Tag: Postmodern Architecture

  • Nicholas Building

    If you see a student of architecture suddenly stop in the middle of the Diamond and burst out laughing, this building is the subject of the mirth.

    When it was announced that a gigantic complex to be designed by Philip Johnson was going to take over one corner of the Diamond, the owners of the Nicholas Coffee building, who happened to be ready for a renovation, decided to welcome their new neighbor with a parody of what was then Johnson’s most famous work. At that time, Johnson was notorious everywhere for his AT&T Building (now called just 550 Madison Avenue), which was a deliberate poke in the eye of orthodox modernism; and you have only to see it to get the Nicholas Building’s joke.

    Photograph by David Shankbone; cropped by Beyond My Ken.
  • Wood-Allies Garage

    Wood-Allies Garage

    A whimsical Postmodernist design that opened in 1984; it echoes Pittsburgh landmarks without pretending to be anything other than a parking garage. Father Pitt believes the architects were Burt Hill Kosar Rittelman Associates, who also designed Liberty Center (including the Federated Tower). If anyone has better information, it will be accepted with gratitude.

    Front
  • Steel Plaza Subway Station

    Steel Plaza

    Steel Plaza was designed in the 1980s, and its architecture is an interesting combination of Brutalist and Postmodern styles—the two most prominent materials are raw concrete and polished granite. It was built as a junction station, where the main subway line met the spur to Penn Station, which is not in regular service these days. In the picture below, the main line is on the left, and the spur is on the right.

    Middle platform
    Looking across the main line
    A wider view
    Outbound platform from inbound platform
  • Fifth Avenue Place Reflected in PPG Place

  • Fifth Avenue Place Reflected in Four Gateway Center

  • EQT Plaza (originally the CNG Tower)

    One of old Pa Pitt’s favorites of the 1980s Postmodernist additions to downtown. It presents a different aspect from every angle, but everything is harmonized perfectly. It can be read as a 1980s update of the Beaux-Arts towers of eighty years before.