Two nearly identical buildings side by side on Wood Street, both built around the turn of the twentieth century for the Hartje Brothers, a big paper company. Charles Bickel was the architect, and here he compressed the usual American skyscraper formula of base-shaft-cap into seven floors.
The corner building has a long front on the Boulevard of the Allies; we saw it about a year and a half ago, but here is the same picture again.
“One of the most handsome modern structures in Pittsburgh, this building is oriented inward, with a blank wall on each street facade above the ground floor windows.” So said James D. Van Trump in “The Stones of Pittsburgh,” and Father Pitt defers to Mr. Van Trump’s superior taste. The wedge-shaped sign above the entrance is a relatively new addition, put up in 2016, but it fits well with the spare modernism of the rest of the building. The architects were Skidmore, Owings & Merrill, one of the biggest firms in the business and most famous for supertall buildings like the Sears Tower and the Burj Khalifa.
The Tower at PNC Plaza will be ten years old this year. It occurred to Father Pitt that he had enough pictures in his collection to make up a visual story of the construction of the building, so here they are. Above, the progress as of February 18, 2014.
June 27, 2014, before the construction of the cap began.
Only nine years ago, the Skinny Building was restored—the upper floors, at any rate. The ground floor was linked with the building next door as part of a convenience store with an unattractive modern front. Now the building has been thoroughly re-restored, along with its neighbor the Roberts Jewelry building, and both have been given individual ground-floor treatments more in sympathy with their upper floors. PNC, which now owns both buildings, has made good on its pledge to restore them and display art in the upper floors of the Skinny Building.
Sometimes the false is truer than the true. It is not possible to get a good picture of One PNC Plaza from the ground. The only way to get in the whole building—well, almost the whole building—was to stitch together multiple pictures, which produced a hideously distorted perspective. To create a rendering that looks more like what we perceive (which is not the same as what we see) when we look at the building, old Pa Pitt resorted to complicated trickery for the picture above, making four vertical slices of the picture and adjusting each one of them separately. If you look at the ground level, you can see how everything else has been broken and distorted to make the building look more like itself.
Here is the base of the building without the radical distortions.
One PNC Plaza was designed by Welton Becket and Associates; it opened in 1972. Mr. Becket died at the beginning of 1969; but it is probable that he left drawings of this building on his drafting table, since it had been planned before 1968. The firm continued under his name long after his death; One Mellon Center, which opened in 1980, was also designed by Welton Becket and Associates.
It is a curious fact that One PNC Plaza replaced another skyscraper that was shorter by only four floors: the First National Bank Building, which was designed by Daniel Burnham and ranks at number 35 on Wikipedia’s “List of tallest voluntarily demolished buildings.” It is the tallest building destroyed in Pittsburgh so far.
The First National Bank Building, which One PNC Plaza replaced.
The Wood Street end of the Granite Building in a composite photograph that gets a little fuzzy toward the top, but otherwise gives us a good notion of the design of the Romanesque extravaganza. It was built in 1889 as the German National Bank; the architects were Bickel & Brennan—the Bickel being Charles Bickel, who would go one to become Pittsburgh’s most prolific architect of commercial buildings.
The Keystone Athletic Club was designed by Benno Janssen, Pittsburgh’s favorite architect for high-class clubs of all sorts. Most of them were classical in style, but for this skyscraper clubhouse Janssen chose a simple and streamlined Gothic style instead. It is now Lawrence Hall, the main building of Point Park University, so that two universities in Pittsburgh have trademark Gothic skyscrapers.
Early in his career, Benno Janssen was a fiend for terra cotta; he was much more restrained later on, but he usually included some characteristically appropriate terra-cotta ornaments.
We have seen these beautiful storefronts before, but only obliquely. Here they are again, because we can never see them too often. This is one of the best Victorian cast-iron fronts in the city. Note that whoever designed the building has tried very hard to make you perceive it as symmetrical, though in fact the section on the right is significantly wider than the other two.
