Father Pitt

Tag: Hornbostel (Henry)

  • Hornbostel Goes Maya in South Park

    Corbeled arch

    The Maya produced some of the great architectural geniuses of the ancient world. In 1907, the architect Henry Hornbostel made a trip to Yucatan, where he was one of the first people to photograph the ancient Maya structures. In 1938, when he was director of parks for Allegheny County, Hornbostel produced this startling corbeled arch—a distinctive feature of Maya architecture—for the golf clubhouse in South Park.

    Reliefs on the course-side wall

    Reliefs cleverly assembled from bricks show men and women having fun on the golf course. When old Pa Pitt visited, the men playing golf outnumbered women by at least ten to one, but in these reliefs the sexes come in equal numbers. In half the men swing and the women watch, and in the other half vice versa.

    Two golfers picked out in bricks
    Door frame with abstract carving

    The interior decorations continue the abstract-Maya theme.

    In his much-quoted talk on “American Style,” the eccentric genius and flimflam artist Titus de Bobula advised his fellow architects, “Go back to our own archeological excavations of Yucatan and Mexico,” where they would find inspiration for a truly American style. He earned some applause, but only a very few American architects followed that advice, producing a small treasury of “Mayan Revival” architecture. This may be the only unambiguous example in Pittsburgh. It took Hornbostel three decades from the time he visited Yucatan to the time he drew this Maya-inspired building, and it was at the end of his career. Perhaps the Maya style was too adventurous for Pittsburgh. But it gave us this one memorable clubhouse, and we can be thankful for that.

    Perspective view of the corbeled arch
    Sony Alpha 3000.

  • Niches on the College of Fine Arts Building, Carnegie Mellon University

    Henry Hornbostel designed the front of the Fine Arts Building with niches that display all styles of architectural decoration, and more practically give students a place to sit between classes. The niches have continued to accumulate sculpture in styles from all over the world. The whimsical figures in the Gothic niche may have been done by Achille Giammartini.

    Figure in first niche
    Figure in first niche
    Foliage with critters in first niche
    Lion eating an unfortunate Gothic figure
    Figure in first niche
    Figure in first niche
    Second niche

    In the classical niche, the three orders of Greek architecture: Corinthian, Doric, Ionic, demonstrated with correct proportions.

    Third niche
    Fourth niche
    Sculpture in Indian style, with Egyptian column

  • College of Fine Arts, Carnegie Mellon University

    Creare over the entrance

    The front of the College of Fine Arts in sunset light. Above, the word CREARE (“to create”) inscribed above the entrance by decorative sculptor Achille Giammartini.

    College of Fine Arts, Carnegie Mellon University
    Entrance
    Entrance decoration
    Ratio

    Reason.

    Cogitatio

    Design.

  • Some Houses on Bigelow Boulevard, Schenley Farms

    Ledge House

    As we mentioned before, we are attempting to photograph every house in the residential part of Schenley Farms. Here is a big album of houses on Bigelow Boulevard, which becomes a residential street as it winds through the neighborhood. Above, Ledge House, the strikingly different home of A. A. Hamerschlag, the first director of Carnegie Tech (now Carnegie Mellon University). It was designed by Henry Hornbostel, who designed the Carnegie Tech campus and taught at Carnegie Tech. It has recently been cleaned of a century’s worth of industrial soot and restored to its original appearance.

    Ledge House
    4107 Bigelow Boulevard

    Above and below, the D. Herbert Hostetter, Jr., house, architects Janssen and Abbott. Benno Janssen and his partner abstracted the salient details of the Tudor or “English half-timber” style and reduced it to the essentials, creating a richly Tudory design with no wasted lines.

    4107 Bigelow Boulevard

    Because we have so many pictures, we’ll put the rest below the metaphorical fold to avoid weighing down the front page here.

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  • Reliefs by Henry Hering on the Federal Reserve Bank Building

    Eagle by Henry Hering

    This building, put up in 1930–1931, was a branch of the Federal Reserve Bank of Cleveland, and the Clevelanders Walker & Weeks were the architects—but with Henry Hornbostel and Eric Fisher Wood as “consulting architects.”1 Old Pa Pitt doesn’t know exactly how far the consulting went. At any rate, the architects chose sculptor Henry Hering, who had done several prominent decorations in Cleveland, to create the cast-aluminum reliefs for this building. The picture below is from 2015, but it will serve to show the placement of the reliefs:

    Federal Reserve Bank Building

    The three main figures are obviously allegorical; they seem to represent industry, agriculture, and the professions.

    Relief by Henry Hering
    Relief
    Relief
    Decoration in aluminum
    1. Source: Walter Kidney, Henry Hornbostel: An Architect’s Master Touch, where this building is no. 137 in the List of Works. ↩︎

  • Stairway in Baker Hall, Carnegie Mellon University

    Spiral stairway in Baker Hall

    Stairways can be good opportunities for architects to show off, and here is a stairway designed by Henry Hornbostel that defies imitation.

  • Some Details of Margaret Morrison Carnegie Hall, Carnegie Mellon University

    Rotunda of Margaret Morrison Carnegie Hall

    Of all the buildings on the Carnegie Mellon campus, Margaret Morrison Carnegie Hall (named for Andrew Carnegie’s mother) probably makes the most jaw-dropping first impression. It was originally built in 1907 as a separate but related school, the Margaret Morrison Carnegie School for Women, where women would learn the skills women were fitted to learn. When it was discovered that women were fitted to learn everything, the school dissolved into the larger university.

    Henry Hornbostel’s design makes its opening statement with a grand and stripey rotunda that is impressive and welcoming at the same time.

    Entrance to Margaret Morrison Carnegie Hall
    Polychrome ornament

    The polychrome ornament found throughout the campus is laid on lavishly here.

    Sconce

    One of the sconces in the rotunda.

    Side porch

    A side porch with some unusually intricate decoration that nevertheless does not look at all fussy.

  • Back Corner of Soldiers and Sailors Hall

    Soldiers and Sailors Hall from O’Hara Street and University Place

    Seen from the corner of O’Hara Street and University Place.

  • Soldiers and Sailors Hall with Memorial Dog Tags

    Soldiers and Sailors Hall with dog tags strung over the promenade

    Each of the 7,053 dog tags represents one soldier fallen in the War on Terrorism, defined as all the battles since September 11, 2001.

  • Lighting the Interior of Soldiers and Sailors Hall in 1913

    Night view of auditorium, illuminated by mercury vapor tubes, nitrogen vapor tubes, carbon and tungsten lamps
    Night view of auditorium, illuminated by mercury vapor tubes, nitrogen vapor tubes, carbon and tungsten lamps

    From The Brickbuilder in 1913, two views showing how interior spaces in the Allegheny County Soldiers’ Memorial were illuminated.

    Night view of banquet hall and ballroom, illuminated by tungsten lamps, screened by amber shades
    Night view of banquet hall and ballroom, illuminated by tungsten lamps, screened by amber shades

    An interesting note on the auditorium: In 1960, Syria Mosque across the street was the usual venue for Pittsburgh Symphony performances. But when the Symphony made some high-tech ultra-high-fidelity recordings for Everest that year, conductor William Steinberg insisted on using the auditorium in Soldiers and Sailors Hall instead. He thought the acoustics were much better. Those Everest recordings are still regarded by connoisseurs as some of the most real-sounding symphonic recordings ever made.