John T. Comès designed the older Holy Innocents Church, which was replaced by the cathedral-sized church that stands today, and it is likely that he designed this school as well. The style is a kind of Art Nouveau Jacobean. It is vacant right now, which puts it in danger, since large vacant buildings are attractive nuisances both for arson and for blue “Condemnation” stickers.
Painting the stone accents grey may have been someone’s solution to the soot problem. It was not a good idea.
Ingham & Boyd designed a large number of school buildings in the city and suburbs, and they always gave the clients exactly the respectable school buildings they wanted. They were never embarrassingly out of date, nor were they embarrassingly modernistic. They were ornamented to exactly the right degree to say, “This is a building we spent money on.” The Ingham & Boyd brand of rectangular classicism is on full display in this building in Oakland, which is now the Pittsburgh Science & Technology Academy.
This splendid little auditorium combines the Jacobean style of the main school with a hint of Art Deco. Father Pitt does not yet know who designed the addition. The original school was a design by MacClure & Spahr, and we know that Benno Janssen designed additions to more than one MacClure & Spahr building; this would certainly be in the range of Janssen’s style.
A. F. Link designed this Romanesque school in 1912, a little more than a decade before he designed the magnificent church beside it. This design already shows Link’s trademark habit of abstracting and modernizing historic forms: here he combines a hint of Romanesque with some very Jugendstil abstract patterns in the brickwork.
Fortunately the building has been sold to Yeshiva Schools, so it will not be abandoned to rot the way so many Catholic schools have been.
From The Construction Record, September 26, 1914. The building was put up the next year, and still stands almost exactly as Mr. Cohen designed it.
Marion Steen was staff architect for the Pittsburgh Board of Public Education for two decades, from 1935 to 1954, and in that time he gave us some striking Art Deco schools. One of the most striking things about them was how different each of them was. Someday soon old Pa Pitt will take a tour of Mount Lebanon to photograph Ingham & Boyd’s schools there, and when he does, you will see that they all have a certain Ingham & Boyd sameness to them—which is not a bad thing: they are good variations on a good theme. But Marion Steen was like a jazz musician who could never play the same solo twice.
The most striking thing about the 1942 Weil School, which is still in use as a charter school, is the four-storey vertical that marks off the main entrance.
Old Pa Pitt does not know who is responsible for the strongly Deco allegorical figure pouring out floral treasures for the delighted children below. But he is certain that education is supposed to look something like this.
The auditorium is an exercise in Deco classicism. Note the textures in the brickwork.
We hope someone will put some effort into preserving the wavy Art Deco metalwork in the railings at the Centre Avenue end of the building.
Although we don’t find it listed among his works, Father Pitt suspects that this school may have been designed by John T. Comès. The polychrome brickwork and crenellations remind us of some of his more famous churches, and the fact that the parish hired his disciple Leo McMullen to design the main church after Comès was dead may be suggestive. If anyone at the parish knows who designed this building, Father Pitt would greatly appreciate a comment.
Obviously the parish was getting ready for a festival when old Pa Pitt stopped by a few weeks ago.
The Springfield Public School, built in 1871, closed as a school in 1934, which was 89 years ago as Father Pitt is writing. It was preserved because it was useful as a warehouse in the increasingly industrializing Strip. Later it became loft apartments, and is now being sold as luxury condos.
The architect was T. D. Evans, about whom old Pa Pitt knows nothing except that he designed the very similar (though more elaborate) Morse School on the South Side. Compare the two buildings: the Morse School is a little larger, but built on almost exactly the same plan.
Springfield Public School.
Morse School. Father Pitt guesses that the tower in the center of both buildings was a belfry.
If you buy an apartment in the Springfield Public School, you don’t have to walk far to find delicious Asian food of all sorts.
Ulysses L. Peoples was the architect of this school, which opened in 1902 and even then was something unique.
The building itself is a tasteful but not extraordinary example of Romanesque style with Renaissance overtones—something we might call Rundbogenstil, because we like to say the word “Rundbogenstil.” It is a little bedraggled-looking now, because it closed in 2005. The more modern addition (by the time it was added this was known as the Madison Elementary School) has been adapted for the Pittsburgh Playwrights Theatre Company, but nobody seems to know what to do with the original section.
A fine piece of work for a small school, like many another Romanesque school in Pittsburgh. But the carved decorations around the entrances are like nothing else in the city, or possibly on earth.
It seems as though the architect and the artist had conceived the curious notion that children should find school delightful, and that the entrance should convey the message that here is a place where we are going to have fun.
The side and rear of the building. The rear, facing an alley, is done in less expensive brick.
The later addition, from 1929, is by Pringle & Robling in quite a different style, a lightly Deco form of modernism.
