
Lord & Burnham designed Phipps Conservatory in 1892, which was probably their biggest commission ever; and in this 1896 advertisement for their services, we see them showing a model conservatory that is very much like one of the wings of Phipps.

Lord & Burnham designed Phipps Conservatory in 1892, which was probably their biggest commission ever; and in this 1896 advertisement for their services, we see them showing a model conservatory that is very much like one of the wings of Phipps.
The September 1915 issue of The Builder published this picture of the Concord Presbyterian Church in Carrick, along with this description:
An interesting building, published in this issue, built after the style of the early English Parish Church, and executed in that character exceptionally well both interior and exterior.
The exterior of the Church is of Rubble Masonry which as a material blends well with the immediate surroundings, the site being on Brownsville Road, Carrick, and of a rural atmosphere. The interior (as the interior of the early English Parish Church) is carried out in a very simple but dignified design, of plaster and timber, finished in a warm color scheme.
The Church has a seating capacity of 500, the Sunday School accommodating 450.
The architect, as the page with the photograph above tells us, was George H. Schwan. Although the immediate surroundings were “of a rural atmosphere” in 1915, they would not remain that way for long. Already in the photograph above you can see the great engine of urbanization: streetcar tracks.
This is the way the church looks today, with its early-settler country churchyard behind it and the decidedly non-rural business district of Carrick in front of it. More pictures of the Concord Presbyterian Church are here.
This church has a complicated history that perhaps someone from Brighton Heights could help old Pa Pitt sort out. It was built in 1907 as a Congregational church, replacing an earlier frame building. By 1923 it was the Eleventh United Presbyterian Church. Now it belongs to the Greater Allen African Methodist Episcopal congregation, which has kept it in beautifully original shape, right down to the uncleaned black stones, which Father Pitt loves.
Looming up from the quiet back streets of Sheraden, this titanic Gothic church would put many a cathedral to shame. Built in 1924, it was probably the grandest work of William P. Hutchins. Though it has closed as a church and has been stripped of some of its ornamental details, it is still in use and thus maintains at least a precarious hold on existence.
This article will be a feast for lovers of utility cables. The rest will just have to put up with diagonal black lines in the pictures.
The apse of the church is a commanding presence on the street, making strollers-by feel almost as if they have wandered into a medieval cathedral city. But how many Gothic apses in those stuffy European towns have a garage in the basement?
The building now belongs to Mercy Intellectual Disabilities Services, which has altered it to suit a radically different purpose. But the outlines of the church are still clear. The architect was T. Ed. Cornelius,1 about whom Father Pitt knows nothing except that he seems to have had a fairly successful career designing middle-class houses and modest churches—this one was budgeted at $25,000 in 1923, which was not a great deal to spend on building a church.
This is another case where old Pa Pitt went looking for one of his pictures and discovered that he had never published it. The picture was taken in August of 2022, but only recently did Father Pitt discover the name of the architect.
Chauncey W. Hodgdon had been practicing architecture for well over four decades when he designed this little church. It was built in about 1924,1 and this is Hodgdon on a small budget. He minimized expensive indulgences like stone trim and large windows, while still giving the congregation the respectable Gothic church it dreamed of. Now the building belongs to New Hope Church, which is keeping it in very good shape.
Very few Shingle-style frame Gothic churches are left in Pittsburgh with their original wood siding: they usually get covered with artificial siding that obscures all the details and character of the building. How long this rare survivor from the 1890s will last is questionable: it belongs to the Pneuma Center for Biblical Guidance now, and it is always a temptation for organizations on a small budget to solve every problem with vinyl. So far the owners have kept the place beautifully.
If you were on a budget of only $20,000, which was fairly modest for a church, you could still get yourselves some distinguished architects to make the most of your money. Vrydaugh & Wolfe designed some huge millionaires’ mansions and a number of glorious stone churches, but they put their usual care into this little project as well, using inexpensive materials to the best effect.1 It was built as Emanuel Evangelical Church; later it became Emanuel United Methodist Church, and now it is New Destiny Christian Methodist Episcopal Church.
A small addition filled in one corner at some time when the church was a United Methodist congregation.
The attached parsonage is small but in perfect taste, neither too ostentatious nor unduly plain.
Above, from the grounds of Soldiers and Sailors Hall; below, from the steps of Bellefield Presbyterian Church.