Built in 1895, this is one of several magnificent private houses that have come into the possession of Chatham University without drastic architectural modification. The exterior is in an exceptionally accurate Georgian style that would be right at home in Annapolis or Williamsburg.
A splendid Italianate house, splendidly restored, complete with tower to keep an eye on one’s neighbors, as one had to do in the Italian Renaissance.
The current owners’ attention to detail includes proper fabric awnings for the porch.
A beautifully kept vernacular-Gothic house in Manchester. Enlarge the picture to appreciate the details, including the many shapes of roof slates and the more than usually elaborate woodwork along the porch roof.
The acute angle of the intersection of Crosman Street with 18th Street on the South Side Slopes creates two odd-shaped lots filled with odd-shaped buildings, both of them irregular pentagons. Above, the one on the south side of Crosman is smashed up against a cliff, with a big billboard for its neighbor: South 18th Street is the old Brownsville Plank Road, and still the main route down from the South Hills neighborhoods to the South Side. Below, the house on the north corner sits at the head of a row of little Pittsburgh rowhouses, each of them altered according to the whims of decades of owners. The corner house is festooned with aluminum awnings; three of the other houses have aluminum awnings over the front doors, and two of them (the last two down the hill) are genuine Kool Vent awnings.
These little rowhouses are a good example of the persistence of tradition in Pittsburgh vernacular architecture. They seem to have been put up in the early 1900s, with 1903 as a terminus post quem according to the Pittsburgh Historic Maps site; but they differ very little from the tiny, narrow rowhouses of the Civil War era.
It looks like an ordinary Romanesque rowhouse, like hundreds of others in Pittsburgh. But as we approach it, we notice an unusually lush growth of grotesque foliage in the carved stone relief.
You can enlarge this picture to admire the many whimsical details. According to a local historian who left a comment here a decade ago, this was the home of Achille Giammartini, the uniquely talented stonecarver whose work can still be found all over the city, especially on the North Side. The comment is worth reproducing in full:
Much of the local stone carving as well as work across the North Side, downtown, Carnegie Mellon University, etc was done by Achille Giammartini who built the house at 1410 Page St, near Page St & Manhattan St, in Manchester (beside Allegheny West). Although this was his personal residence he used the exterior as a “billboard” for his considerable skills. —Mark
Some years later, we received a very interesting comment from G. Blair Bauer, a lineal descendant of the sculptor, in reply to the comment from Mark:
Thank you, Mark. He was my great grandfather and his daughter, my grandmother, told us little about him. I remember one Christmas we got delayed going to my grandmother’s for dinner in Allegheny West because they were tearing down all the old townhouses. My grandmother said that her father had carved a lot of the mantels for the living rooms. My mother was horrified and said she wished that she had known as she would have gotten a mantel for each of us 4 children. Grandma replied, “He worked with his hands; I want to forget about him.” Mother was so enraged we got up and left dinner on the table. I now have an address and will visit his house; hope there is a lot of his work visible.
Well, the front would certainly have left a good impression of his talents. A prospective client who visited Mr. Giammartini at home would get the impression that here was a remarkable artist, and the impression would be conveyed before the client even walked in the door. Even the address has a touch of Romanesque fantasy:
One of several mansions that have become part of Chatham University, this tasteful Tudor house is comparatively modest against its neighbors the Mellons and the Reas.
Addendum: We find from the June 1911 issue of The Builder that this was built as the President’s Home for the Pennsylvania College for Women. The architect was Thomas Hannah. Here are two pictures from the magazine:
A pair of Romanesque houses, mostly brick but with a splendid stone front. The decorations are extraordinarily fine, and Father Pitt suspects that they were by the extraordinary Achille Giammartini, who lived a few blocks away and was responsible for much of the ornamental stonecarving on the North Side.
Map.
Another of the millionaires’ mansions that have become part of Chatham University. Built in 1911 or 1912 for steel executive James C. Rea, the Julia and James Rea House is now a student dormitory. Students tell us the rooms are “quirky” in a good way, with high ceilings and odd protrusions, because the house was divided with minimal disruption to the original architecture.
A very short video on the Chatham Undergraduate Housing page shows us some of the interior.
Addendum: The architects were MacClure & Spahr.
This Renaissance house in Shadyside is now a residence for first-year students at Carnegie Mellon. The round dormer is unusual, but there was a brief fad for them around the turn of the twentieth century: see also the J. J. Matthews House.
Addendum: The architect was Frederick Osterling. This is the sole survivor of a row of three houses Osterling designed; this one was for James H. Hammond. See Works of F. J. Osterling by J. Franklin Nelson, 1904.
South 18th Street, which used to be the Brownsville Plank Road before it was taken into the city of Pittsburgh, snakes up through the South Side Slopes, following an ancient track that probably predates European settlement. It makes a long loop around a lumpy eminence known locally as Billy Buck Hill, where typical tall and narrow Slopes houses crowd on absurdly precipitous lots. These houses in the foreground are lined up along St. Paul Street. In the background, across the Mon, we see Oakland, which is as usual full of cranes.
The usual story of the etymology of Billy Buck Hill has to do with goats having been kept there, and that seems plausible. But old Pa Pitt is not willing to swear to it, because it has the look of one of those ex-post-facto etymologies suggested speculatively as the probable reason for the name, and then picked up as the only possible explanation and presented as fact.
