    428 Boulevard of the Allies

    Until the 1890s, a Welsh Methodist chapel stood here; but by the early 1900s it had been replaced by this building for the Eichbaum Lithography and Printing Company, a direct descendant of early printer Zadok Cramer’s Franklin Head Bookstore. The architecture is basic industrial Romanesque, enlivened by a more elaborate stone arch for the entrance to the upstairs offices.

  • Harry Darlington House, Allegheny West

    Harry Darlington house

    This grand mansion was built in about 1890 for railroad magnate Harry Darlington. It occupies a tiny lot, so it is one room wide—but four storeys tall and half a block deep.

    Perspective view

    The building is decorated with numerous terra-cotta tiles with fine scrolly foliage.

    Terra cotta
    More terra cotta
    Terra cotta and arches
    Harry Darlington house from the rear

    A carriage house in the back has matching stony foundations.

  • Joseph & Elizabeth Horne House, Allegheny West

    Joseph O. Horne house

    An early work of Longfellow, Alden & Harlow in Pittsburgh, this house was given the Carol J. Peterson treatment, so that it has its own little book of its history. Old Pa Pitt will not repeat everything the late Ms. Peterson found out about it, but this is the outline: Joseph O. Horne, son of the department-store baron, married Elizabeth Jones, daughter of the steel baron B. F. Jones, and her father had Longfellow, Alden & Harlow design this cozy little Romanesque house for the young couple. It was one of the many houses restored in the late twentieth century by serial restorationist Joedda Sampson, and now it looks pretty much the way the architects drew it, minus some erosion and a century of soot.

    Dormer decoration

    The decoration on the dormer is a bit eroded, but that probably makes it more picturesque than it was when the house was new.

    Joseph O. Horne House
  • Victorian Commercial Building in the West End

    An eclectic commercial block on the steep slope of the last block of Wabash Street, this building was probably put up in the 1890s.