
Craftsman meets Colonial in an attractive double duplex whose details are exceptionally well preserved—notably the showy carved brackets and the windows.


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Craftsman meets Colonial in an attractive double duplex whose details are exceptionally well preserved—notably the showy carved brackets and the windows.



An attractive and well-maintained building that would have been even more attractive when that overhang had green or red tiles. The style seems to hover somewhere between Renaissance and Arts and Crafts.



After the originally tiled overhang and its showy wooden brackets, the most eye-catching feature is the balconies with their bulging iron railings.


Benno Janssen was one of the titans of Pittsburgh architecture, but even titans take on small projects once in a while. This is a fairly ordinary house on an ordinary street in Brookline, but it was designed by the firm of Janssen & Abbott.1 In spite of revisions that have changed some of the original character, it seems to retain some of the elegant simplicity of Janssen, who never wasted a line.

The front door is set back on the side of the house, which allows a broad front living room opening out on the porch, without dropping visitors right into the living room when they arrive—a clever way of making a narrow lot seem less restrictive.


A good example of the kind of arts-and-crafts Gothic that was popular for churches in the first quarter of the twentieth century, usually defined by broad Perpendicular Gothic windows, corner towers, and simple but elegantly crafted woodwork. The architect was S. A. Hamel, about whom old Pa Pitt knows little so far other than that he designed some churches south of the rivers and lived on Giffin Avenue, just two blocks away from this church. Mr. Hamel was associated with a real-estate broker named James A. Griffith, who sold this lot to the church and probably recommended the architect. It seems the congregation was not disappointed: the same congregation still owns the building, and a picture published when the church was dedicated in early 1919, though the scan is poor, is clear enough to show us that almost nothing has been altered.

The congregation was originally German Baptist. The earlier home of the congregation, when it was known as the First German Baptist Church, is also still standing on the South Side; it now belongs to the Holy Assumption of St. Mary Orthodox congregation.

When ground was broken for this building, an article in the Press related the history of the congregation.
Ground Broken for New Temple Baptist Church
Ground has been broken for the new Temple Baptist church, to be erected at Brownsville rd. and Onyx st., Mt. Oliver, at a cost of $50,000. The plans, drawn by Architect S. A. Hamel, call for a handsome structure of rough brick of odd coloring, creating a beautiful effect, and the congregation, which now is holding services at Birmingham and Hays aves., Carrick, anticipates being in its new home before the end of the year.
The Temple Baptist congregation is the oldest German Baptist congregation in Pittsburg and vicinity, and formerly was known as the First German Baptist, the word German now having been dropped from its title.
Formerly services were held in the old church at South Nineteenth st. and Carey ay., where, for 60 years the congregation worshiped, but recently the property was sold to the Greek Orthodox congregation. A chapel that had been maintained by the Baptist congregation at Hays and Phillips aves., Carrick, also has been disposed of and now is being used by the Carrick Red Cross. Since Rev. A. P. Mihm, the pastor, assumed charge three years ago, the membership has enjoyed a steady and substantial growth.
“Ground Broken for New Temple Baptist Church,” Press, April 28, 1918, Financial Section p. 3.








William Arthur Thomas designed this First-World-War-era duplex,1 which is typical of the better class of Pittsburgh duplexes: it offers two spacious apartments (plus attic and basement), each with more square footage than many city houses. Thomas was very fond of white Kittanning brick, to judge by the number of his buildings that made use of it.



Update: Thanks to our correspondent David Schwing, we know the story of this church better. It was a Shingle-style frame church dedicated at the end of 1896.1 In 1953, it was “Perma-Stoned,”2 so that the end result is an odd mixture of Shingle-style forms—like the flared roof—and 1950s aesthetics.
The original text of the article follows.
Father Pitt is not quite sure what to call this style: maybe arts-and-crafts Mediterranean.

The corner-tower entrance is typical of Pittsburgh churches, but the stone porch is not.



The arches and spindly columns of the belfry are the touch that says “Mediterranean” to old Pa Pitt.

From this angle we can see that the building has the usual Pittsburgh problems to solve: the lot gains almost two floors’ worth of height from lower to upper corner.

Paul Presbyterian Church, built in 1923, was named not for the Apostle Paul, as you might suppose, but for Elizabeth Paul, who donated the land on which the church was built along with $1,000 toward the cost of the building. After the congregation dissolved in 2001, the building passed to the Providence Reformed Presbyterian congregation. Now it belongs to Freedom Fellowship Church of Pittsburgh.

The amazingly thorough Brookline Connection site has a long history of Paul Presbyterian Church, all written in bold Comic Sans, like the rest of the site.

Stained glass with a depiction of Christ as Good Shepherd was in the front windows until the Reformed Presbyterians took over. The windows needed expensive repair, and, according to the Brookline Connection article, “with this being a rather conservative Presbyterian denomination, displaying the image of Jesus above God ran contrary to the First Commandment, and replacing them was more in line with their beliefs”—a weirdly Arian argument that we hope was garbled in transmission.




W. Ward Williams was the architect of this bungalow, which was built in about 1911 for Ward Brown1 and has been preserved in excellent condition. It was the subject of a photo feature in the Gazette Times for October 12, 1913.


A garage that looks like it wants to be just like Daddy when it grows up.




Update: Thanks to our correspondent David Schwing, we have more information on this building, which is a kind of split-level apartment house with three floors if we count a high basement, the entrance being between two levels. We had originally called it a duplex, but it seems to be a triplex. The architect was C. P. Hitchens, a developer-architect who designed his own buildings; he bought the lot in 1911.
The arts-and-crafts style of the building, with a tinge of Spanish mission, is expressed in patterned brickwork and big carved wooden brackets. The windows have been replaced, but the tiles and brackets at least have been preserved.




T. Ed. (for Thomas Edward) Cornelius was the architect of this little Arts-and-Crafts Gothic church.1 Cornelius was a lifelong resident of Coraopolis, but he flourished for decades as a designer of small to medium-sized projects all over the Pittsburgh area. This building has not been a church for quite a while, but its current owners keep it up neatly, though they have adapted it to radically different uses.

