The gatehouse for the Mount Lebanon Cemetery is a well-preserved vernacular-Gothic frame house. Not all the details have survived—the ugly front door is certainly not original—but more of the original decoration is preserved than we usually see on houses of this type in our area.
An experiment with the 50-megapixel phone camera, cropped to 39 megapixels. The noise reduction is smeary at full magnification, especially because the houses had to be brightened considerably (while leaving the sky correctly exposed, which we accomplished in the GIMP through the magic of layers). But on the whole it is a pleasing if somewhat artificial picture, and old Pa Pitt is not ashamed to use this phone camera every once in a while.
Built in about 1865, this grand house on North Lincoln Avenue is decorated in the highest Victorian manner, and the current owners have put much thought into the color scheme for painting the elaborate wood trim.
Though it is hidden in the shadows between houses most of the day, this oriel is nevertheless festooned with decorative woodwork, including these ornate brackets:
Formerly a storefront with apartments above, but the storefront—as with many backstreet stores—has been converted to another apartment. The well-preserved Victorian details are picked out with a colorful but tasteful paint scheme.
Now Emmaus Deliverance Ministries. Designed by John Lewis Beatty, this late-Gothic-style church was built in about 1925. (The cornerstone has been effaced, which old Pa Pitt regards as cheating, though he understands that a new congregation likes to make a new beginning.)
A Gothic church must maintain a delicate balance: it wants to be impressive, but it also wants to be welcoming. The simple woodwork over the entrances (this one is the basement entrance) gets the balance right: it fits well with the style of the building, matching the angle of the Gothic arches, but it sends the message that we’re just plain folks here.
This old Lutheran church1 is no longer a church, but the exterior has been preserved very well. It is an unusual style for a small church, much like a Queen Anne house with a corner tower. The woodwork in the front gable is especially ornate.
On a street of mostly small vernacular rowhouses, this pair of grand Second Empire houses dominates the streetscape. They are well preserved and well cared for, and we need no more excuse to appreciate the details.
This front entrance (could you guess that the picture was taken the day after Halloween?) bears an unusual memento of the original owner of the house:
Note the monogram on the side of the steps. An 1890 map shows that the house belonged to a Jonathan Seibert.
Note the exceptionally elaborate door on the breezeway.
This house was built, probably in the 1890s, as one of a row of four similar or identical houses. Of the other three, one was converted to a duplex and two to three-unit apartment buildings: this is the only one that remains as built. The ornamental woodwork is worth observing.