Father Pitt

Tag: Rundbogenstil

  • St. Michael’s Church and Rectory, South Side Slopes

    St. Michael‘s Church

    St. Michael’s is one of our earliest grand Romanesque churches, finished in 1861. It was designed for a German congregation by the German-born Charles F. Bartberger, who gave us a number of other distinguished ecclesiastical buildings. (He is often confused with Charles M. Bartberger, his son, who gave us a number of distinguished schools.) It was one of the first churches around here to be made into condominium apartments, so it is now preserved as the Angel’s Arms.

    Tower

    It was a rainy day today, and if you enlarge the picture you can pick out the falling raindrops.

    Door

    Note the date over this side door.

    Rectory from the front

    The rectory, which is attached to the eastern end of the church, was built in 1890 and designed by another distinguished German Pittsburgh architect: Frederick Sauer, who gave us many fine churches and the whimsical Sauer Buildings in Aspinwall. Here he has created a very German Romanesque building that harmonizes well with the older church.

    Rectory from the east
    Dome

    A very German corner dome.

    Foliage

    Exceptionally fine carved foliage at the entrance to the rectory.

  • Arched Window in the B. M. Kramer & Co. Building

    Arched window

    The double arch inside a single arch, with a circle to fill in the gap, is characteristic of the style of classically influenced Romanesque the Germans called Rundbogenstil, the round-arch style. It may not be exclusive to the Rundbogenstil, but Father Pitt likes to say the word “Rundbogenstil.” The B. M. Kramer and Co. building on the South Side, built as a beer warehouse, is one of the masterpieces of industrial architecture in Pittsburgh.

  • St. Adalbert’s and Its Polish Village

    Front of St. Adalbert’s Church

    Except for the inevitable distortion of the towers, this is a very accurate rendition of the front of St. Adalbert’s on the South Side. (The distortion is the result of using many photographs to construct what amounts to an impossibly wide-angled rectilinear lens to get the whole front across a very narrow street.) Built in 1889, this church served generations of Polish Catholics, and still serves the congregation of Mary, Queen of Peace parish. The architect does not seem to be known, but old Pa Pitt would be delighted to be informed if anyone does know who it was.

    Inscription from Psalm 83

    Psalm 83:5 in the Vulgate numbering (Psalm 84:4 in Protestant and more recent Catholic versions): “Blessed are they that dwell in thy house, O Lord: they shall praise thee for ever and ever.”

    Inscription

    Father Pitt does not know much Polish, but this inscription honors the efforts of Fr. Wladislaw Miskiewicz, parish priest.

    15th Street

    The church dominates the back end of 15th Street, one of those absurdly narrow streets in old Birmingham. This is the view from the steps up to the 15th Street pedestrian overpass that leads across the railroad tracks to the Slopes. This end of 15th Street was a whole village of Polish Catholic institutions.

    Convent

    St. Adalbert’s convent.

    Rectory

    The rectory.

    St. Adalbert’s School

    The Polish school.

    Inscription
    Date stone

    We also saw the mid-twentieth-century auditorium, now being turned into condominiums.

  • St. George’s Convent, Allentown

    St. George’s convent

    German influence was strong in the German neighborhoods of Pittsburgh, and the particular German variant of Romanesque called the Rundbogenstil—round-arch style—can be discerned in many of our buildings. Few offer it in as ostentatiously German a form as this one, which was the convent for St. George’s parish school in Allentown. It seems to old Pa Pitt that the rhythm of the front is just about perfect, and the three elaborate double arches place the proper emphasis on the upstairs chapel.

    The side was not really meant to be seen, so it is almost completely undecorated.

    Convent

    Addendum: The convent was built in about 1915; the architect was Herman J. Lang, who was also the architect of the church.