Adopting and heavily modifying an idea from Ludwig Mies van der Rohe, Philip Johnson surrounded the buildings of PPG Place with glass colonnades that create an inviting transition between inside and outside.
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Porches of PPG Place
Kodak EasyShare Z1285. -
Obelisk and Fountains at PPG Place
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First & Market Building
At first glance this looks like a postmodernist building from the 1980s, and your first instinct is half right. It was originally an early ten-storey skyscraper built for the Shields Rubber Company in 1903. In 1989, it got a heavy postmodern makeover, with an extra floor at the top.
These views are made possible by the demolition of the buildings along the east side of Market Street.
Cameras: Kodak EasyShare Z1285; Fujifilm FinePix Hs10.
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Lobby of One PPG Place
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Liberty Center
The local firm of Burt Hill Kosar Rittelman designed the second-most-important Postmodernist development in Pittsburgh, after PPG Place. This one does not get the attention lavished on Philip Johnson’s forest of glass-Gothic pinnacles: it never gets to play a supervillain’s headquarters in the movies, and it is seldom pointed out as one of Pittsburgh’s top sights. But to old Pa Pitt’s eye it is a particularly pleasing manifestation of what was called Postmodernism at the time, but might be more accurately termed the Art Deco Revival. It consists of two skyscrapers—currently known as the Federated Hermes Tower and the Westin Convention Center Pittsburgh—linked by lower sections of building that fill in the rest of the block.
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One PPG Place from Third Avenue
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Postpostmodernism in Garfield
These buildings, put up in 2007, were one of the early signs of revival in Garfield. Father Pitt took this picture eight years ago, but it seems that he never published it here, so you might as well see it now.
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Federated Tower
For a very brief period in the 1980s, the style known as “Postmodernism,” which perhaps we might better call the Art Deco Revival, was the ruling trend in skyscraper design. Fortunately Pittsburgh grew a bountiful crop of skyscrapers in the Postmodern decade, and here is one of the better ones. In it we see the hallmarks of postmodernism: a return to some of the streamlined classicism of the Art Deco period, along with a sensitive (and expensive) variation of materials that gives the building more texture than the standard modernist glass wall. This skyscraper is part of Liberty Center, which was begun in 1982 and finished in 1986; the architects were Burt Hill Kosar Rittelman.
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Nicholas Building
If you see a student of architecture suddenly stop in the middle of the Diamond and burst out laughing, this building is the subject of the mirth.
When it was announced that a gigantic complex to be designed by Philip Johnson was going to take over one corner of the Diamond, the owners of the Nicholas Coffee building, who happened to be ready for a renovation, decided to welcome their new neighbor with a parody of what was then Johnson’s most famous work. At that time, Johnson was notorious everywhere for his AT&T Building (now called just 550 Madison Avenue), which was a deliberate poke in the eye of orthodox modernism; and you have only to see it to get the Nicholas Building’s joke.
Photograph by David Shankbone; cropped by Beyond My Ken. -
Wood-Allies Garage
A whimsical Postmodernist design that opened in 1984; it echoes Pittsburgh landmarks without pretending to be anything other than a parking garage. Father Pitt believes the architects were Burt Hill Kosar Rittelman Associates, who also designed Liberty Center (including the Federated Tower). If anyone has better information, it will be accepted with gratitude.
