Connoisseurs of brutalism in architecture regard this as a remarkably fine example of the style. (Father Pitt could not find the architect with a short search, and he was not willing to do a long one.) “Brutalism” is the modernist school that makes its aesthetic statements through exposed raw concrete. The “raw” part is very important here: the architectural world blew a collective gasket when, in Washington, D.C., the Metro authorities responded to the increasing grubbiness of 1970s Brutalist subway stations by painting over the grime, which was blasphemy. Old Pa Pitt is not a great lover of brutalism (except for the Metro stations in Washington, which are like modernist cathedrals), but he can appreciate the care that went into making the most of concrete as a material in this building—the curved surfaces, the geometric forms, the play of light and shadow. It is also notable that, instead of killing the whole block, the builder put storefronts on the ground floor, so that some life could remain on the streets below the garage.