What old Pa Pitt calls the Fairy-Tale Style was very popular in the 1920s and 1930s. The mark of the style is an exaggerated historicism in which the historical elements are rendered less as accurate reproductions of historical styles and more as if they were illustrations in a children’s book. This house in the St. Clair Terrace plan in Mount Lebanon is a perfect representative of the style.
A simple and dignified modernistic apartment building with tasteful Art Deco ornamentation. It is now an assisted-living facility.
We visited again on a cloudy day to get pictures of some of the houses we had to skip the last time we visited Hoodridge Drive, when the sun was from the wrong direction.
In some of these pictures old Pa Pitt took out the utility cables. With others he despaired.
Virginia Manor was developed with the idea that it would be “an entire community of artistic homes.” “The Southern Hills Land Company, developers of the plan, reserve the right to have an architectural expert examine the drawings of proposed homes,” said a photo caption in a 1928 Sun-Telly article on the plan. “Freak houses are barred.” We’ll reprint the whole text of the article here:
Virginia Manor, real estate development of the Southern Hills Land Company in Mt. Lebanon, has been created with the idea of having an entire community of artistic homes. Careful consideration has been given to the architectural detail of every home built in the plan.
No lot in the plan has a frontage of less than 60 feet. This allows room for landscaping on every plot. Restrictions are placed in the deed requiring drawings for a proposed home to be submitted to an expert for approval. More than 25 homes have already been erected, varying in price from $15,000 to $50,000.
Many of the homes erected are those which have won prizes in architectural competitions, such as the American Face Brick Association competition and the United States Gypsum competition. Some of the houses are sponsored by the Architects’ Small House Service Bureau of the United States.
Virginia Manor is located on the first ridge north of and parallel to the Washington road, Mt. Lebanon. It adjoins Marlin place, Colonial heights and Parker Gardens. The plan is accessible through the Liberty tubes or by the way of the West End and the Banksville road.
Here is an album of houses from the eastern half of Virginia Manor, which is a few years older than the western side we saw recently. The houses get a little smaller as they get nearer to the more plebeian neighboring plans of Colonial Heights, Marlin Place, and Parker Gardens, but the variety and quality of the designs is remarkable throughout.
This little house in the Dutch Colonial style caught Father Pitt’s eye as he was wandering in Mount Lebanon.
The materials and colors (though certainly not the roofline) reminded old Pa Pitt of a Dutch colonial house in Hurley, New York: the Bevier house at 25 Main Street, built in about 1720.
This picture was taken in 2000, but not much has changed, according to photographs on line.
Virginia Manor is where the rich rich people live in Mount Lebanon. It’s full of houses designed by some of the most distinguished Pittsburgh architects of the 1920s and 1930s. Osage Road has some of the grandest houses, so here is your look at how the other half lives—unless you are the other half, in which case here is your hand mirror.
Father Pitt has not yet identified the architect of these four apartment buildings in Mount Lebanon, but the style is so distinctive that we can confidently attribute them to the same hand. Adopting the practice of art scholars who name unidentified artists after the most distinctive features of their style, we call this architect the Master of the Jumbled Bricks. Perhaps some reader knows the architect’s real name.
The buildings all share patches of bricks and brick pieces laid in a jumble, as you see above. They also all use irregular (sometimes multicolored) roof slates and ornamental half-timbering, and even the bricks laid in regular courses are given as irregular a texture as possible. They are all in the exaggerated historicist manner that old Pa Pitt calls the Fairy-Tale Style.
We’ll begin with this building on Central Square. The bricks here have had some repair, but we can still see the effort and patient professional work that went into making the building look as though it was built by gnomes.
Not far away, on the other side of uptown Mount Lebanon, another of these apartment buildings stands on Florida Avenue:
Here the jumbling of the bricks is more patterned.
The polychrome irregular roof slates add to the fairy-tale atmosphere.
The next one, on Bower Hill Road, has fewer jumbles; they are placed up at the top among the irregular roof slates as a kind of billboard for the style.
Though the shades are more muted, these roof slates are also different colors.
Finally, the Stratford on Beverly Road.
So far, Father Pitt has found these four apartment buildings in Mount Lebanon designed by this unusually whimsical artist. There are probably others lurking in plain sight. Does anyone know the architect’s real name?
Father Pitt will add that he has some reason for suspecting that it might have been Theodore Eichholz, who was known to work in the fairy-tale style, and who designed an extraordinary whimsy in Highland Park, the Bendet house on Cordova Road, which uses jumbled bricks across the entire front. But this is only a vague suspicion. Anyone with better information is earnestly desired to inform us.
(Update: More and more evidence is pointing to Charles Geisler, resident of Beechview and architect of numerous apartment buildings in Mount Lebanon and Dormont, as well as Squirrel Hill, as the Master of the Jumbled Bricks. This is what the television reporters call a developing story, and old Pa Pitt will update this article with any more certain conclusions.)
Here we have two apartment buildings on more or less the same plan, but differing in their details.
The Shirley has two immediately striking features. First, the broad round arch at the entrance:
Second, the two-storey window (interrupted by inscription) in the stairwell, which also terminates with an arch.
Its neighbor (originally named Harmon: see below) uses contrasts in color to create a striking appearance.
The entrance is more classical, and instead of one tall window, the stairwell has two arched windows filled with colorful art glass.
Addendum: A 1934 plat map shows that the building on the left was originally called “Harmon.”
The Rose Court apartments were built in about 1928 or 1929, and they have hardly changed at all externally. They are a complex of seven buildings in the Central Square area of Mount Lebanon, built in a subdued Georgian style around pleasant garden courts, so that one side of each building faces a garden.
