This was the home of a prosperous shopkeeper in East Birmingham, one who had two full floors of living quarters above the shop, with the addition of a couple of comfortable attic rooms. The ground floor has been altered somewhat, but only in the incidentals; on the whole, the building is in a splendid state of preservation.
The Art Nouveau style never made much headway in Pittsburgh, but there are a few examples of ornamentation in a style that deserves that name—especially stained glass, which lends itself to the kind of abstraction we associate with Art Nouveau. This window is in a storefront near the Birmingham Bridge.
A pair of storefronts in a commercial building between 15th and 16th Streets. The decorations are very well preserved—enlarge the picture to see how the ornaments in the carved cornice match the keystones in the flattened arches. Notice also the recessed entrances. Old Pa Pitt is still astonished that we have forgotten the reason for those. The reason is that, if the entrance were flush with the sidewalk, someone leaving the store could swing the door out into a passing pedestrian’s face. This happens more often than we realize in modern storefronts, or old ones that have been modernized, and apparently the reaction each time is “Who could have seen that coming?”—to which the answer is “Any Victorian architect.”
Note the distinctive beehive ornament in the middle of the building that serves as the date stone.