
The splendid terra-cotta facing of the Maul Building is covered with ornaments that may have been standard catalogue items, but nevertheless show considerable artistic talent.



Streetscape of Sarah Street, with typical South Side rowhouses, a small synagogue, and the South Side Presbyterian Church at the end of the block.
This is the kind of eclectic mess twentieth-century architects meant when they vigorously condemned everything “Victorian.” You can hardly pin it down to any historical style. That would probably identify it as “Queen Anne,” the term for Victorian domestic architecture that is a hodgepodge of every historical style, with strange angles thrown in for added picturesque effect. And to those twentieth-century architects, old Pa Pitt has only this to say: this house is a lot more attractive and a lot more pleasant to live in than anything you came up with.
In a crowded neighborhood with narrow streets, getting a picture of a large church like this is almost impossible without resorting to computer trickery. Fortunately old Pa Pitt has never been above computer trickery, and this is actually a composite of two photographs. The seams are nearly invisible, but if you look closely, you may notice the same pedestrian appearing twice at different points on the sidewalk.
Like many Catholic churches in the city, this one is no longer a worship site. Protestant churches can straggle on for decades with a dozen people showing up on Sunday, but the top-down organization of the Catholic Church makes it almost inevitable that decisions will be made on the basis of efficiency. St. Casimir’s, like the school formerly attached to it, is now condominium apartments.
Below, the distinctive towers, one of which is missing a column.
If you look up the word “Polithania” in your favorite search engine, you will find this building and nothing else. It was a bank and land office for Polish and Lithuanian immigrants (Poland and Lithuania have a long history of interconnection). Now it cleans teeth, but the original signs are still over the doors.