These buildings were put up in the 1880s, with additions in the 1890s; they later became part of the United States Glass Co. More recently the South Side was associated with steel, but in 1872, when the Birminghams, South Pittsburgh, and Ormsby were taken into the city, glass was at least as important. Just looking at the 1872 map, we find—
Knox Kim & Co. Glass Works Est. of Wm. McCully Glass Works Pittsburgh Glass Works Bakewell, Pears & Co. Glass Works Whitehouse Flint Glass Works Doyle & Co. Glass Works Adams & Co. Glass Works Tremont Glass Works C. Ihmsen & Sons Glass Works McKee & Bro. Glass Works Bryce, Walker & Co. Glass Works Sl. McKee & Co. Glass Works A. King Glass Works
We have probably missed a few, but the list is quite enough to show us that glass was a big deal on the South Side. Of all the old glass factories, this is probably the only one left in such a splendidly original state, if any of the others remain at all.
Charles Bickel designed this Romanesque industrial building with considerable inspiration from H. H. Richardson’s Marshall Field’s Wholesale Store in Chicago, which set the pattern for Romanesque industrial buildings for a generation. Bickel’s design is simpler, and by placing the arches at the top he makes the building feel taller (in fact it is shorter by one storey than Richardson’s building was).
The Reymer Brothers were in the candy business, but Pittsburghers remember them best for Reymers’ Blennd, or Lemon Blennd, the deliberately misspelled lemon-and-orange-flavored drink that cooled off generations of children in the summer. The Reymers’ Blennd brand was picked up by Heinz at some point; It seems to have vanished just this year with the demise of its last owner, Byrnes & Kiefer. It is certainly fondly remembered. Here is what claims to be the World’s #1 Lemon Blennd Site, and there are others if you go looking.
Update: Although it is often written that the fan houses were built in response to the near-disaster of the Tubes’ first traffic jam, it turns out that the ventilation system was planned from the beginning, with the fan house and stacks at their current location. Source: The American Contractor, July 14, 1923: “Fan Houses & Stacks: $133,000. 1 sty. 190×110. Liberty Tunnell, cor. Senate [sic, = Secane] & Ruth, Pittsburgh. Archt. A. D. Meeld, 708 Bakewell bldg., Pittsburgh. Owner The Commrs. of Allegheny Co., A. C. Gumbert, Court House, Pittsburgh. Brk. & limestone. Gen. contr. let to Williams & Hass, Empire bldg., Pittsburgh. Htg. & plmg. to United Gas Improvement Co., Broad & Arch sts., Philadelphia, Pa.”
Father Pitt keeps the original article below, but read it with that knowledge in mind.
When the Liberty Tubes opened in 1924, they had no ventilation system. They didn’t need one, the engineers said. Cars whooshing through the tunnels would carry the bad air out with them.
If you have ever driven in the Liberty Tunnels at rush hour, you can probably spot the flaw in that theory.
It did not take long for the flaw to become obvious. On May 10, 1924—when a transit strike was going on—a traffic jam filled the tunnel, and more than forty people passed out and needed medical attention. It was lucky no one died.
The fan house finally went into service in 1928. It has four giant chimneys, two for intake and two for exhaust. They’re a prominent landmark on the back side of Mount Washington, although it can be fiendishly difficult to find one’s way to them in the warren of precipitous streets.
We should note that sources disagree about whether the fan house was part of the original plan. In some tellings (like the Wikipedia article), it was a reaction to the disastrous traffic jam of May 10. In others (like this very interesting feature from WESA), it had been planned all along, but the tunnels were opened well before the ventilation system was completed. Father Pitt has not been able to sort out which version is the real story in the limited time he was willing to devote to research, and he invites anyone with a good source to speak up in the comments. (Update: Father Pitt himself found the good source, and you have seen the results in the update above.)
This started out as a fine Romanesque design for an industrial building; it sprouted more and more haphazard additions, and became something more like a European castle with its layers of contradictory history. Today, after an adventurous history of abandonment and adaptation, it is called “The Brew House” and is filled with lofts and artists’ studios.
This old warehouse has seen some alterations of its details, but the lines remain basically the same. Note that even a utilitarian building like this sprouts a splendid cornice at the top.
Note that this picture is more than 13 megabytes if you enlarge it.
Old Pa Pitt can only say this is not bad for a first try. He has always admired this little masterpiece of industrial architecture (which surprisingly still houses a pipe, valve, and fittings company), and set himself the task of getting a picture of the Sidney Street face, which covers the entire block between 20th Street and 21st Street on the South Side. The evening sun was not kind to him, so he may try again on a cloudy day; but this is still the only picture of the whole Sidney Street face on the entire Internet, so Father Pitt gives himself credit for that much. Below, a more conventional (and much easier) view from the corner of 20th and Sidney Streets, with the usual utility cables.
This building is remarkably well preserved mostly because it belonged to a company that stayed in the same business until 2005 without ever outgrowing its limited premises. The Hipwell Maufacturing Company’s most famous products were metal HIPCO flashlights, the kind that used to be ubiquitous before plastics took over. But the company (according to this page) was an important innovator in the electrical business, inventing the single-cell batteries that power our flashlights and digital cameras and toys and a thousand other things we never think of until we have to buy batteries again. It was also involved in the early stages of telephones and electric toy trains.
Today the building is lovingly preserved as—what else?—loft apartments, as well as a banquet hall called HIP at the Flashlight Factory.
