Father Pitt

Tag: Beaux-Arts Architecture

  • Oliver Building

    Oliver Building

    The Oliver Building, designed by Daniel Burnham, was the tallest building in Pittsburgh when it was put up in 1910, passing Alden & Harlow’s Farmer’s Bank Building (destroyed in 1997, or arguably thirty years earlier when it was given a fake-modern skin). Only two years later, though, it was passed by Daniel Burnham’s own First National Bank Building (destroyed in 1968 to make way for a modernist skyscraper barely any taller).

    The front of the Oliver Building still produces an impression of absolute massiveness, spanning an entire block with a 348-foot-tall wall. The rear, on the other hand, is where the light wells are, which divide the building into three narrower towers, changing the impression to one of loftiness rather than massiveness.

    Oliver Building from Oliver Avenue

    Your eyes are not being fooled by a trick of perspective: the section on the right really does extend a little further toward us than the other two.

  • Mission Pumping Station, South Side Slopes

    Carved face

    Imagine the uproar that would ensue if your city government today decided to hire a Beaux-Arts master like Thomas Scott to design a monumental palace for such a utilitarian purpose as a water-pumping station. Imagine the inquiries that would probe the vital questions of how much each of those carved faces cost and why stone trim was used when the same object could be accomplished with aluminum. The world has made a lot of progress since Scott, architect of the Benedum-Trees Building downtown (where he kept his architectural office, naturally), gave us this $100,000 pumping station on an out-of-the-way street on the South Side Slopes.1

    Mission Pumping Station

    There were doubtless security reasons for bricking in the towering windows that used to flood the place with light. But Father Pitt cannot help suspecting that the real reason is that the workers here constituted a sort of men’s club, and men’s clubs in Pittsburgh abhor natural light.

    Corner of the Mission Pumping Station
    Carved face and wreath
    Carved face from the side
    Carved face from below
    Entrance ornament
    Doorframe
    Carved face from the other side
    Wreath
    Mission Street front

    Even in November, much of the building is obscured by trees.

    End of the building
    1. Our source is the Construction Record, March 4, 1911: “The City of Pittsburg, Bureau of Water, will receive estimates until March 13th, on constructing a one-story brick, terra cotta and steel pumping station on Mission street, South Side, to cost $100,000. Plans were drawn by Architect T. H. Scott, Machesney building, and contract for foundation work was awarded to M. O’Herron & Co., First and McKean streets, South Side.” The Machesney Building was the original name of the Benedum-Trees Building. ↩︎

  • Entrance to the Kinder Building, Allegheny West

    The Kinder Building is a little Beaux-Arts masterpiece at the corner of Western Avenue and Galveston Avenue. At night its carefully balanced classical entrance takes on a pleasing air of mystery.

  • Six Stories Addition to House Building

    House Building with six new floors
    From The Builder, April 1904.

    The design of the House Building, with its unusual middle section, is explained by the fact that the upper six floors were added some time after the lower seven were put up. This rendering shows the cornice and parapet at the top, without which the building looks a little too casual.

  • Highland Building in Evening Sun

    The Highland Building looms behind the tiny shops of Ellsworth Avenue.

  • Peoples Trust Company of Pittsburgh at Twilight

    Peoples Trust Company of Pittsburgh

    This rich little Beaux-Arts bank on Carson Street at 18th Street was built in 1902. We have a daylight picture of the Peoples Trust Company of Pittsburgh building from the same angle.

  • The Peoples Building, McKeesport

    Peoples Building

    The richly detailed Peoples Building deserves owners and tenants who will love it, and we hope it can find them. It has at least been stabilized by its current owner, and it looks like an attractive place to have an office.

    Walnut Street entrance

    These entrances want clocks, but the elegance of the gleaming white stone is unimpaired.

    Roof ornament

    This classical roof ornament was clearly meant to be right in the middle of the Fifth Avenue side, but it appears that the building was expanded by two more bays not long after it was built.

    The McKeesport Community Newsroom site gives us A Peek Inside the Peoples Building, showing us a wonderful time capsule that it would almost be a shame to disturb. If old Pa Pitt were a billionaire, he would buy the building, preserve all the contents as they are, and call it a museum, and then not care whether anyone actually paid the 50¢ admission fee, because he would be a billionaire.

    Addendum: The architects were Mowbray & Uffinger, New York specialists in bank buildings.

  • Peoples Building, McKeesport

    Built by the Peoples Union Bank & Trust Company in 1906–1907, this is a perfect miniature Beaux-Arts skyscraper, with base, shaft, cap, and even the bosses’ floor (the third floor) outlined to mark its social importance. The building was abandoned for some time, but its latest buyer seems at least to have stabilized it. We’ll see pictures in natural color later, but for now, old Pa Pitt decided to render it in black and white with a red filter (simulated in the GIMP, which saves ever so much money on optical equipment), giving us a view that almost makes McKeesport look like a thriving and important metropolis again.

    Addendum: The architects were Mowbray & Uffinger, New York specialists in bank buildings.1 The rest of the article follows as originally written when old Pa Pitt did not have that information.

    The history of this building is obscure, like many McKeesport things. Father Pitt was not able to find the architect, though it must have been some well-known figure; and although he has not read of any expansion, it seems clear that the original building had four bays along Fifth Avenue, with the two bays to the right added later. Subtract those two bays, and the Fifth Avenue face would be perfectly symmetrical, with the roof ornament right in the center.

    Most of the people who mention the Peoples Bank on the Internet add the obvious apostrophe to the name, but it appears that the company itself, in line with many similarly named companies, always left out the apostrophe, as we see in this 1894 picture of its earlier building:

    The picture comes from The First One Hundred Years of McKeesport, where it is captioned “The People’s Bank,” with the apostrophe, because sensible people can’t help themselves and feel compelled to correct the name.

    1. Source: Philadelphia Real Estate Record and Builders’ Guide, March 21, 1906, p. 181. “At McKeesport, Allegheny Co., the Peoples Bank will erect a building from plans by Architects Mowbray & Uffinger, 92 Liberty street, New York City. The cost will be $100,000. E. W. Pitts is president.” ↩︎

  • Renshaw Building

    Renshaw

    The Renshaw Building at Liberty Avenue and Ninth Street was built in 1910, with an extra floor added to the top at some time in the modernistic era. It’s a perfect miniature skyscraper, with base, shaft, cap, and the outlined bosses’ floor above the main floor. There are some good terra-cotta decorations, especially around the Ninth Street entrance.

    Renshaw Building
    Nonth Street entrance
    Frieze

  • Two Sides of Charles Bickel

    Charles Bickel was one of our most prolific architects of medium-sized commercial buildings. He was versatile and adaptable, as we see here in two buildings of very similar dimensions and very different styles, built within two years of each other. Above, the Maginn Building, from 1897, in a very Richardsonian Romanesque idiom; it is currently being converted into—who would have guessed?—luxury loft apartments. Below, from 1895, the United Presbyterian Board of Publications Building, in a pure Beaux-Arts classical style.