Father Pitt

Tag: Fourth Avenue

  • Daniel Burnham Makes a Little Plan

    Union Trust Company

    “Make no little plans,” said Daniel Burnham; “they have no magic to stir men’s blood and probably themselves will not be realized.” The Chicago Tribune tells us the interesting story of the long search for the original source of that quotation, and the determination that it was in fact what Burnham said. It is probably the second-most-famous quotation from an architect in history: only Louis Sullivan’s “Form follows function” has been heard more often.

    Outside Chicago, Pittsburgh was where the great Burnham was most prolific. Many of our most famous buildings—the Oliver Building, Penn Station, the Frick Building, and a good number of others—are by Burnham. Most of them are colossal. But the old Union Trust Company building—now the Engineers’ Society of Western Pennsylvania—was his first work here, and it is on a small scale. Small, but rich and perfect in its way. The front is a traditional Doric temple; the treatment of the top storey behind the pediment seems to enclose the temple in its own perfect world, insulated from the ugly realities of Fourth Avenue commercialism around it. It was built in 1898, and it can be seen as an answer and a rebuke to the tasteless extravagance of Isaac Hobbs’ 1870 Dollar Bank building across the street.

  • Fourth Avenue

    Fourth Avenue

    Some of the earliest skyscrapers sprouted on Fourth Avenue, which is an absurdly narrow street for towers like these. Since Pittsburgh never developed a setback rule like Chicago or New York, the towers go straight up, which accents the narrowness of the street even more.

  • Reflected Towers of Fourth Avenue

    Fourth Avenue towers reflected

    Left to right: Arrott Building, Investment Building, Benedum-Trees Building.

  • Commercial National Bank

    Commercial National Bank

    This little bank on Fourth Avenue was originally designed by Alden and Harlow. The central section has been ruthlessly mutilated, with the elegant arch replaced by a cartoon suggestion of an arch. For reasons unknown, much of the rest of the building was left untouched (although it is pretty clearly missing its top), and the details there are enough to make it worth our while to stop and admire them.

    Of course there are lions. How could there not be lions?

  • Dollar Bank

    Dollar Bank

    The adjective “tasteful” does not naturally attach itself to this structure. It has the look of a building specified by a banker who hired an expensive architect and was determined to wring every cent of his money’s worth out of the details. It is magnificent in a slightly horrifying way: this is the kind of monstrosity that was in the minds of the modernists when they condemned all things Victorian. Old Pa Pitt would not change a single swirl or swag or grotesque half-vegetable naked lady.

    The architect in question was the firm of Isaac H. Hobbs & Sons from Philadelphia. Isaac H. Hobbs was a kind of celebrity architect. He was familiar to the thousands of ladies across our fair land who read Godey’s Lady’s Book, the premier fashion magazine of the middle 1800s: every month, Hobbs contributed a design for an elaborately Victorian residence for the lady readers to drool over. It was something like having a regular segment on a popular daytime talk show today. According to the Pittsburgh History and Landmarks Foundation’s Fourth Avenue walking tour (PDF), Hobbs designed a number of houses around Pittsburgh, but Father Pitt does not know any of them; he wonders whether they were original designs, or whether they were adaptations of the many designs published in Godey’s.

    It appears that the crust of 150-year-old ornamentation requires some stabilization: netting is stretched over the top half of the building at the moment.

  • The Arrott Building Reborn

    Arrott Building

    After much expensive restoration and renovation, the Arrott Building (designed by Frederick Osterling) has reopened as a hotel called “The Industrialist.” The exquisite lobby has been carefully preserved. The picture above is huge, stitched together from several photographs to make what may be the only complete head-on picture of the Wood Street façade of the building on the internet.

    Entrance to the Arrott Building

  • Entrance to the Union National Building

    Entrance to the Union National Building

    This is very definitely a corner building, and architects MacClure and Spahr made the corner the most identifiable thing about it. That curved corner runs all the way up to the top, and the main entrance is right on the corner of Fourth and Wood.

    Notice the capitals on those prominent columns. How do you adapt square Doric capitals to a fairly tight curve? Making them octagonal is a solution that might have given Vitruvius a stroke, but works very well in this context.

    The building is now luxury apartments under the name “The Carlyle.”

  • Last of the Fall Colors

    Christmas tree at Fourth and Smithfield

    In the suburbs the trees are mostly bare, but some trees in sheltered spots downtown are still in the process of changing. This is a little parklet next to the Dollar Bank building on Fourth Avenue.

  • Carved Ornaments on the Benedum-Trees Building

    Bracket on the Benedum-Trees Building

    Carved brackets and other ornaments on the entrance to one of the splendid Fourth Avenue bank towers.

  • Reflection of the Benedum-Trees Building

    Benedum-Trees Building reflected in the Patterson Building

    The ornate top of the Benedum-Trees Building on Fourth Avenue, reflected in the glass front of the Patterson Building on Third Avenue. This is a two-color rendition, like an old postcard or a two-strip Technicolor movie. We are going to see quite a lot of Fourth Avenue and nearby in the next few days.