
With skyscrapers in sunset light.
On the southeast side of Voelkel Avenue in Dormont are three eye-catching apartment buildings. Since patterned brickwork was a favorite trick of Charles R. Geisler, the most prolific designer of apartment buildings in Dormont and Mount Lebanon, old Pa Pitt suspects he was responsible (but of course would be happy to be contradicted by someone with real information). The building above has kept its original art glass in the stairwell, but the front windows of the apartments have been replaced with modern picture windows.
This one has a different configuration of apartment windows, possibly more like the original. It has lost its art glass in the stairwell, however.
The entrance to the D’Alo, on the corner of Voelkel and Potomac Avenues.
Across the street are two smaller apartment buildings with a similar riot of patterned brick. We suspect Geisler has struck again.
Tasso Katselas designed this apartment building, which opened in 1959. James D. Van Trump described it a few years later: “Glass, brick and concrete cage raised into space on arched stilts in the manner of Le Corbusier and at the time it was built the most ‘advanced’ apartment house in Pittsburgh.”
The drama of the building is in those arched stilts. They make approaching the building from the street an event. In typical Katselas fashion, they also solve a practical problem: they make room for a useful porte cochere while allowing the rest of the building to take up as much of its lot as possible.
In spite of considerable alteration, much of what makes this building on McCoy Road distinctive has been preserved. Most noticeable, of course, is the patterned brickwork that reminds old Pa Pitt of some buildings known to have been designed by Charles Geisler, prolific architect of small and medium-sized apartment and commercial buildings. He was also fond of this style of roof, which would originally have been covered with tile. And Father Pitt thinks the slightly clashing juxtaposition of a round arch in the middle with extremely broad Jacobean arches is also very Geislerian.
The building was originally a store with two apartments above; the store has been filled in with Permastone (or the equivalent) and made into a third apartment.
A complex grouping of windows and a variety of textures make this building more interesting than many. It has probably changed over time. The overhangs would originally have had tile rather than asphalt shingles. The sunrooms under them were probably balconies. The central stairwell windows probably had art glass in them.
Instead of one central entrance, the building has three entrances, and it appears to have been divided that way for a long time if not originally. It is possible that the ground floor was originally storefronts, which could have created a complex arrangement of entrances when the storefronts were adapted as apartments.
In its prime, this Renaissance palace on Island Avenue had four storefronts on the ground floor and three floors of apartments above. The storefronts have also been turned into apartments, but in a cheap way that could probably be reversed when McKees Rocks is prosperous again. The building is still in pretty good shape, and the details are worth appreciating, for which reason we give you a very large picture above. Old Pa Pitt especially likes the round and oval windows in the stairwells.
Across the street is a smaller building whose storefronts have also been turned into apartments, but with even less alteration. The big display windows are still there. It’s easy to imagine the ground floor becoming trendy little shops again in that rosy future when Island Avenue is a busy commercial street once more.
Gateway Towers was designed by Emery Roth & Sons. It was built in 1964, which tells us that it was the & Sons who were responsible for it, since Emery Roth died in 1948.
From a distance, this has never been one of old Pa Pitt’s favorite buildings to look at, although he is going to give it a fair chance by presenting multiple angles. Up close, however, it has a sharp classicism in its spare details that makes it much more attractive.
Good landscaping helps a lot, and all of Gateway Center has very good landscaping. The modernist ideal of towers in a park was never better implemented, and it is because the park part of the scheme was not neglected.
Old Pa Pitt knows nothing about this apartment building, and it is probably not one of the masterpieces of modernism. But it was different enough from the ordinary brick boxes to be worth a couple of quick pictures with the phone camera. It was probably not worth the effort Father Pitt later put into adjusting the perspective of the picture above by slicing it down the corner and adjusting it on two planes, but the “violent perspective” (as photography critics used to call it) of the wide-angle lens on the phone offended him.
Enlarge the picture and you can see that one of the corner apartments is infested with plastic coyotes.
An abstract pattern of shaped glass blocks over the entrance creates interesting patterns of light inside.
Built in 1970, this apartment building was designed by Tasso Katselas, and to old Pa Pitt’s eye it is one of his most pleasing designs. The landscaping has matured to make the setting picturesque, and the materials of the building blend well with its setting. On a block of Kentucky Avenue that includes every kind of architecture, this building fits with every kind of architecture.