

Shadyside is full of these little enclaves of townhouses, improbably narrow streets (or simply pedestrian walkways) that shut out the world and create their own little enclosed communities. Ellsworth Terrace, built in 1913, is a fine example of early-twentieth-century arts-and-crafts design. Wikipedia lists the architect as William H. Justice, but with a question mark after the name. The pseudo-Victorian building to the right is a much more recent condominium.
The Church of the Ascension was designed by William Halsey Wood, a master of Gothic architecture who died very young, at 41, but nevertheless left a substantial body of work. Here he seems to have concentrated his efforts on the massive tower.
Compare these recent pictures to the Father Pitt’s pictures of the same church in 2013.
This exceptionally fine country house on Ellsworth Avenue has been absorbed by the city, but maintains its rural dignity. It was built just after the Civil War in about 1870, and all the best features of the era are represented—generous porch, huge tall windows, and a dignified but not monotonous simplicity of form.
With the limited research he was willing to put into it, old Pa Pitt was not able to confirm his impression that this building on Elmer Street was once a stable. But it certainly has the look of a stable. Well into the early twentieth century, the city was full of stables where the thousands of draft horses that pulled every kind of conveyance were kept.
Built for a prosperous doctor, this house was designed by Longfellow and Harlow (soon to be Longfellow, Alden, and Harlow), and shows the restrained good taste that would be the hallmark of the firm’s work for decades. Although it is technically on the Squirrel Hill side of the street, socially this house forms part of the Shadyside millionaires’ row along Fifth Avenue.