Jacobean Gothic is filtered through an Art Deco lens in this building from 1927, which has been sympathetically modernized with current materials that fit with and emphasize its distinctive character. The original terra-cotta ornaments have been lovingly preserved. This is a good example of how a commercial building can be brought up to date with good taste on a limited budget. Old Pa Pitt has not been able to determine what the building’s original name was; it now belongs to an organization for senior citizens.
Father Pitt knows how his readers appreciate a good utility cable, so here is a fine closeup of one, unfortunately marred by a date stone in the background.
Now called just 606 Liberty Avenue, this was once a high-class department store. The odd-shaped building was designed by MacClure & Spahr, who gave us many distinguished buildings downtown. The odd shape was forced on this one by the oblique angle of the intersection of Liberty and Oliver Avenues. That last block of Oliver Avenue was later filled in to make PNC Plaza, but this building memorializes the intersection that used to be.
The front on both streets is covered—perhaps the appropriate word is festooned—with terra-cotta decorations. The style is a kind of fantasy Jacobean Renaissance, with wide arches coming to a very shallow not-quite point. Old James I only wished he could have buildings like this in his realm.
If old Pa Pitt were more ambitious, he would remove those utility cables from the photograph, or from the street if he were more ambitious than that.
Resurrection Church was built in 1939 in an interesting modernist Gothic style, anticipating the streamlined modernist Gothic that would have a brief vogue after the Second World War. This design managed to give the congregation a sumptuous Gothic interior while keeping the exterior outlines starkly simple. The main entrance, for example, is recessed far into the building, so that only by standing right in front of it can we see the elaborate Gothic tracery and inscription.
An update: The 1939 church was designed by William P. Hutchins, who gave us many distinguished late-Gothic churches and schools, including St. Mary of Mercy downtown.
One of the side entrances.
“Light of the World” relief over the side entrance.
Before 1939, Resurrection Parish worshiped in the school next door, which was built in 1909. As usual, the Brookline Connection site has a thorough history of Resurrection Parish. From it we learn that the school was built in stages: the first two floors of the front were built first, with the rear and top floor added later. (Addendum: We have found that the architect of the second-floor addition was John T. Comès.1 This strongly suggests that Comès was the architect of the original building.) We are also told that the sanctuary was on the “ground floor,” but as we see from this picture, “ground floor” can be a slippery concept in Pittsburgh.
The school closed some time ago, and it is now a retirement home. Resurrection Church is now a worship site of St. Teresa of Kolkata parish, which also includes St. Pius X church in Brookline and St. Catherine of Siena in Beechview.
Source: The Construction Record, January 13, 1912: “Architect John T. Comes, 1005 Fifth avenue, will be ready for estimates about January 15th on erecting a one-story brick fireproof parochial addition at Brookline, for the R. C. Church of the Resurrection, Brookline. Cost $15,000.” The original building cost $22,000. ↩︎
Warwick House was built in 1910 for Howard Heinz, son of the ketchup king H. J. Heinz. The architects were Vrydaugh and Wolfe, and the construction budget was $75,000. After the Heinzes it passed through the Hillmans, and now it belongs to the Catholic Diocese of Pittsburgh, from which it is rented by Opus Dei, the Catholic organization famed for its albino assassins. But the organization seldom sends the assassins out against anyone but renowned curators; the rest of us are quite safe. At an open house this summer, old Pa Pitt was graciously allowed to take a few pictures of the beautifully maintained Jacobean interior. Above, the window in the grand staircase.
This picture of the front is not the best; the light was from the wrong direction. It means we will have to return soon at a different time of day.
The front door.
The front hall; the door to the library is on the right, the grand staircase on the left.
A little bit of the decorative woodwork in the front hall.
The grand staircase.
Modern American houses forget about the ceiling, as if people never looked up. Warwick House does not make that mistake. This is the decorated ceiling in a side hall.
The former ballroom was converted into a chapel by the late Henry Menzies, an ecclesiastical architect whose specialty was refurbishing modernist churches of the 1960s and 1970s to make them suitable for liturgical worship. He liked to use a baldacchino to give proper emphasis to the altar. (The ballroom was added to the house later, probably in 1929 according to the current residents.)
Old Pa Pitt is not quite sure how to classify this house. It is a sort of Jacobean or Tudor Gothic, but with very Victorian woodwork on the gables. We shall call it “Jacobean with gingerbread.”
Addendum: This is the Remsen V. Messler house; the architects were Peabody & Stearns, who designed several other Tudorish mansions around here, as well as the Liberty Market (now Motor Square Garden) and the Horne’s department store.
A typical courtyard apartment building in a corner of Mount Lebanon that is full of small to medium-sized apartment buildings. This one is in a simple but attractive Jacobean style, where a few effective details carry all the thematic weight.
This small skyscraper was not originally built as a skyscraper. The first part of it was put up in 1907; in 1917 five more storeys were added (very skillfully, we might add), bringing the building just about high enough to qualify as a small skyscraper in old Pa Pitt’s admittedly fluid definition of the term. The architects both times were MacClure & Spahr, who also gave us the Union National Bank Building and the Diamond Building, among others. Since 1952, this building has belonged to the city, which calls it the John P. Robin Civic Building.
Harry Darlington built this house in 1908 for his son, Harry Darlington Junior. The son’s house was two doors down from the father’s (separated by the widow Holmes’ house), but the two houses could hardly be more different in style. Where the father’s is tall, narrow, and massive, this is (comparatively) low and spreading. The architect was George S. Orth, who also designed the William Penn Snyder house a block away on Ridge Avenue.
Benjamin Franklin Jones, Jr., was the Jones of Jones & Laughlin, the steel conglomerate. This 42-room Jacobean mansion was designed by Rutan & Russell. Like most of the ultragazillionaires’ mansions in Allegheny West, it now belongs to the Community College of Allegheny County.
