Father Pitt

Tag: Modernist Architecture

  • Gateway Towers

    Gateway Towers

    Gateway Towers was designed by Emery Roth & Sons. It was built in 1964, which tells us that it was the & Sons who were responsible for it, since Emery Roth died in 1948.

    From a distance, this has never been one of old Pa Pitt’s favorite buildings to look at, although he is going to give it a fair chance by presenting multiple angles. Up close, however, it has a sharp classicism in its spare details that makes it much more attractive.

    Entrance

    Good landscaping helps a lot, and all of Gateway Center has very good landscaping. The modernist ideal of towers in a park was never better implemented, and it is because the park part of the scheme was not neglected.

    Gateway Towers
    Gateway Towers
    End of Gateway Towers
    Canon PowerShot SX150 IS; Kodak EasyShare Z1285.

  • Mellon Hall, Duquesne University

    Mellon Hall from across the river
    Composite of four photographs from the Fujifilm FinePix HS10.

    Built in 1968, this is the only design in Pittsburgh by Ludwig Mies van der Rohe; it was one of his last works. (The IBM Building at Allegheny Center was designed by Mies’ firm after Mies died.) This is a composite of four long-telephoto photographs taken from the back streets of the South Side across the Monongahela River. At full magnification, atmospheric distortion makes the straight lines slightly wavy.

    We also have some closer pictures of Mellon Hall.

  • 900 South Negley Avenue, Shadyside

    900 South Negley Avenue

    Old Pa Pitt knows nothing about this apartment building, and it is probably not one of the masterpieces of modernism. But it was different enough from the ordinary brick boxes to be worth a couple of quick pictures with the phone camera. It was probably not worth the effort Father Pitt later put into adjusting the perspective of the picture above by slicing it down the corner and adjusting it on two planes, but the “violent perspective” (as photography critics used to call it) of the wide-angle lens on the phone offended him.

    Enlarge the picture and you can see that one of the corner apartments is infested with plastic coyotes.

    Negley Avenue side

    An abstract pattern of shaped glass blocks over the entrance creates interesting patterns of light inside.

  • Moderne Terrace in West Park

    610–614 Woodward Avenue

    We have seen many answers to the question of how to make a cheap row of small houses attractive. This streamlined terrace is certainly one of the more interesting answers. It would have been even more striking with the original windows and doors and without the aluminum awnings.

    Geometric patterns in the bricks
    Porch and doors
    Moderne terrace
    Fujifilm FinePix HS10.

  • Kentley House, Shadyside

    Kentley House

    Built in 1970, this apartment building was designed by Tasso Katselas, and to old Pa Pitt’s eye it is one of his most pleasing designs. The landscaping has matured to make the setting picturesque, and the materials of the building blend well with its setting. On a block of Kentucky Avenue that includes every kind of architecture, this building fits with every kind of architecture.

    Kentley House
    Kentley House
    Fujifilm FinePix HS10.

  • Wyndham Grand Pittsburgh Downtown

    Hilton Hotel

    This was built as the Pittsburgh Hilton, which opened in 1959. William Tabler, the house architect for Hilton Hotels, designed the main building, which is a box of square windows. Originally the parts between the windows were gold-colored aluminum, but that was painted over to remove the last trace of anything exciting about the building.

    In 2014, after years of delays and a change of ownership, a new lobby addition opened on the front of the building, designed by Stephen Barry of Architectural Design, Inc. In old Pa Pitt’s opinion, the addition does not belong on this building. It belongs on a much more interesting building. Here it looks like some sort of parasite attacking the main structure. Nothing about it matches the original building in shape or color, and it is too interesting not to draw attention to itself as something that does not belong here.

    Wyndham Grand Pittsburgh Downtown
    Fujifilm FinePix HS10.

  • Washington Square, Mount Lebanon

    Washington Square

    Since we saw the Washington Square apartments from the Florida Avenue side a few days ago, it would almost be neglectful to leave out the Washington Road face of the complex. It makes an attempt to fit into an urban streetscape by setting the high-rise apartment tower back from the street, with a low row of shops or offices in front along the sidewalk.

    Bank in front of Washington Square

    In Father Pitt’s opinion, the attempt is not entirely successful. The modernist style of the shops is uninviting in the most unfortunate sense: it is hard to tell how one is supposed to get into them. Is the entrance in front, or do we drive into a parking lot between them and enter from the lot? But wait—the drive between the shops is an exit only. Can we find the entrance? Should we find the entrance?

    Washington Square apartments
    Canon PowerShot SX150 IS.

    Because of the precipitous lot, the Washington Avenue side of the main building is shorter than the Florida Avenue side by several floors.

  • Mellon Bank, Squirrel Hill

    Mellon Bank

    One of several round banks Mellon Bank built in the modernist era. It is still a bank, now belonging to Citizens Bank, Mellon’s successor in retail banking.

    Roofline
    Canon PowerShot A540.

    We also have a less abstract picture of the whole building.

  • Coraopolis Armory

    Coraopolis Armory

    This little armory was built in 1938. The striking design, stripped-down Art Deco or lightly Decoized modern, was by Thomas Roy Hinckley, about whom old Pa Pitt knows only that he designed this building, the single work attributed to him at archINFORM. It is on the National Register of Historic Places.

    State seal and inscription
    Coraopolis Armory
    Fujifilm FinePix HS10.

  • Two Moderne Apartment Buildings in Mount Lebanon

    666 Florida Avenue

    On Florida Avenue, a street that runs behind the Uptown business district in Mount Lebanon, two apartment buildings in a toned-down version of Moderne streamlining face each other. The most striking feature of number 666 is the stairwell set into a tall groove with a two-floor window of glass blocks.

    666 Florida Avenue

    The decorative brickwork at the corners suggests quoins, but in a modernistic manner.

    Entrance to 666
    667 Florida Avenue

    Across the street is a pair of identical buildings with less streamlining and no abstract quoins.

    Entrance to 667

    Both buildings would probably have had windows with more character when they were new.

    667

    Cameras: Fujifilm FinePix HS10; Kodak EasyShare Z1285.