Father Pitt featured one picture of this church a couple of months ago, but he returned to get a few better pictures, including the composite one above, which took some effort. We repeat the information from the earlier article:
Now Madonna of Jerusalem Church of Christ the King Parish, which also includes the St. Joseph Church that once lived in this building but handed it over to Madonna of Jerusalem in 1960. This building was finished in 1874, but it was built around an earlier school from 1869. It is a typical nineteenth-century Pittsburgh Gothic church, with the buttresses and crenellations we expect from the style.
This church was built in 1906; the Pittsburgh History and Landmarks Foundation was unable to identify the architect, and so far Father Pitt has had no better luck. (Update: The architects are now identified as Vrydaugh & Wolfe; see the end of this article.) It used to be called the Bellevue Methodist Church—Methodist Episcopal, as opposed to Methodist Protestant, since there was one of those, too. This one is in Avalon, which used to be called West Bellevue, and its striking green stone gave it the name by which everybody called it. In 1982, the congregation bowed to the popular will and renamed the church Greenstone.
This is one of the relatively few churches of this type that have kept their spires.
The picture above is one of those rare pictures where old Pa Pitt decided to remove all the fat ugly utility cables, because they were just too distracting.
The composite picture above shows some of the matching Sunday-school wing. The stitching worked perfectly for the building, but it made a noticeable break in the car parked on the street, which you can see if you enlarge the picture. Father Pitt left a note on the windshield.
Addendum: Perhaps unsurprisingly, given the style—and especially that low tower with four corner pinnacles—this church was designed by Vrydaugh & Wolfe.1 This means that Vrydaugh & Wolfe had two of the four corners of this intersection covered: diagonally across from this church is their Church of the Epiphany.
Source: The American Architect and Building News, July 23, 1904: “Architects Vrydaugh & Wolfe will be ready for bids in a few days on the Methodist Episcopal Church, of Bellevue. The building will be erected at Lincoln and Home Aves., at an approximate cost of $60,000.” ↩︎
A beautifully composed picture of the interior of Emmanuel’s taken in February of 1958 by an unknown wedding photographer. The church is now a nondenominational church called Christ the King (which sounds like a very Lutheran name), and the congregation keeps it up beautifully, as we can see in the rest of these pictures. Old Pa Pitt must apologize for the lighting: the sun was from exactly the wrong direction.
This church is obviously the work of an architect of no little skill, and Father Pitt would be delighted if someone could identify who it was. —Update: Father Pitt identifies Allison & Allison as the architects. Source: Philadelphia Real Estate Record and Builders’ Guide, April 22, 1908: “At Pittsburg, architects Allison & Allison, Westinghouse Building, are receiving bids for the erection of a Lutheran church at Bellevue, Pa. The cost will be $15,000. Rev. Hankey is in charge.”
This church sits right across the line from Bellevue in Avalon, but it is often listed as the Church of the Epiphany of Bellevue. It was built in 1912–1913, and the architects were Vrydaugh and Wolfe, who also designed Warwick House and (as Vrydaugh and Shepherd with T. B. Wolfe) Calvary Methodist in Allegheny West. This is one of our increasingly rare black-stone churches; every stone church in Pittsburgh used to look like this.
Though it is no longer active as a church, everything but the sign seems well kept and loved.
Addendum: Just this month (August 2023), this building was awarded a plaque by the Pittsburgh History and Landmarks Foundation.
Built in 1911, this church served the Methodists until 1995. It is now home to the Lamb of God Church. The architects were Vrydaugh & Wolfe.
Here, by the way, is an example of how one develops an instinct for church architecture. Father Pitt did not know what congregation originally built this church, and how would one easily find out without some research? (One might have done the research, but it is always better to spare oneself trouble if one can.) The answer is by guess. “It looks Methodist,” Father Pitt thought to himself; and, with that clue, finding the information was easy.
Built in 1914, this little church (now Emmanuel Christian Church) is a fine example of the simple Arts-and-Crafts interpretation of Tudor Gothic that was fashionable for small churches in the early 1900s. The only specifically Gothic detail is the large front window; the tower has a bit of decorative half-timbering, but the rest is unadorned and built with cheap but attractive materials.
Addendum: According to the Construction Report for August 23, 1913, the architect was Pierre Liesch. “Architect Pierre Lessch, 18 East Fourth street, Aspinwall, is taking bids on erecting a one-story brick veneer church on Davis avenue near Brighton road, Northside, for the Emanuel Baptist congregation. Cost $15,000.” It should be noted that this magazine is poorly edited and frequently misspells names.
It is cheering to report that this impressive little Gothic church, once an abandoned hulk, has now been stabilized and put to use, apparently as a private home. Some of the stained glass was smashed while it was abandoned, but the remainder has been kept in place and covered with clear glass to seal up the holes. Since it sits in a prominent spot diagonally across from the Carnegie Free Library of McKeesport, it improves the neighborhood quite a bit to have this building occupied.
The cornerstone bears a date of 1903.
The outsized tower and shadowy inset corner porch are distinctive features.
Disclosure: old Pa Pitt took some utility cables out of some of these pictures. Fans of Pittsburgh utility cables will have to look elsewhere today.
A beautiful Gothic church from the 1930s. It is typical of Episcopal churches in Pittsburgh: small but rich, Gothic in style, with a steeply pitched roof that makes up more than half the height of the building. The architects were Ingham & Boyd.1
The wooden wheelchair ramp is not the most elegant solution to the problem of access, but it does its job without permanent damage to the building.
Loaves and fishes.
The pelican, a symbol of Christ. In medieval zoology, the pelican was known for feeding her young with her own blood. Modern zoology disputes the data, but as symbolism the legend is irresistible.
Source: “Episcopalians Planning North Side Edifice,” Pittsburgh Sun-Telegraph, March 30, 1930. Also, “Big Six Who Shaped Face of Pittsburgh To Be Honored for Outstanding Work,” Pittsburgh Press, January 13, 1952, where it is listed among Ingham’s works, along with other Ingham & Boyd projects. Thanks to David Schwing for these clippings. In an earlier version of this article, Father Pitt had admitted ignorance of the architect, but the discovery of the attribution is not surprising, since Ingham & Boyd did several other churches in a very similar style. ↩︎
Designed by Bertram Goodhue in the Perpendicular Gothic style, this church emphasizes verticality. We also have pictures of the interior of First Baptist.
