The tower of East Liberty Presbyterian dominates the neighborhood in a way few buildings do in any urban setting.
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The Looming Tower of East Liberty Presbyterian Church
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Assumption School, Bellevue
Although we don’t find it listed among his works, Father Pitt suspects that this school may have been designed by John T. Comès. The polychrome brickwork and crenellations remind us of some of his more famous churches, and the fact that the parish hired his disciple Leo McMullen to design the main church after Comès was dead may be suggestive. If anyone at the parish knows who designed this building, Father Pitt would greatly appreciate a comment.
Obviously the parish was getting ready for a festival when old Pa Pitt stopped by a few weeks ago.
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Calvert Memorial Presbyterian Church, Etna
This beautiful little Romanesque church is one of our few remaining black stone churches; some day the stones may be cleaned, and the church will lose some of its character. It was built in the early 1900s—the land was purchased in 1906—and it has remained more or less the same since then, as we can see from an old postcard view.
The church was originally the First United Presbyterian Church of Etna; in 1918 it was renamed after the beloved founding pastor. A lush growth of utility cables mars this view, but the picture demonstrates a curious property of the tower: it has the ability to look taller or shorter than the main roof, depending on the angle of view.
The steeply pitched roof and tiny triangular dormers remind us more than a little of H. H. Richardson’s Emmanuel Episcopal Church in Allegheny West:
We can be fairly sure the resemblance was intentional, since Richardson was still, twenty years after his death, by far the most famous architect in the Romanesque idiom. Note the buttresses on the Etna church, which Emmanuel lacks. That may also be a lesson learned from Richardson: the bulging walls of his Emmanuel Episcopal were not intended.
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St. Nicholas Greek Orthodox Cathedral
Built in 1904 as the First Congregational Church, this building had a surprisingly short life with its original congregation; the Congregationalists left in 1921, and the Greek Orthodox congregation bought it in 1923. The church became a cathedral when Pittsburgh was elevated to a diocese. The architect was Thomas Hannah, who was at home in both classical and Gothic idioms. Here he went all in for classical, producing an ostentatiously Ionic front that looks like a Greek temple—which, oddly, is a style a Greek Orthodox congregation would never choose for its church if it were building one from scratch.
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All Saints’ Church, Etna
John T. Comès was probably Pittsburgh’s most prolific architect of Catholic churches—a record made all the more remarkable by the fact that he died at the age of 49. His favorite style was Romanesque, and in the out-of-the-way back streets of Etna we find this masterpiece, built in 1914, that shows him at the peak of his creative power. It has all of Comès’ quirks. Unlike many other American architects who worked in the Romanesque style, he enthusiastically embraced the almost gaudy polychrome stripes and patterns typical of medieval Romanesque masterpieces. The bells in their cutout arches also seem like a thoroughly Comès detail.
With the light from the wrong angle, this composite picture of the front was about the best old Pa Pitt could do.
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First English Evangelical Lutheran Church, Sharpsburg
It is sad to report that the last Lutheran congregation in Sharpsburg has thrown in the towel. (There were once three Lutheran churches: this English one and two German ones.) The good news, however, is that Sharpsburg is becoming a trendier neighborhood, and it will be worth adapting this distinctive building to some other use. It is a sort of Jacobean Gothic with more than a whiff of Art Nouveau.
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Greenstone United Methodist Church, Avalon
This church was built in 1906; the Pittsburgh History and Landmarks Foundation was unable to identify the architect, and so far Father Pitt has had no better luck. (Update: The architects are now identified as Vrydaugh & Wolfe; see the end of this article.) It used to be called the Bellevue Methodist Church—Methodist Episcopal, as opposed to Methodist Protestant, since there was one of those, too. This one is in Avalon, which used to be called West Bellevue, and its striking green stone gave it the name by which everybody called it. In 1982, the congregation bowed to the popular will and renamed the church Greenstone.
This is one of the relatively few churches of this type that have kept their spires.
The picture above is one of those rare pictures where old Pa Pitt decided to remove all the fat ugly utility cables, because they were just too distracting.
The composite picture above shows some of the matching Sunday-school wing. The stitching worked perfectly for the building, but it made a noticeable break in the car parked on the street, which you can see if you enlarge the picture. Father Pitt left a note on the windshield.
Addendum: Perhaps unsurprisingly, given the style—and especially that low tower with four corner pinnacles—this church was designed by Vrydaugh & Wolfe.1 This means that Vrydaugh & Wolfe had two of the four corners of this intersection covered: diagonally across from this church is their Church of the Epiphany.
- Source: The American Architect and Building News, July 23, 1904: “Architects Vrydaugh & Wolfe will be ready for bids in a few days on the Methodist Episcopal Church, of Bellevue. The building will be erected at Lincoln and Home Aves., at an approximate cost of $60,000.” ↩︎
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Stained Glass in the Church of the Assumption
The drama of salvation plays out in glass in the Church of the Assumption, with each pair of windows illustrating events from the Old and New Testaments related by a common theme. We have only a few of the windows here; it would be worth spending an hour or two to examine all of them. Above left: King Achab sends Micheas to prison; the Agony in the Garden; King Joram rejects the prophecy of Eliseus. Above right: Abner is slain treacherously by Joab; Judas betrays Christ with a kiss; Tryphon deceives Jonathan with gifts.
Left: Joseph is sold by his brethren; Judas conspires with the priest and magistrates; Absalom entices the men of Israel. Right: Melchisedech meets Abram; the Last Supper; the manna from heaven.
Left: Esau sells his birthright to Jacob; the Temptation of Christ; the tempting of Adam and Eve. Right: Moses heals Miriam; Mary Magdalene at the feet of Christ; the repentance of David.
Left: Enoch is borne to heaven; the Ascension; Elias is raised into heaven. Right: Moses receives the tables of the Law; the descent of the Holy Ghost as fire from heaven; the sacrifice of Elias.
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Adam and Eve on the Church of the Assumption, Bellevue
To enter the Church of the Assumption, you pass through an arch held up by Adam and Eve just after the Fall.
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Brackets on the Church of the Assumption, Bellevue
The grotesque brackets along the sides of the Church of the Assumption run in a repeating series that seems to illustrate various stages of carving.
