This splendid building, faced with ornate reliefs in terra cotta, is one of those odd-shaped buildings created by the colliding grids of the 1785 street plan for the Triangle. The iron-and-glass awning is particularly artistic, bringing a touch of Art Nouveau to the streetscape.
This is certainly one of old Pa Pitt’s most esoteric subjects. In rowhouse neighborhoods, there are often tunnel-like passages through to the rear yard of a house, with the upper storeys built over the passage. These outdoor passages are called “breezeways” in Pittsburgh; in other cities they may be called gangways or alleys. Sometimes the passage runs through one house; sometimes it is shared by two houses. We see examples of both in this little collection.
Edwards Way is the very edge of the South Side Flats. The greenery-covered wall on the left is the stone retaining wall below the railroad that separates the Flats from the Slopes. Of course this tiny narrow space is nevertheless too valuable to leave unbuilt, so the free side of the alley is lined with typical South Side alley houses.
This interesting residential-commercial structure on Potomac Avenue seems to combine two styles. The apartment building is a kind of very late Italianate, but the way the projecting storefronts form a sort of courtyard seems very much in the Mission style, as do the sloped roofs, which old Pa Pitt suspects were originally tile rather than asphalt shingles.
This concrete spiral on the Smithfield Street side of the Smithfield-Liberty Garage is certainly a striking addition to the streetscape. Whether it is a good addition may be left to other critics. Father Pitt’s own opinion is that it would be welcome on a street of other modernist buildings, but it harmonizes poorly with its Victorian neighbors.
Old Pa Pitt sometimes wonders what the architect told the client when he presented the plans. “It’s like a Guggenheim for cars,” he imagines the architect saying.
The Keenan Building in bright early-morning sunshine, seen from Sixth Avenue.
The classical building at Liberty Avenue and Strawberry Way was built originally as the Liberty Theater in 1913. It lasted only ten years as a theater before being converted to office space as the Baum Building.
The last block of Jane Street on the South Side Flats (as opposed to the resumed Jane Street on the Slopes side of the tracks) feels delightfully private, lined on the north side with charming Second Empire rowhouses facing an old herringbone-pattern brick sidewalk. The colors of the houses and flowers shine out all the brighter in the gloom of a rainy day.
The year 2013 was a bad year for older churches in Dormont: three of them—the Presbyterians, the Baptists, and the Methodists—gave up trying to maintain their fine old buildings with diminished congregations. The Presbyterians sold their building to a suburban megachurch; the humbler Methodists sold their building to Buddhists who used it as a temple. But the Buddhists, after having painted the building in this attractive bright yellow and red, have given up as well; and as of October 2019 the building is for sale again.
The curiously angular Gothic of this 1881 church might have pleased a congregation that wanted a building that looked like a church, but not one that looked too medieval. Like many other churches in the most crowded Pittsburgh neighborhoods (including several on the South Side), it adapts to its tiny lot by placing the sanctuary on the second floor, leaving the ground floor for Sunday-school rooms and social halls.
