Now known as Holy Ghost Byzantine Rite Catholic Church. Carlton Strong, best remembered for Sacred Heart Church in Shadyside, designed this Byzantine church and the somewhat similar St. Mary’s Ukrainian Greek Catholic Church in the McKees Rocks Bottoms.
Kathleen M. Washy, an expert in the history of the Catholic Diocese of Pittsburgh, wrote a long article on Carlton Strong (download the PDF here) for Gathered Fragments, the magazine of the Catholic Historical Society, so old Pa Pitt will send you there for more about this fascinating artist. Here we’ll just look at pictures.
Andrew Peebles, who also designed St. Peter’s on the North Side, designed this church, which was quite large when it was built but looks like a toy next to the skyscrapers of Grant Street. Built in 1887, it is now the oldest building on the street.
You never know what you might find when you go trawling in the depths of the archives. These pictures were taken in September of 2014, but old Pa Pitt never published them. Why not? His memory is vague, but he suspects it was because he was planning to publish them when he worked out the history of the building, and he never did work it out. Finding the pictures by random luck the other day stimulated him to finish the job, and here they are.
St. Walburga’s was a German parish founded in 1903—the last ethnic German parish founded in the city of Pittsburgh. The cornerstone of this building was laid in April of 1927; the building was dedicated a year later in April of 1928. The architects were the Cleveland firm of Potter & Gabele & Co., and if Father Pitt told you how much time he spent trying to find that information before finally locating it in the Pittsburgh Catholic for April 19, 1928, you would wonder a little about whether he should be regarded as competent to manage his own life.
J. Ellsworth Potter was a successful architect who designed churches in traditional styles until his death in 1958. Henry Charles Gabele was associated with Potter until 1932, but after that seems to have fizzled out as an architect (see a brief notice in this PDF Cleveland Architects Database).
St. Walburga’s parish was suppressed in 1966, a victim of postwar demographic change. Today the building belongs to the Cornerstone Baptist Church, whose congregation obviously treasures it and keeps it in beautiful shape.
Three and a half years ago, old Pa Pitt visited this church to take pictures of the exterior. It was not in use then, although the grounds were maintained. Neighbors reported hearing a smoke detector’s low-battery signal for quite a while. Two days ago, a commenter alerted Father Pitt that a fire had seriously damaged the building.
We’ll put the rest of the large number of pictures we took today behind a link, so that the sad evidence of the conflagration will not be the dominant impression in visitors’ minds for the next week and a half. Furthermore, we promise to balance this article soon with some very cheerful news from the Hilltop neighborhoods.
For good reason old Pa Pitt didn’t publish these pictures when he took them eleven years ago. They were blurry and grainy and ugly, and if you enlarge them you can see that everything he did to rescue them was at most partly successful. But at the time he did not know that this old Russian church would be demolished about three years later. Since he ran across these pictures again today, he decided that, as poor as they are, they can stand here for a memorial to one of the dwindling number of mementos of the Hill’s days as a lively polyglot mishmash of every ethnic group.
O. M. Topp, the favorite architect of Lutherans in Pittsburgh for a generation, designed this magnificent Romanesque church, which was built in 1927–19281 and seems almost like a tribute to the late John T. Comès, who had died five years earlier. Topp almost always designed churches in the Gothic style, but here he takes up Romanesque and shows that he can be a master of it, right down to the polychrome stripes that Comès loved so well.
The entrance on the Stewart Avenue side is perhaps the stripiest ecclesiastical structure in the city of Pittsburgh.
The Pittsburgh History and Landmarks Foundation identifies Topp as the architect of the main church. The Sunday-school wing was built shortly afterward. Source: The Charette, October, 1927: “359. Architect: O. M. Topp, Jenkins Arcade, Pittsburgh, Pa. Title: Stewart Ave. Lutheran Church, Sunday School. Location: Stewart Ave. and Brownsville Road. Ready for bids Sept. 19th. Approximate size: Two stories; brick, wood and steel. Cubage: 125,000 cu. ft.” ↩︎
Now Spencer United Methodist. Charles W. Bier was the architect of this church,1 which opened in 1925. It sits on a steeply sloping lot at the southern end of Carrick, so that—like many Pittsburgh churches—it has ground-level entrances on two ground levels.
An open belfry becomes a nuisance to maintain, and when the bells are silenced—as they have been in most of our churches—the belfry is often filled in.
The American Contractor, April 14, 1923: “Carrick, Pa.—Church:$100,000. 1 sty. 100×72. Church st. & Spencer av., Carrick. Archt. Chas. W. Bier, Pittsburgh Life bldg., Pittsburgh, Pa. Owner The Spencer M. E. Congr., Spv. Gilbert G. Gallagher, 117 Spencer av., Carrick. Solid brk. Drawing prelim. plans.” The church as built does not seem like a $100,000 church. But the dimensions and estimate went up: November 3, 1923: “Church: $140,000. 1 sty. & bas. 75×143. Church st. & Spencer av., Garrick [sic]. Archt. Chas. W. Bier, Pittsburgh Life bldg., Pittsburgh, Pa. Owner The Spencer M. E. Congr., Rev. Gilbert G. Gallagher, 117 Spencer av., Garrick. Revising plans.” The current church looks like Bier’s work; we can only guess that the ambitious plans were scaled back a bit before construction began. ↩︎
The St. George congregation moved out of this little backstreet church a few years ago, building a much larger and more splendid church, with gilded domes and everything, just south of Bridgeville. A nondenominational congregation has taken it over and keeps the building in good shape. All the stained glass was removed when the building changed hands—except for Father Pitt’s favorite window, which was removed by the Antiochians themselves a few years before they left. It was in the lunette above the front door: a staring eye in glass, with the legend The eye of God is upon you.
