Some of the very few small houses left in downtown Pittsburgh were taken over in 1930 by the Harvard-Yale-Princeton Club, which hired big-deal architect Edward B. Lee to transform them into an elegant clubhouse. The club survives, having absorbed two of Pittsburgh’s most prestigious other clubs—the Pittsburgh Club and the Allegheny Club—to become the Allegheny HYP Club. We note also that the club survived the construction of the Alcoa Building, which has a notch cut out in the back to accommodate its small but powerful neighbor.
Now the Keystone Flats apartments, this building was put up in the 1890s, and that is about all old Pa Pitt knows about it. It’s a good example of the Rundbogenstil, straddling the line between Romanesque and Renaissance.
In most cities, Third Avenue would be called an alley, so it is nearly impossible to get a picture like this. It cannot be done without a lot of fudging, so you will notice slightly different colors in different parts of the picture. But it does give us a good idea of the design.
This building—a remnant of the pre-skyscraper age on Seventh Avenue—has been many things in its life. These days it is known only by its address. For a long while it was the Federated Investors Building. In 1923 it belonged to the Stevens & Foster Co., which Father Pitt believes was a maker of steel pens. In 1910 it was marked Geo. A. Kelly Co. Wholesale Drugs. Before that, it belonged to J. N. McCullough. It was built in the 1890s on the site of the First United Presbyterian Church, whose congregation had moved to the East End.
This is another one of those pictures where old Pa Pitt has created an impossible perspective by distorting different sections of the picture differently. Sometimes the best way to tell the truth about a building is with a little bit of fakery.
Addendum: The architect appears to have been George Orth & Brothers. Source: Philadelphia Real Estate Record and Builders’ Guide, May 19, 1897: “On the site of the First U. P. Church on Seventh avenue, a ten-story brick building will be erected by Mr. Harry Darlington. The plans will be made by Architects Geo. Orth & Bros., Stevenson building.” The building as it stands is four floors shorter, but buildings often shrank between initial announcement and final construction.
Banks and lions go together all over Pittsburgh, and the top of the Diamond Bank Building, an early skyscraper designed by MacClure & Spahr, has a copper cornice bristling with lion heads.
Designed by Andrew Peebles, this church, which would be the most magnificent thing in many a neighborhood, is dwarfed by the Grant Street behemoths around it. Other even grander churches on Grant Street (St. Paul’s Roman Catholic Cathedral and St. Peter’s Episcopal) were displaced by commercial interests, but this one has somehow survived since 1887, which may make it the oldest standing building on Grant Street. It’s currently getting some restoration.
The architect Benno Janssen, one of the titans of Pittsburgh architecture, was very fond of terra cotta, as he showed early in his career in the exuberant Wedgwood patterns of the Buhl Building. The William Penn is more restrained, but it is still a feast for lovers of ornament.
The head of William Penn in ceremonial Quaker headdress.
The Post Office and Courthouse (now called the Joseph F. Weis, Jr. U.S. Courthouse) is Pittsburgh’s grandest monument of the style old Pa Pitt calls “American Fascist.” The post office was on the Seventh Avenue side; it has moved to Liberty Center, but the inscriptions are still here. The building was put up under Secretary of the Treasury Andrew W. Mellon, of whom it was often said that three presidents served under him. The architects were Trowbridge & Livingston, who also worked on some of Mellon’s private projects, like the Gulf Building across the street.
