O. M. Topp, the favorite architect of Lutherans in Pittsburgh for a generation, designed this magnificent Romanesque church, which was built in 1927–19281 and seems almost like a tribute to the late John T. Comès, who had died five years earlier. Topp almost always designed churches in the Gothic style, but here he takes up Romanesque and shows that he can be a master of it, right down to the polychrome stripes that Comès loved so well.
The entrance on the Stewart Avenue side is perhaps the stripiest ecclesiastical structure in the city of Pittsburgh.
The Pittsburgh History and Landmarks Foundation identifies Topp as the architect of the main church. The Sunday-school wing was built shortly afterward. Source: The Charette, October, 1927: “359. Architect: O. M. Topp, Jenkins Arcade, Pittsburgh, Pa. Title: Stewart Ave. Lutheran Church, Sunday School. Location: Stewart Ave. and Brownsville Road. Ready for bids Sept. 19th. Approximate size: Two stories; brick, wood and steel. Cubage: 125,000 cu. ft.” ↩︎
The post office in Mount Oliver has been peripatetic if we take a long-term view. It began a few doors north of here on Brownsville Road in a little brick building later replaced by a furniture store. In about 1905, this substantial “flatiron” building went up at the complicated intersection of Brownsville Road, Amanda Street/Avenue (the border between Mount Oliver, which calls it an avenue, and Pittsburgh, which calls it a street), Bausman Street, Sherman Avenue, and Hays Avenue.
From a 1905 Hopkins plat map. Note the “P. O.” at the corner of Murry Alley, and this triangular building marked as “New P. O.,” suggesting that it was under construction when the map was drawn.
Now the post office is in a much larger modernist building two blocks up Brownsville Road. But this building still stands in reasonably good condition.
Father Pitt has not been able to find the architect of this fairy-tale palace, but it is in good shape. It was built for Frank Sholten, a local newsdealer who apparently wanted to expand into the landlording business, in 1928, and a Sun-Telly photographer captured the building still under construction.
The building has a near-twin in West Homestead, and some lucky day Father Pitt or one of his correspondents will find the name of the artist behind both of them. Meanwhile, we can appreciate the details, bathed in golden late-afternoon sun.
A good example of the kind of arts-and-crafts Gothic that was popular for churches in the first quarter of the twentieth century, usually defined by broad Perpendicular Gothic windows, corner towers, and simple but elegantly crafted woodwork. The architect was S. A. Hamel, about whom old Pa Pitt knows little so far other than that he designed some churches south of the rivers and lived on Giffin Avenue, just two blocks away from this church. Mr. Hamel was associated with a real-estate broker named James A. Griffith, who sold this lot to the church and probably recommended the architect. It seems the congregation was not disappointed: the same congregation still owns the building, and a picture published when the church was dedicated in early 1919, though the scan is poor, is clear enough to show us that almost nothing has been altered.
The congregation was originally German Baptist. The earlier home of the congregation, when it was known as the First German Baptist Church, is also still standing on the South Side; it now belongs to the Holy Assumption of St. Mary Orthodox congregation.
When ground was broken for this building, an article in the Press related the history of the congregation.
Ground Broken for New Temple Baptist Church
Ground has been broken for the new Temple Baptist church, to be erected at Brownsville rd. and Onyx st., Mt. Oliver, at a cost of $50,000. The plans, drawn by Architect S. A. Hamel, call for a handsome structure of rough brick of odd coloring, creating a beautiful effect, and the congregation, which now is holding services at Birmingham and Hays aves., Carrick, anticipates being in its new home before the end of the year.
The Temple Baptist congregation is the oldest German Baptist congregation in Pittsburg and vicinity, and formerly was known as the First German Baptist, the word German now having been dropped from its title.
Formerly services were held in the old church at South Nineteenth st. and Carey ay., where, for 60 years the congregation worshiped, but recently the property was sold to the Greek Orthodox congregation. A chapel that had been maintained by the Baptist congregation at Hays and Phillips aves., Carrick, also has been disposed of and now is being used by the Carrick Red Cross. Since Rev. A. P. Mihm, the pastor, assumed charge three years ago, the membership has enjoyed a steady and substantial growth.
A typical small apartment building with storefronts that keeps many of its distinctive details, including the tiled overhang with exaggerated brackets. The windows have been replaced (although the art glass surrounding the stairwell windows is still there), and the storefront on the right has been heavily altered. But the quoins picked out in contrasting Kittanning brick still grab our attention as we walk by.
Father Pitt took his new old Kodak superzoom to the South Side Cemetery to try it out. These pictures of St. Basil’s Church are not cropped; the lens has a very long range, although there are more recent superzoom cameras with even longer ranges. Herman J. Lang was the architect of the church.
Aside from what you see in the pictures, old Pa Pitt knows nothing about this building on Brownsville Road. It was probably put up in the 1920s, and it has the look of a car dealer. But it really looks like nothing else in Pittsburgh, and the current owners seem to appreciate its uniqueness. The most striking feature, of course, is that organ-pipe crest, which reminds Father Pitt of the purely ornamental “pipe tops” that used to be fashionable on Victorian reed organs.
Last week we saw this picture of the old Carrick Hotel, with the Carrick Municipal Building behind it. The Municipal Building is still there, converted to a storefront. What happened to the hotel?
It’s still there, too, under decades of accretion.
You would hardly recognize it, until you notice those distinctive dormers peering at you from behind the later overgrowth. This kind of development is typical in business districts that became prosperous but not too prosperous: prosperous enough for commercial frontage to be valuable, but not prosperous enough to make it worthwhile constructing larger buildings. Houses and other buildings grew storefronts in front, but the valuable original building remained behind the new construction. As the neighborhood aged, the commercial frontage became less valuable again, and it was adapted into offices or apartments.
This building shows up as a theater on a 1916 map, and that is all Father Pitt knows about it.
The intersection of Brownsville Road and Narrow Avenue (now Newett Street) in 1916.
It is not documented at Cinema Treasures, where theater fanatics have catalogued 178 theaters in Pittsburgh, or at the expiring and impossible-to-navigate Carrick-Overbrook Wiki, so it may not have lasted very long as a theater. (And Father Pitt is only making the assumption that it was a movie theater rather than a live theater or vaudeville house, because the latter seems much less likely for the era and place.) If anyone from the neighborhood knows the story of this building, the information will be received with gratitude. The building is well kept: it has been updated just enough to be useful to its current tenant without destroying the original design of the exterior.
Carrick became a borough in 1904, and for this little all-in-one borough building hired the big-deal architect Edward Stotz.1 It must have created an impression of prosperity when it was built in 1905, and it still looks solid and respectable today, one year short of a century after the people of Carrick voted for the borough to be annexed by the city of Pittsburgh in 1926. It has been converted into a retail store, and the huge second-floor window makes an excellent display for the current tenant.
The building originally had an elaborate baroque crest that has been shorn off. We can see it in this picture, where the municipal building appears behind the Carrick Hotel:
