The modernist ideal of towers in a park often runs up against the unwillingness of developers to put any resources into the park part. Gateway Center is a notable exception. The park has always been beautifully maintained, and it was planted with an eye on the long term, so that the saplings planted decades ago have grown into a forest of mature trees in the middle of the forest of towers.
The gleaming modernist towers of Gateway Center in afternoon sunshine.
Did you notice how Father Pitt did not slow down the shutter speed for the flowing water, the way every photography site on the Internet dogmatically insists you must do it? Did you notice the fascinating patterns of falling water that were captured by the deliberately fast shutter? Are you ready yet to abandon the dentist’s-office-wall-decor cliché of slow shutter speeds for waterfalls and fountains? You can join the rebel alliance!
The picture above is made from three separate photographs at different exposures, which gives us a better range of detail—but it also adds to the complexity of the play of falling water. To approximate the golden color of the late-afternoon sunshine, it was then put through a simulated Kodachrome 64 filter, with many thanks to the obsessive fiddler who did his best to match the color and light response of Kodachrome film so that the rest of us can have at least an echo of that Kodachrome look. Since Kodachrome has been extinct for fifteen years, this is as much as we can do.
Gateway Towers was designed by Emery Roth & Sons. It was built in 1964, which tells us that it was the & Sons who were responsible for it, since Emery Roth died in 1948.
From a distance, this has never been one of old Pa Pitt’s favorite buildings to look at, although he is going to give it a fair chance by presenting multiple angles. Up close, however, it has a sharp classicism in its spare details that makes it much more attractive.
Good landscaping helps a lot, and all of Gateway Center has very good landscaping. The modernist ideal of towers in a park was never better implemented, and it is because the park part of the scheme was not neglected.
This was built as the Pittsburgh Hilton, which opened in 1959. William Tabler, the house architect for Hilton Hotels, designed the main building, which is a box of square windows. Originally the parts between the windows were gold-colored aluminum, but that was painted over to remove the last trace of anything exciting about the building.
In 2014, after years of delays and a change of ownership, a new lobby addition opened on the front of the building, designed by Stephen Barry of Architectural Design, Inc. In old Pa Pitt’s opinion, the addition does not belong on this building. It belongs on a much more interesting building. Here it looks like some sort of parasite attacking the main structure. Nothing about it matches the original building in shape or color, and it is too interesting not to draw attention to itself as something that does not belong here.
One corner of Three Gateway Center, half sun and half shadow.
