This fairy-tale palace, finished in 1930 or 1931, was designed by Paul Scheuneman, whom old Pa Pitt has already pointed out as a skilled practitioner of what we call the fairy-tale style—see these two houses in Green Tree. This one was featured in the Sun-Telly on Washington’s Birthday in 1931:
Pittsburgh Sun-Telegraph, February 22, 1931. Note how much lighter the stones were when they were new.
“English Design—Caste Brothers, builders, have recently completed this home in Cedarhurst Manor, new residential park on the outskirts of Mt. Lebanon. The architect was Paul R. Scheuneman. Several more homes are being planned.”
Some Tudor houses (or “English,” as they were usually called) stick just enough timbers in the stucco to get the message across that this is supposed to be Merrie England. This one is a bravura performance in woodwork. The 1910 layer at Pittsburgh Historic Maps shows it as owned by A. R. D. Gillespie, who was probably the original owner.
The Manor, which opened in 1922, was designed by Harry S. Bair, who did a number of theaters around here (including the Regent, now the Kelly-Strayhorn in East Liberty). As the caption says, it was “a distinct departure from the conventional,” and the Tudor half-timbering of the exterior advertised the sumptuous club-like atmosphere of the interior. Today the exterior has been simplified, and the building expanded, but it still feels like an outpost of Merrie England on Murray Avenue.
This gable on the Darlington Road side of the building still preserves all its intricate diagonal brickwork and half-timbering.
These little chimneys should have their own separate landmark status.
Almost nothing remains of the original interior, though the Manor is still a movie house, now divided into four small theaters. Originally, the lobby was a feast of luxurious furniture and decoration.
And that was just the entrance lobby. If you were meeting someone or just waiting for something, you could retire to the parlor:
There was also a men’s club room with the atmosphere of an old English manor:
After all that, movies seem almost superfluous, but the auditorium was just as luxurious as the rest of the building:
Old Pa Pitt particularly likes the arrangement of tropical plants in the orchestra pit.
Today, although the Manor is still a very pleasant place to take in a movie, almost nothing is left of that sumptuous interior except a bit of ceiling and this fine chandelier:
The 1922 pictures all came from a two-page feature in Moving Picture World for August 5, 1922, and we reprint the text of the article here (making a few silent typographic corrections).
Willis McCook was a lawyer to the robber barons, which earned him a baronial mansion among them on the Fifth Avenue millionaires’ row.
For his daughter and her husband, he hired the same architects, Carpenter & Crocker, to design this neat little Tudor cottage around the corner on the Amberson Avenue side of his property. We can see how the architects cleverly linked the two houses by making the central peak of the smaller house echo the prickly gables of the larger one.
North Hills Estates is a suburban plan in Ross Township just north of West View. It was laid out in 1929, and most of the central part was built up in the 1930s—a period when, surprisingly enough, there was quite a bit of house construction going on in the suburbs. For those who had money, it was considered more economical during the Depression to build a new house, what with the low cost of labor and materials, than to buy an existing one. Thousands of houses sat empty, repossessed by lenders, but meanwhile new suburbs like North Hills Estates filled up with beautiful homes.
This is another article for people who like to scroll through dozens of house designs and marvel at the variety of styles, and at the high quality of almost all the designs.
Most Pittsburghers probably think of Green Tree as the quintessential postwar dormitory suburb. The borough does have a longer history, however, and one small area near the intersection of Greentree Road and Potomac Avenue was built up with unusually fine houses in the 1920s and 1930s. Greenridge Lane is part of that little enclave.
It was rainy and dim, so don’t expect too much of these pictures. But old Pa Pitt happened to be in Squirrel Hill just before dark with half an hour to waste, so he took a walk in the rain in Murdoch Farms, one of the richest parts of Squirrel Hill, and did what he could with the camera.
In domestic architecture, Paul Scheuneman was a skillful exponent of what old Pa Pitt calls the Fairy-Tale Style: designs that emphasize a fantastically romantic vision of the past rather than historically accurate architecture.
The Arkansas Soft Pine Mansion was a demonstration home sponsored by the Pittsburgh Press and the Arkansas Soft Pine Bureau. The use of Arkansas soft pine for interior paneling, was, of course, a prominent feature of the house.
Across the street is another demonstration house designed by Scheuneman:
“The American Home” opened for inspection in 1935. It was sponsored by the Pittsburgh Sun-Telegraph and General Electric, and of course General Electric appliances were installed wherever electric appliances could be demonstrated.
The Shadyside half of Bayard Street is lined with fine houses in a variety of styles. We ambled down one block on a sunny November day, taking pictures of the patterns of light and shadow on the sunny side of the street.
