
Looming behind Duquesne University on the Bluff.
Looming behind Duquesne University on the Bluff.
The best preserved of the old factories on the South Side, this was acquired, soon after the large corner building was built, by the United States Glass Co. It now belongs to the Salvation Army, which has kept the exterior beautifully.
The Carnegie Lecture Hall is designed to put a large number of people close enough to hear a single lecturer. It was filled to capacity today with people who came to hear poetry, which makes the literate think good thoughts about Pittsburgh. The International Poetry Forum is back after fifteen years of silence, and the first poet to speak was its founder, Samuel Hazo, who at 96 years old seems to be aging backwards.
The interior of the hall as it was filling up.
A very stony Anglican church that has kept its rich black coat of soot.
Gargoyles guard the building from the top of the tower.
Florida Avenue runs parallel to Washington Road, the main spine street of Mount Lebanon. The part behind the Uptown business district has a mixture of apartment building from small to large, double houses, and single-family homes, all assorted randomly. The next block to the south is mostly single-family homes in the wide range of styles typical of the Mount Lebanon Historic District. We have already seen some of the apartment buildings; here are some of the single and double houses.
This eclectic house in the fairy-tale style sits on a corner and presents quite different faces to the two streets. Above, a lavishly asymmetrical Tudor face on one side; below, the very symmetrical French-country-house face around the corner.
A twin house, with two houses side by side that are identical except for being mirror images.
A double house where the two units are deliberately made different, so that at first glance it appears to be a single larger house.
Now the Church of God, this is a modest church in an abstract version of Perpendicular Gothic, with castle-like battlemented towers fore and aft. The stained glass has been removed, possibly because it was too decrepit to restore, or possibly to satisfy the iconoclastic tendencies of American Evangelicalism.
The gleaming modernist towers of Gateway Center in afternoon sunshine.
Did you notice how Father Pitt did not slow down the shutter speed for the flowing water, the way every photography site on the Internet dogmatically insists you must do it? Did you notice the fascinating patterns of falling water that were captured by the deliberately fast shutter? Are you ready yet to abandon the dentist’s-office-wall-decor cliché of slow shutter speeds for waterfalls and fountains? You can join the rebel alliance!
The picture above is made from three separate photographs at different exposures, which gives us a better range of detail—but it also adds to the complexity of the play of falling water. To approximate the golden color of the late-afternoon sunshine, it was then put through a simulated Kodachrome 64 filter, with many thanks to the obsessive fiddler who did his best to match the color and light response of Kodachrome film so that the rest of us can have at least an echo of that Kodachrome look. Since Kodachrome has been extinct for fifteen years, this is as much as we can do.
James A. Cornelius was a developer and builder who designed his own houses. This is what Pittsburghers call a Normandy—a house in the fairy-tale style with a turret entrance. It was meant to be one of a whole block of houses built on the old Liggett estate in Shadyside.
Note the photograph of this house, and the house circled on the perspective map. The houses were meant to have their main fronts facing inward, where a landscaped common would make them into a garden community.
Only this house and the one next door were built, however. It appears that the project fell on hard times—1930 was not the best year to begin a development of luxury houses. The rest of the property, according to researcher David Schwing, was eventually sold to Herman Kamin, who developed apartments on it.
Gateway Towers was designed by Emery Roth & Sons. It was built in 1964, which tells us that it was the & Sons who were responsible for it, since Emery Roth died in 1948.
From a distance, this has never been one of old Pa Pitt’s favorite buildings to look at, although he is going to give it a fair chance by presenting multiple angles. Up close, however, it has a sharp classicism in its spare details that makes it much more attractive.
Good landscaping helps a lot, and all of Gateway Center has very good landscaping. The modernist ideal of towers in a park was never better implemented, and it is because the park part of the scheme was not neglected.
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