Louis Sullivan was of the opinion that Daniel Burnham’s success in the classical style was a great blow to American architecture. But what could be more American than a Burnham skyscraper? Like America, it melds its Old World influences into an entirely new form, in its way as harmonious and dignified as a Roman basilica, but without qualification distinctly American.
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Forbes Avenue Side of the Frick Building
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Reliefs on the City-County Building
On the left, the arms of Allegheny County; on the right, the arms of the City of Pittsburgh.
Allegheny County.
Pittsburgh.
Addendum: The sculptures are by Charles Keck, who also worked with architect Henry Hornbostel on numerous other buildings, including Soldiers and Sailors Hall.
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Entrance to the Frick Building
The Frick Building was designed by Daniel Burnham to convey one message, and with its austere classical dignity it succeeds perfectly. The message was “Henry Frick is more important than Andrew Carnegie.” The Frick Building dwarfed the Carnegie Building next door, which had once been the tallest in the city; by the time Frick had surrounded Carnegie’s building with taller buildings, the Carnegie Building was no longer an attractive place to be, and it was demolished to make way for the Kaufmann’s annex.
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Union Trust Building
The only way to get a complete view of the Grant Street front of the Union Trust Building is with a composite of several photos. There are stitching errors, including a spooky phantom wheel rolling down Grant Street, but at least the picture gives us a better idea than we usually get of the face of this massive building, which was intended by Henry Frick to be the best shopping arcade in the country. It was designed in the Flemish Gothic style by Frederick Osterling.
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The Gulf Building
The Gulf Building, an Art Deco tower with a top modeled after the Mausoleum at Halicarnassus, is rendered here in old-postcard colors through the marvel of modern digital technology.