
A striking modernist Gothic church whose clean lines are lovingly preserved by the congregation. Below, we add some bonus utility cables to prove that this is Pittsburgh.

Elise Mercur was an extraordinary woman. The first female professional architect in Pittsburgh, and one of the first anywhere, she had a prosperous career for about a decade between 1894 and 1905. Then she retired, and most of her buildings have been crushed by the steamroller of time—or by university presidents who need them out of the way to make room for some donor’s vanity project.
This church remains, however. It was built for the St. Paul’s Episcopal congregation; later it passed to the Church of the Holy Cross, a Black Episcopal congregation that eventually moved to Homewood. Right now it belongs to the Christian Tabernacle Kodesh Church of Immanuel.
Those little triangular dormers are imitated from Richardson, who used them in his famous Emmanuel Episcopal Church in Allegheny West.
The Wikipedia article on Elise Mercur is unusually thorough, so old Pa Pitt will not repeat its information here. He will add, however, that he has been scanning old trade journals to see whether any other buildings by Mercur have survived, and he will publish any findings in this spot.
As the only known remaining work of our first female architect, this church has a historical significance that makes it a preservation priority. Father Pitt assigns it to the Near Threatened category in his classification of our vulnerable landmarks.
The most striking feature of St. Paul’s is the octagonal cupola.
William D. Hamilton was in the coffin business, which he inherited from his father and built up into the National Casket Company, a titan in the death industry. North Avenue is the neighborhood line on city planning maps, so this house is in the Central Northside neighborhood by those standards; but socially it belongs to Allegheny West, and the Allegheny West site has a detailed history of 940 West North Avenue.
The architects were Alston & Heckert; the house was built in 1895 or shortly after.1 The style is best described as “eclectic,” but the Gothic windows upstairs give the house a slightly somber and funereal aspect. Since those two trees have been flourishing in front, it is impossible to get a view of the whole façade except in the winter.
The Warren United Methodist Church might qualify for Rundbogenstil were it not for the very slight pointing of the arches, which takes away the Rund part of Rundbogenstil. With its battlemented roofline, it gives the impression of a chapel built into a castle. The attached parsonage is more interesting and more striking than the church when we see it from the street, and our only legitimate complaint about it would be that it draws too much attention toward itself and away from the church.
Addendum: The architects of the church, and probably the parsonage as well, were Milligan & Miller of Wilkinsburg; it was built in about 1908. Source: Ohio Architect and Builder, July, 1907. “PITTSBURG.—Architects Milligan & Miller, of Wilkinsburg, are drawing plans for a brick and stone church to be erected on Center avenue, for the Warren Methodist Episcopal congregation. Cost $3,000.” A zero has probably been left out of the cost; you could not get a brick and stone church for $3,000, but this could easily be a $30,000 church.
Update: The architect was Edward Weber, one of our most distinguished ecclesiastical architects. You might say he wrote the book on Catholic Church Buildings, and this one is illustrated in it. We keep the original article below, with its incorrect speculations, because Father Pitt likes to emphasize his own fallibility.
Old Pa Pitt does not definitely know who designed this old convent (now a “ministry center”), but he would not be at all surprised to learn that it was Aspinwall’s own resident big-time architect Frederick Sauer, who could have walked to this site from his house in five minutes, and who was a known lover of yellow brick like this.
Designed by Andrew Peebles, this church, which would be the most magnificent thing in many a neighborhood, is dwarfed by the Grant Street behemoths around it. Other even grander churches on Grant Street (St. Paul’s Roman Catholic Cathedral and St. Peter’s Episcopal) were displaced by commercial interests, but this one has somehow survived since 1887, which may make it the oldest standing building on Grant Street. It’s currently getting some restoration.
Calvary Methodist Church in Allegheny West is floodlit at night, and old Pa Pitt stopped the other night to get a few pictures. The design of this church is credited to Vrydaugh & Shepherd with T. B. Wolfe. Vrydaugh & Wolfe would soon become a partnership designing a number of fine churches and millionaires’ mansions. Old Pa Pitt does not know what happened to Shepherd.
These pictures were all taken hand-held with very slow shutter speeds. Photographers will tell you that you cannot take a sharp hand-held picture at 1/10 of a second. What they mean is that you cannot reliably take a sharp picture. With digital photography, where individual pictures cost nothing, what you can do is take a dozen or two pictures and hope that one of them will be sharp.