
Old Pa Pitt is not sure whether the woodwork on this South Side rowhouse is original or the work of a more recent craftsman. Either way, it is charmingly folksy, and the polychrome color scheme is well chosen to bring out the details.


At the back of the South Side, where the Flats meet the Slopes, two railroads once ran above the level of the streets. One is still one of the busiest rail lines in the city. The other has been abandoned, leaving rusty skeletons like this. In dreamy moods, old Pa Pitt likes to imagine how this right-of-way—only three short blocks from Carson Street—could be repurposed for a South Side El that would connect to the subway at Station Square.
In a Victorian rowhouse, the parlor window—the ground-floor window facing the street—was an opportunity for the homeowners to display their taste and, even more important, their ability to pay skilled craftsmen to decorate their houses with woodwork and stained or leaded glass. Above, even the masonry is incised with decorative patterns.
This was the home of a prosperous shopkeeper in East Birmingham, one who had two full floors of living quarters above the shop, with the addition of a couple of comfortable attic rooms. The ground floor has been altered somewhat, but only in the incidentals; on the whole, the building is in a splendid state of preservation.
The Second Empire style, with its dormered mansard roofs, was very popular in Pittsburgh—so much so that we walk by most examples without noticing them. Here’s a quite ordinary building in the back streets of the South Side, but it rewards a closer look at some of the details. Above, one of the lintels over the windows, which all have simple but effective carved decorations.
This roof has so far kept its original shingles, decoratively varied with four rows of a different shape across the middle.
One of the windows on the ground floor. Notice that its lintel decoration is different from the one above.
These star bolts are decorative, too—but they’re not mere decorations. Star bolts like these, which you see in old houses all over the city, are the decorative ends of long bolts that literally hold the building together. They are often installed to stabilize a wall that has begun to sag.
The Art Nouveau style never made much headway in Pittsburgh, but there are a few examples of ornamentation in a style that deserves that name—especially stained glass, which lends itself to the kind of abstraction we associate with Art Nouveau. This window is in a storefront near the Birmingham Bridge.