This fine example of provincial Rundbogenstil stands on Philadelphia Street, the main business street in the town of Indiana, and we have no need to ask when it went up, because the date 1910 is picked out in large numbers made of contrasting bricks.
Five years later, another White building went up a few doors up the street in a similar style:
This one had a higher budget: not only was it larger, but it also had stone trimmings and large art-glass windows (later replaced with glass block). Note the apparently original storefront on the right-hand side.
Old Pa Pitt doesn’t know how Mrs. White was related to Harry White. But that they were related is obvious, both from the matching styles and from this keystone on the Mrs. C. B. M. White building, which bears a monogram with the initials HW.
This was the first telephone exchange for East Liberty: it was already here by the time the 1890 Hopkins plat map was compiled. It was built for the Central District & Printing Telegraph Company, which was soon absorbed into the Bell system.
The building has lost a cornice or crest in the front, but otherwise is well preserved.
The style is what old Pa Pitt likes to call Rundbogenstil, because Rundbogenstil is fun to say: it combines classical details, like the arches from the Baths of Caracalla in the third-floor windows, with decidedly unclassical decorative details in terra cotta and stone.
Old Pa Pitt does not indulge in clickbait headlines. If he did, the headline for this article would have been,
This Picture Is Impossible (but We Did It Anyway).
This building faces Canal Street, which is an absurdly narrow street. The other side of the street is a wall, on top of which trees grow, and behind them a railroad. So there is no way to stand back and get a picture of the front of the old Allegheny Turnhalle except by trickery. But Father Pitt has never been above trickery. The image above is not perfect, but considering the adverse circumstances it came out pretty well. It is made from ten separate photographs.
The Allegheny Turnhalle was designed by Joseph Stillburg for the Turners of Allegheny; it is one of his few remaining large works. The original front was more elaborate, as we see in this picture from Preservation Pittsburgh.
Here we see the adroit combination of classical and Romanesque detailing that marked Stillburg’s work—a style architectural historians like to call Rundbogenstil, because Rundbogenstil is much more fun to say than “round-arch style,” which is what the German word means. There was also an interesting diagonal asymmetry to the front, doubtless reflecting stairways in the interior. The current state of the building is the result of its conversion into a warehouse, which is what has saved it when almost all of the old Schweitzerloch neighborhood—an isolated rectangle just off the Sixteenth Street Bridge—has been razed to weedy vacant blocks.
The cornerstone tells us it was laid on July 21, 1889. Newspapers of the time tell us that about two thousand people were there to watch the ceremonies. Since they were Germans, there was probably good beer, too.
What used to be a dense Swiss-German, and later Slovak, neighborhood is now mostly weeds and overgrown asphalt. It’s shocking that this emptiness is right across the river from the bustling Strip and a short stroll from the lively North Shore, but it’s hemmed in by railroads, bridges, and expressways.
W. Ward Williams was the architect of this little church facing Friendship Park, built in about 1915.1 It has been painted for its new life as a day-care center in bright patterns that both contrast with and emphasize its Rundbogenstil features.
These pictures were taken in July of 2025, but somehow old Pa Pitt forgot about them until now.
Source: The Construction Record, September 19, 1914. “Architect W . Ward Williams, Magee building, has revised, plans for a one-story brick and concrete church, to be built on 4923 Friendship avenue, for the Gospel Hall Congregation.” Additions and alterations by the same architect, 1927. Source: The Charette, September, 1927: “343. Architect: W. Ward Williams, 309-4th Avenue, Pittsburgh, Pa. Title: Gospel Hall, Friendship Avenue, E. E., Pittsburgh, Pa. Alterations and additions. Ordinary construction. Two stories, new heating plant. Job closes August 16. Plumbing, heating and wiring reserved. List of Bidders: Walker & Curley, H. S. Moorhead & Company; A. J. Gloekler; Pittsburgh Engineering & Construction Corp.; and J. Kindler.” ↩︎
Two doors up the street from St. Michael’s School is this colorful little building, of whose history old Pa Pitt knows nothing. Perhaps someone better informed can reveal it to us in the comments. Father Pitt thought it might have been part of St. Michael’s parish, but old maps do not seem to suggest that it was. Whatever it was, its colorful tile arches and terra-cotta ornaments are worth preserving, and we are happy to see it so well maintained.
What was once a rather flamboyant exercise in provincial Rundbogenstil has been tamed by multiple alterations, but we can still see some of the characteristic ornaments—such as the varied crenellations along the cornice and the heavily emphasized eyebrows over the originally arched windows.
The building has a new life as apartments, which at least keeps it standing, even if the conversion did dilute much of its original character.
Update: Thanks to our alert correspondent David Schwing, we have this old postcard that shows the building when it was young and Romanesquer. It was put up in 1908; the architect was E. W. Milligan of Swissvale.1
George S. Orth was the architect of this school, one of the first large institutional buildings in the Oakland district. It was built in 1894, and it still serves its original institution.
The style is a sort of Flemish Renaissance filtered through Americanized Rundbogenstil. The horizontal stripes in the brickwork are such an instantly distinctive feature that they have been imitated in the school’s modern additions.
This was the first Passionist convent in the United States. The architect was Edmund B. Lang, whose firm would soon be known as Edward B. Lang & Brother, the Brother being Herman J., who would design some fine churches, including St. George’s in Allentown and St. Basil’s in Carrick.
The cornerstone of the first Passionist convent in America will be laid in Carrick next Sunday afternoon at 4 o’clock. This convent, the mother house of the order in this country, is also the first cloistered convent to be built in the local diocese. The ceremony of laying the stone will be conducted by the Rev. Father Stanilaus Grennan, provincial of the order in this country. Bishop J. F. Regis Canevin, of the Pittsburg diocese, and a number of prominent members of the clergy and laity are expected to be present. The convent, which has been designed by Architect Edmund B. Lang, is severely plain in plan. It is being built of brick and stone. The American Passionist Sisterhood consists of the five nuns who came to this country from Italy, arriving in Pittsburg May 5. Since coming here the number has been augmented, two Pittsburg girls and one Baltimore girl being now in the novitiate, preparing themselves to join the order.
The chapel is a good example of the late Rundbogenstil as practiced by the Langs.
This building stands out among the skyscrapers that surround it like a strange relic of a lost civilization—the pre-skyscraper age. It was built in 1890, and the architect was young Frederick Osterling. He would soon master the Richardsonian Romanesque style and become one of our most accomplished practitioners of it, but this is pre-Richardsonian Romanesque. The weighty but graceful eyebrows over the arches, the complex and irregular rhythm of different sizes, and the surprising but flowing curves all remind us of Osterling’s old master Joseph Stillburg, whose Romanesque ideas went back to his native Austria.
This was a “hotel” in the old Pittsburgh sense, which is to say a neighborhood bar with rooms upstairs to qualify it for a “hotel” liquor license, which was much easier to get than a liquor license for a bar. The last time we saw the Rodler Hotel, about ten years ago, it appeared to be abandoned; but now it has new windows and is stabilized and occupied. The collapsing aluminum awnings have also been removed.
The corner entrance was filled in years ago to make a vestibule. Father Pitt prefers corner entrances left open, but he was not the owner of the building.
