Category: Downtown

  • May Building

    May Building

    Charles Bickel designed the May Building, and—as he often did—he made liberal use of terra cotta in the ornaments.

    Capital
    Cornice and capital
    Nikon COOLPIX P100.

    More pictures of the May Building.


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  • The Lost Building by Longfellow, Alden & Harlow

    Phipps-McElveen Building

    Poe’s “Purloined Letter” taught us that the best place to hide something is in plain sight. Here is a building that has been sitting here on Penn Avenue for more than a century and a quarter, where thousands walk past it every day, but the biographer of Alden & Harlow was unable to find it when she looked for it.

    That, of course, is because she was looking for it. Father Pitt almost never finds things when he looks for them. He finds them when he is looking for something else. In this case, our frequent correspondent, the architect and historian David Schwing, had sent an article about the many buildings under construction in late 1896, and among them was this little item:

    The Henry Phipps’ store building, on Penn avenue, corner Cecil way, to be finished January 1, is a massive steel structure 60×120, with Pompeiian brick front, ornamented with stone and terra cotta, thoroughly fireproof in construction; will be heated by steam; supplied with an independent electric plant of its own; electric elevators, and lighted by both systems of arc and incandescent. Alden & Harlow, architects.

    There is little doubt about the identification. The Phipps-McElveen Building stands on the corner of Penn Avenue and Cecil Way—the corner that plat maps show belonged to Henry Phipps. The plat maps also show that the front of the building is sixty feet wide.

    This building does not appear in the gorgeous book Architecture After Richardson by Margaret Henderson Floyd, which exhaustively catalogues all the known buildings of Alden & Harlow (and Longfellow, Alden & Harlow, and the other variations of the firm). However, there is a building that the author could not account for: an “as yet unlocated hotel for L. C. Phipps.” Lawrence C. Phipps was a nephew of Henry who would move to Denver in 1901 and go into the senatorial business. “The brick and terra cotta hotel for L. C. Phipps was eight stories high,” says the book, “but no visual records have been found.”

    The brick and terra cotta Phipps-McElveen building has eight floors.

    Thanks to the research of Mr. Schwing, who often does find things when he looks for them, we can put together what happened. It appears as though the plans for the property changed more than once. In the middle of 1895, it was announced that a twelve-storey hotel would be built on Penn Avenue from plans by D. H. Burnham & Company. But by early 1896, the hotel plan had been abandoned. “Longfellow, Alden & Harlow have the bids for the erection of an eight-story storeroom building on Penn Avenue, for Henry Phipps, between Marshell’s store and Cecil alley. It was the intention to put up a large hotel on the site, but this scheme has been abandoned. Work had started by early June. During the construction, Longfellow, Alden & Harlow decided to divide their firm, with Mr. Longfellow staying in Boston and Alden & Harlow taking all the Pittsburgh work.

    So it looks as though we’ve found the missing building that Margaret Henderson Floyd couldn’t find, and old Pa Pitt offers this visual record in humble appreciation of her meticulous research and engaging writing.

    Phipps-McElveen Building
    Nikon COOLPIX P100.

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  • Federal Reserve Bank

    Federal Reserve Bank

    Now the Drury Plaza Hotel, this is a splendid example of the far Art Deco end of the style old Pa Pitt calls American Fascist. The original 1931 building, above, was designed by the Cleveland firm of Walker & Weeks, with Hornbostel & Wood as “consulting architects.” It is never clear in the career of Henry Hornbostel how far his “consulting” went: on the City-County Building, for example, “consulting” meant that Hornbostel actually came up with the design, but Edward Lee was given the credit for it; we would not know that Hornbostel drew the plans if Lee himself had not told us.

    At any rate, the lively design almost seems like a rebuke to the sternly Fascist Federal Courthouse across the street, which was built at about the same time.

    The aluminum sculpture and ornament is by Henry Hering.

    An addition in a similar style looks cheap beside the original; perhaps it would have been better just to admit that the original could not be duplicated and to build the addition in a different style.

    Federal Reserve Bank with addition
    Fujifilm FinePix HS10; Samsung Galaxy A15 5G.

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  • Federal Building

    Federal Building
    Fujifilm FinePix HS10.

    Altenhof & Bown, a Pittsburgh firm that also designed the State Office Building, were the architects of what is now officially called the William S. Moorhead Federal Building. It’s a good example of mid-century modern architecture—distinctive in its vertical-blind curtain of aluminum panels, yet somehow easy to ignore.


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  • O’Reilly Theater and Theater Square

    O’Reilly Theater

    A quarter-century ago, the O’Reilly opened with a brand-new play by August Wilson (King Hedley II). That makes it a newcomer by Penn Avenue standards. But Penn Avenue has been the heart of the theater district for a century and a half, and the O’Reilly stands on the exact site of Library Hall, whose auditorium was used as the Bijou, Victorian Pittsburgh’s most prestigious theater, where touring stars like Dion Boucicault played. The site had been a parking lot for more than sixty years before the O’Reilly was built, but we can think of this theater as continuing the Bijou tradition.

    O’Reilly Theater

    The building was designed by Michael Graves, the postmodernist whose brand of neoneoclassicism was influential in the movement. Mr. Graves also designed Theater Square next door, which houses the Greer Cabaret and a well-dressed parking garage.

    O’Reilly Theater and Theater Square
    Penn Avenue with the O’Reilly Theater
    Nikon COOLPIX P100.

    Old Pa Pitt has been dumping quite a load of pictures in these pages for the past few days. He realized that the pictures have been backing up and decided he ought to try to catch up with them. But how backed up were they? Here is a picture of the O’Reilly taken with a Kodak Signet 40 in June of 2000, when the building was only six months old. Father Pitt has never published it here before.

    O’Reilly in 2000

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  • Skyscraper Apartments for the Postwar Era

    Doubletree Hotel
    Canon PowerShot SX150 IS.

    This was one of the major developments in postwar Pittsburgh—a $5,500,000 skyscraper apartment house financed by the FHA. Tennyson & Van Wart were the architects—a partnership of Arthur Tennyson, of Mount Lebanon, and John Van Wart, a successful New York architect who had been lured here in the 1930s by a job with Westinghouse. For many decades it has been a hotel under various owners, currently as the Doubletree.

    From the Pittsburgh Press, March 3, 1950.

    “The Federal Housing Administration has insured a mortgage loan to build a 19-story, H-shaped structure on Webster Ave. on the site of St. Mary’s High School and Home for Girls at Webster Ave. and Tunnel St,” the Press reported.

    “It will cost approximately $5½ million and provide housing for 465 families. Construction is expected to begin in June and be completed by June, 1951.”

    Mr. Van Wart died unexpectedly in June of 1950, while this building was under construction. Tennyson continued the practice alone, and would end up designing many more modernist apartment blocks in the Pittsburgh area. We’ll see more of his work.


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  • Gerber Carriage Company Building

    Gerber Carriage Company

    Rutan & Russell were the architects of this Renaissance palace, which opened in 1905. It’s also known as the Oppenheimer Building, and today as Aria Cultural District Lofts.

    Ghost signs

    You can still see the sign for the Gerber Carriage Co. at the top of the building.

    Gerber Carriage Company
    Canon PowerShot SX150IS.

    Map.


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  • Garrison Place

    Garrison Place

    Garrison Place, formerly Garrison Alley, was part of the original Woods plan of downtown Pittsburgh. It was named for the adjacent Fort Fayette. Today it is a typical Pittsburgh alley—which is to say it is a very narrow passage but not called an alley, because Pittsburgh officially has no alleys. Above, looking southward across Penn Avenue toward Liberty Avenue. Below, looking northward, with Allegheny General Hospital in the distance.

    Garrison Place with Allegheny General Hospital in the distance
    Fujifilm FinePix HS10.

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  • Entrance to the Alcoa Building

    Entrance to the Alcoa Building
    Canon PowerShot SX150 IS.

    To old Pa Pitt’s eye, this is the most charming part of the Alcoa Building, famous for introducing aluminum as a material for the shell of a skyscraper. The rest of the building still looks like a stack of 1950s television sets to him, but this projection, with its angled glass and staggered panes and weird little space-age hoop, is what he wishes the whole building looked like.


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  • Entrance to the Koppers Building

    Koppers Building

    This is the lushest Art Deco of all our Art Deco skyscrapers. Graham, Anderson, Probst & White were the architects. The firm was one of the successors to Daniel Burnham’s practice, although Burnham would hardly have recognized the world of skyscraper design by 1929, when this building opened.

    Entrance to the Koppers Building
    Fujifilm FinePix HS10.

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